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Painting --- art history --- easel paintings [paintings by form] --- Bruegel, Pieter [Elder] --- kunsthistorisch onderzoek --- kunst en politiek
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Art --- History of Europe --- anno 1700-1799 --- anno 1800-1899 --- kunst en politiek
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Did Spain fall into decline or flourish in the seventeenth century? This edited collection looks at perceptions and representations of Philip IV, Spain's 'Planet King', and his government against the backdrop of the seventeenth-century General Crisis in Europe, wars, revolutions and a sovereign debt crisis. Scholars often associate Philip's reign (1621-1665) with decline, decadence, crisis, stagnation and adversity (as did many contemporaries); yet the glittering cultural and artistic achievements (enhanced by his patronage) of the period led it to be dubbed 'the' Golden Age. The book analyses these contradictions, examining Philip's own understanding of kingship and how he and his courtiers used art and ceremony to project an image of strength, tradition, culture and prestige, while, at the same time, the empire grappled with revolts in Europe and falling trade with its New World colonies.
Philip IV [King of Spain] --- Art --- kunst en politiek --- Philip --- Spain --- Portugal --- History
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Art --- History of Mexico --- art [discipline] --- kunst en politiek --- anno 1900-1999
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kunst --- eenentwintigste eeuw --- 7.071 AUGUSTIJNEN --- Leopold II --- Congo --- kunst en politiek --- kolonialisme --- België --- Augustijnen Sven --- Exhibitions
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art criticism --- designs [concepts] --- community art --- economics --- Art --- anno 1980-1989 --- anno 2000-2099 --- anno 1990-1999 --- Art criticism --- History --- designs [artistic concepts] --- kunst en politiek
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The Routledge Handbook of Graffiti and Street Art integrates and reviews current scholarship in the field of graffiti and street art. Thirty-seven original contributions are organized around four sections: History, Types, and Writers/Artists of Graffiti and Street Art; Theoretical Explanations of Graffiti and Street Art/Causes of Graffiti and Street Art; Regional/Municipal Variations/Differences of Graffiti and Street Art; and, Effects of Graffiti and Street Art. Chapters are written by experts from different countries throughout the world and their expertise spans the fields of American Studies, Art Theory, Criminology, Criminal justice, Ethnography, Photography, Political Science, Psychology, Sociology, and Visual Communication. The Handbook will be of interest to researchers, instructors, advanced students, libraries, and art gallery and museum curators. This book is also accessible to practitioners and policy makers in the fields of criminal justice, law enforcement, art history, museum studies, tourism studies, and urban studies as well as members of the news media. The Handbook includes 70 images, a glossary, a chronology, and the electronic edition will be widely hyperlinked.
politics --- art history --- public spaces --- street art --- Art --- graffiti --- kunst en politiek --- kunst in de openbare ruimte --- graffiti [casual notations] --- Graffiti --- Street art
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kunst --- kunst en politiek --- activisme --- kunstonderwijs --- kunsttheorie --- kunsttechniek --- Helguera Pablo --- engagement --- 7.01 --- 373.67 --- 7.071 HELGUERA --- 7.02 --- MAD-faculty 14 --- kunst en maatschappij
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Painting --- History of the United Kingdom and Ireland --- mural paintings [visual works] --- political art --- Late Baroque --- anno 1600-1699 --- anno 1700-1799 --- kunst en politiek
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Viewers in the Middle Ages and Renaissance were encouraged to forge connections between their physical and affective states when they experienced works of art. They believed that their bodies served a critical function in coming to know and make sense of the world around them, and intimately engaged themselves with works of art and architecture on a daily basis. This book examines how viewers in Medicean Florence were self-consciously cultivated to enhance their sensory appreciation of works of art and creatively self-fashion through somaesthetic experience. Mobilized as a technology for the production of knowledge with and through their bodies, viewers contributed to the essential meaning of Renaissance art and, in the process, bound them to others. By investigating the framework and practice of somaesthetic viewing of works by Benozzo Gozzoli, Donatello, Benedetto Buglioni, Giorgio Vasari, and others in fifteenth- and sixteenth-century Florence, the book approaches the viewer as a powerful tool that was used by patrons to shape identity and power in the Renaissance.
Aesthetics of art --- patronage --- viewers [observers] --- Italian Renaissance-Baroque styles --- Medici, de [Family] --- anno 1400-1499 --- Florence --- Art appreciation --- Art --- Art, Renaissance --- Art, Italian --- Political aspects --- Medici, House of. --- History --- History. --- Florence, school van --- kunst en politiek
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