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Pieter Bruegel de Oude : Val van de opstandige engelen: kunst, kennis en politiek aan de vooravond van de Nederlandse Opstand
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ISBN: 9788836642915 Year: 2019 Publisher: Milano SilvanaEditoriale

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Fluctuating Alliances

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Philip IV and the world of Spain's Rey Planeta
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ISBN: 9781855663534 1855663538 9781800108943 Year: 2023 Publisher: Woodbridge Tamesis

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Did Spain fall into decline or flourish in the seventeenth century? This edited collection looks at perceptions and representations of Philip IV, Spain's 'Planet King', and his government against the backdrop of the seventeenth-century General Crisis in Europe, wars, revolutions and a sovereign debt crisis. Scholars often associate Philip's reign (1621-1665) with decline, decadence, crisis, stagnation and adversity (as did many contemporaries); yet the glittering cultural and artistic achievements (enhanced by his patronage) of the period led it to be dubbed 'the' Golden Age. The book analyses these contradictions, examining Philip's own understanding of kingship and how he and his courtiers used art and ceremony to project an image of strength, tradition, culture and prestige, while, at the same time, the empire grappled with revolts in Europe and falling trade with its New World colonies.


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Picturing the proletariat
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ISBN: 9781477311240 9781477311509 9781477311257 9781477311264 1477311254 1477311262 1477311246 1477311505 Year: 2017 Publisher: Austin

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Les demoiselles de Bruxelles: a collection of articles
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ISBN: 9789073501768 9073501768 Year: 2011 Publisher: Brussels Projections

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Kunstkritiek in een tijd van vervagende grezen, 1989-2015 : over engagement, design en commercie
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ISBN: 9789462081338 9462081336 Year: 2016 Volume: 8 Publisher: Rotterdam nai010 uitgevers

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Routledge handbook of graffiti and street Art
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ISBN: 9781138792937 9781315761664 9780367335977 Year: 2016 Publisher: London : Routledge,

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The Routledge Handbook of Graffiti and Street Art integrates and reviews current scholarship in the field of graffiti and street art. Thirty-seven original contributions are organized around four sections: History, Types, and Writers/Artists of Graffiti and Street Art; Theoretical Explanations of Graffiti and Street Art/Causes of Graffiti and Street Art; Regional/Municipal Variations/Differences of Graffiti and Street Art; and, Effects of Graffiti and Street Art. Chapters are written by experts from different countries throughout the world and their expertise spans the fields of American Studies, Art Theory, Criminology, Criminal justice, Ethnography, Photography, Political Science, Psychology, Sociology, and Visual Communication. The Handbook will be of interest to researchers, instructors, advanced students, libraries, and art gallery and museum curators. This book is also accessible to practitioners and policy makers in the fields of criminal justice, law enforcement, art history, museum studies, tourism studies, and urban studies as well as members of the news media. The Handbook includes 70 images, a glossary, a chronology, and the electronic edition will be widely hyperlinked. 


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Education for socially engaged art : a materials and techniques handbook.
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ISBN: 9781934978597 Year: 2011 Publisher: New York Jorge Pinto

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Britain and the Continent 1660‒1727
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ISBN: 9783110729610 9783110750775 Year: 2021 Publisher: Berlin Boston

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Somaesthetic experience and the viewer in Medicean Florence
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ISBN: 9789463722216 9789048544240 9463722211 9048544246 Year: 2020 Publisher: Amsterdam

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Viewers in the Middle Ages and Renaissance were encouraged to forge connections between their physical and affective states when they experienced works of art. They believed that their bodies served a critical function in coming to know and make sense of the world around them, and intimately engaged themselves with works of art and architecture on a daily basis. This book examines how viewers in Medicean Florence were self-consciously cultivated to enhance their sensory appreciation of works of art and creatively self-fashion through somaesthetic experience. Mobilized as a technology for the production of knowledge with and through their bodies, viewers contributed to the essential meaning of Renaissance art and, in the process, bound them to others. By investigating the framework and practice of somaesthetic viewing of works by Benozzo Gozzoli, Donatello, Benedetto Buglioni, Giorgio Vasari, and others in fifteenth- and sixteenth-century Florence, the book approaches the viewer as a powerful tool that was used by patrons to shape identity and power in the Renaissance.

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