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Five Comedies collects a selection of Goldoni's finest plays, annotated and translated into English: The New House, The Coffee House, and "The Holiday Trilogy" (Off to the Country, Adventures in the Country, and Back from the Country.
DRAMA / European / General. --- Goldoni, Carlo, --- Fegejo, Polisseno, --- Gkolntoni, Karlo, --- Goldini, Carlo, --- Goldoni, C. --- Golʹdoni, K. --- Golʹdoni, Karlo,
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"The entire town is disguised," declared a French tourist of eighteenth-century Venice. And, indeed, maskers of all ranks-nobles, clergy, imposters, seducers, con men-could be found mixing at every level of Venetian society. Even a pious nun donned a mask and male attire for her liaison with the libertine Casanova. In Venice Incognito, James H. Johnson offers a spirited analysis of masking in this carnival-loving city. He draws on a wealth of material to explore the world view of maskers, both during and outside of carnival, and reconstructs their logic: covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history. This vivid account goes beyond common views that masking was about forgetting the past and minding the muse of pleasure to offer fresh insight into the historical construction of identity.
Masks --- Costume --- Carnival --- History. --- Venice (Italy) --- Bneci (Italy) --- Mleci (Italy) --- Mleti (Italy) --- Venecia (Italy) --- Venezia (Italy) --- Venedig (Italy) --- Venetik (Italy) --- Venetsii︠a︡ (Italy) --- Velence (Italy) --- Benetia (Italy) --- Venetia (Italy) --- Wenecja (Italy) --- Venise (Italy) --- Fenice (Italy) --- Benetke (Italy) --- Vinegia (Italy) --- Burano (Italy) --- Murano (Italy) --- Venice (Lombardo-Venetian Kingdom) --- Social life and customs. --- History --- Venet︠s︡ii︠a︡ (Italy) --- actors. --- anonymity. --- aristocrats. --- arlecchino. --- carnival. --- casanova. --- class hierarchies. --- class. --- commedia dell arte. --- cultural history. --- disguise. --- dissimulation. --- european history. --- fashion. --- gambling. --- goldoni. --- history. --- honor. --- identity. --- incognito. --- italy. --- masked theater. --- maskers. --- masking. --- masks. --- masquerade. --- material culture. --- morality. --- nonfiction. --- performance. --- pleasure. --- rank. --- reputation. --- secrets. --- social history. --- society. --- status. --- theater history. --- unmasking. --- venetian society. --- venice.
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This text reveals how the majority of modern liberal democracies have become increasingly oligarchic, suffering from a form of structural political decay first conceptualized by ancient philosophers. The book argues that the problem cannot be blamed on the actions of corrupt politicians but is built into the very fabric of our representative systems. The book provides a compelling and original genealogy of political corruption from ancient to modern thought, and shows how representative democracy was designed to protect the interests of the already rich and powerful to the detriment of the majority.
Political philosophy. Social philosophy --- Democracy. --- Representative government and representation. --- Political corruption --- Oligarchy. --- Elite (Social sciences) --- Prevention. --- Democracy --- Representative government and representation --- Oligarchy --- Political science --- Parliamentary government --- Political representation --- Representation --- Self-government --- Constitutional history --- Constitutional law --- Elections --- Republics --- Suffrage --- Equality --- Antonio Negri. --- Cicero. --- Civic Constitution. --- Crisis of the Middle-Class Constitution. --- Elizabeth Beaumont. --- English constitutional tradition. --- Evgeny Pashukanis. --- Freedom Is Power. --- Ganesh Sitaraman. --- Harrington. --- Jacques Rancière. --- James Madison. --- Jeffrey Edward Green. --- John P. McCormick. --- Lawrence Hamilton. --- Machiavellian Democracy. --- Marco Goldoni. --- Marx. --- Montesquieu. --- Philip Pettit. --- Plato Aristotle. --- Polybius. --- Shadow of Unfairness. --- Tribunate. --- constituent power. --- critical legal theory. --- history of legal thought. --- inequality. --- material constitution. --- oligarchization. --- revolution.
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Although Renaissance scholars generally agree that Della Porta was the finest comic playwright of his generation in Italy, no detailed analysis of these plays and of their considerable influence outside Italy has previously appeared. One of the most famous men of his time in the field of scientific investigation, Della Porta wrote plays for relaxation and, on occasion, to camouflage controversial aspects of his scientific research from the Inquisitions. Today his works in science are largely forgotten and his right to fame rests on the plays. This book brings together the available facts of Della Porta's rich and often mysterious life and closely examines his dramatic works as part of the Italian literary scene in late Renaissance. Originally published in 1965.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
LITERARY CRITICISM / Drama. --- Porta, Giambattista della, --- Della Porta, Giambattista, --- Porta, Iean Baptiste, --- Porta, J. B. --- Porta, Jean-Batiste, --- Porta, Ioannes Baptista, --- Porta, Joannes Baptista, --- Porta, Iogann Baptist della, --- Porta, Giovanni Battista della, --- Porta, Gio. Battista dalla --- Porta, Io. Baptista --- Porta, Giovanbattista della, --- Porta, Johann Baptista, --- Porta, Giovambattista dalla, --- Porta, John Baptista, --- Porta, G. B. della --- Porta, Giovan Battista della, --- Della Porta, Giovan Battista, --- Dramatists, Italian --- Accademia dei Lincei. --- Albumazar. --- Alessandro Piccolomini. --- Ars Poetica (Horace). --- Asinaria. --- Astolfo. --- Astrology. --- Aulularia. --- Bacchides (play). --- Bartolomeo. --- Benedetto Croce. --- Benedetto. --- Caetani. --- Caricature. --- Carlo Goldoni. --- Classicism. --- Commedia dell'arte. --- Counter-Reformation. --- Divine Comedy. --- Drama. --- Duke of Florence. --- Farce. --- Federico Cesi. --- Francesco Andreini. --- Francesco D'Isa. --- Francis Bacon (artist). --- François Rabelais. --- G. (novel). --- Genre. --- Giambattista Basile. --- Giambattista Marino. --- Giambattista della Porta. --- Giordano Bruno. --- Giovanni Battista. --- Giovanni Francesco Sagredo. --- Girolamo. --- Hyperbole. --- Ibid (short story). --- Ignoramus. --- Il pastor fido. --- In Town (musical). --- Innamorati. --- James Shirley. --- La Spagna. --- La Strada. --- Lazzi. --- Lingua (play). --- Literature. --- Lorenzino de' Medici. --- Luigi Groto. --- Luigi d'Este. --- Massimo. --- Melodrama. --- Melodramma. --- Menaechmi. --- Miles Gloriosus (play). --- Necromancy. --- Neoclassicism. --- Nicolas-Claude Fabri de Peiresc. --- Novella. --- Orazio. --- Orbecche. --- Orlando Furioso. --- Ottava rima. --- Parody. --- Pedant. --- Physiognomy. --- Plautus. --- Playwright. --- Poenulus. --- Pompeo. --- Pomponio Torelli. --- Potboiler. --- Prose. --- Pulcinella. --- Pun. --- Renaissance. --- Romanticism. --- Rudens (play). --- Ruggiero (character). --- S. (Dorst novel). --- Samson Agonistes. --- Sarabande. --- Satire. --- Scipione. --- Sententiae. --- Soliloquy. --- Sophocles. --- Subplot. --- Tartaglia (commedia dell'arte). --- Terence. --- The Parliament of Love. --- The Valet. --- Titinius. --- Tolomeo. --- Torelli. --- Torquato Tasso. --- Tragicomedy. --- Ulisse. --- Zanni.
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