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Cognition. --- Iconicity (Linguistics) --- Linguistic change. --- Semiotics.
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The articles assembled in Semblance and Signification explore linguistic and literary structures from a range of theoretical perspectives with a view to understanding the extent, prevalence, productivity, and limitations of iconically grounded forms of semiosis. With the complementary examination of large theoretical issues, extensive corpus analysis in several modern languages such as Italian, Japanese Sign Language, and English, and applied close studies across a range of artistic media, this volume brings a fresh understanding of the cognitive underpinnings of iconicity. If primary a
Linguistics --- Semiotics --- Iconicity (Linguistics) --- Iconism (Linguistics) --- Icons (Linguistics) --- Iconicity (Linguistics) - Congresses --- Iconicité --- Congrès
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Iconicity (Linguistics) --- Iconism (Linguistics) --- Icons (Linguistics) --- Linguistics --- Semiotics --- Cognitive psychology --- Psycholinguistics --- Iconicity (Linguistics) - Congresses
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"The Iconicity in Language and Literature series has long been dedicated to the recognition and understanding of the pervasiveness of iconicity in language in its many forms and functions. The present volume, divided into four sections, brings together and unifies different perspectives on iconicity. Chapters in the first section (Iconicity in language) provide linguistic analyses of systems of iconic forms in different languages, across both space (areally) and time (diachronically). The second section (Iconicity in literature) is concerned with stylistic analyses of iconicity in literature, in both poetry and prose and across a range of devices and genres. The third section (Iconicity in visual media) highlights the use and effects of iconicity in pictorial, photographic and cinematic media. The final section (Iconicity in semiotic analysis) offers a theoretical perspective, targeting an operationalisation of iconicity with respect to the relationship between types and subtypes of Peircean signs"--
Iconicity (Linguistics) --- Iconism (Linguistics) --- Icons (Linguistics) --- Linguistics --- Semiotics --- E-books
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The recent past has seen an increasing interest in iconicity especially among linguists. This collection puts the interdisciplinary study of iconic dimensions (comprising what has been termed 'imagic iconicity', as well as 'diagrammatic iconicity', i.e. iconicity of a more abstract and less semiotic type) on the map, paying special attention to the use of iconicity in literary texts. The studies presented here explore iconicity from two different angles. A first group of authors brings into focus how far the primary code, the code of grammar is influenced by iconic motivation (with contributio
Iconicity (Linguistics). --- Language. --- Philology. --- Philology --- Iconicity (Linguistics) --- Philology & Linguistics --- Languages & Literatures --- Iconism (Linguistics) --- Icons (Linguistics) --- Linguistics --- Semiotics
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Iconicity and naturalness remain controversial concepts in recent linguistic research. The present volume aims to scrutinize unresolved issues of iconicity and naturalness in language. The studies discuss topics such as naturalism in the philosophy of language and the epistemology of linguistics, linguistic iconicity in semiotics, iconic structures in Sign Languages, natural and unnatural sound patterns, the iconic nature of parts of speech, the relation between (un)markedness and naturalness, and lexical and syntactic iconicity. The research conducted is based on sound (meta)theoretical analyses and/or original empirical research. The data and innovative views presented are bound to spark discussion in an age-old debate that has lost nothing of its significance.
Philosophy of language --- Iconicity (Linguistics) --- Language and languages --- Naturalness (Linguistics) --- Philosophy. --- Iconicity (Linguistics). --- Naturalness (Linguistics). --- Natural class (Linguistics) --- Linguistics --- Iconism (Linguistics) --- Icons (Linguistics) --- Semiotics --- Philosophy
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This fourth volume of the Iconicity series is like its predecessors devoted to the study of iconicity in language and literature in all its forms. Many of the papers turn the notion of iconicity 'inside-out', some suggesting that 'less-is-more'; others focus on the cognitive factors 'inside' the brain that are important for the iconic phenomena that are produced in the 'outside' world. In addition this volume includes a paper related to iconicity in music and its interaction with language. Other papers range from the theoretical issues involved in the evolution of language, to those that offer many 'inside-out' claims, such as claiming that nouns are derived from pronouns, and as such should more properly be called 'pro-pronouns'. Also, this volume includes perhaps the first English-language analysis of the iconic aspects of sound symbolism in a prayer from the Koran. This is a truly interdisciplinary collection that should turn some of the notions of iconicity in language and literature 'outside-in' and 'inside-out'.
Iconicity (Linguistics) --- Philology --- Iconism (Linguistics) --- Icons (Linguistics) --- Linguistics --- Semiotics --- LANGUAGE ARTS & DISCIPLINES --- Linguistics / General --- Philology & Linguistics --- Languages & Literatures --- Iconicity (Linguistics) - Congresses --- Philology - Congresses
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Iconicity (Linguistics) --- Philology --- Sign language --- Semiotics --- Linguistics --- Iconism (Linguistics) --- Icons (Linguistics) --- Iconicity (Linguistics) - Congresses --- Philology - Congresses --- Sign language - Congresses --- Semiotics - Congresses
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A fundamental issue with reference to the translation process concerns the type of relation between the original and the translated text. Peirce indicates three possibilities: icon, index and symbol. For many scholars it is a given that the relation of similarity between the original text and the translated text predominates and that the iconic relation ordinarily describes the character of translation. However, evidence is provided in this paper to show from a theoretical viewpoint (i.e. from that of translation studies) and a practical viewpoint (with examples provided) that a relationship between source text and target text which is characterised as iconic can only be weakly iconic because a target text can never fully resemble its source text in every respect linguistically and culturally. Furthermore in certain cases an indexical or symbolic relationship rather than an iconic one may even predominate. Since the 1980s, discourses about translation have broadened steadily. An outflow of these developments is a greater understanding of the superordinate categories of translation and the fact that the relation between source and target text is no longer only one of resemblance (i.e. iconicity). An example of iconicity from the Koran and its translation is provided as evidence for a predominant, but weak iconic relationship between source text and target text. Examples from the Sesotho Bible translation and Das neue Testament illustrate that the predominant relationship can also be indexical or symbolic (rather than iconic), respectively.
Pragmatics --- Poetry --- Iconicity (Linguistics) --- Poetics. --- Iconism (Linguistics) --- Icons (Linguistics) --- Linguistics --- Semiotics --- Technique
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This book examines the alternation between accusative-dative and dative-accusative order in Old Florentine clitic clusters and its decline in favor of the latter. Based on an exhaustive analysis of data collected from medieval Florentine and Tuscan texts we offer a novel analysis of the rise of the variable order, the transition from one order to the other, and the demise of the alternation that relies primarily on iconicity and analogy. The book employs exophoric pragmatic iconicity, a language-external iconic relationship based on similarity between linguistic structure and the speaker/writer's conceptualization of reality, and endophoric iconicity, a language-internal iconic relationship where the iconic ground is construed between linguistic signs and structures. Analogy is viewed as a productive process that generalizes patterns or extends grammatical rules to formally similar structures, and obtains the form of the analogical relationship between the masculine singular definite article and the third person singular accusative clitic, which shared the same phototactically constrained distribution patterns. The data indicate that exophoric pragmatic iconicity exploits and maintains the alternation, whereas endophoric iconicity and analogy conspire to end it.
Italian language --- Iconicity (Linguistics) --- Clitics. --- Pronoun. --- Grammar, Historical. --- Iconism (Linguistics) --- Icons (Linguistics) --- Linguistics --- Semiotics --- Romance languages --- Clitics --- Pronoun --- Grammar, Historical --- E-books --- Dialectology --- Historical linguistics --- Tuscany --- Analogy. --- Clitic Pronouns. --- Iconicity. --- Pragmatic Functionality.
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