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Oratory is a valuable source for reconstructing the practices, legalities, and attitudes surrounding sexual labor in classical Athens. It provides evidence of male and female sex laborers, sex slaves, brothels, sex traffickers, the cost of sex, contracts for sexual labor, and manumission practices for sex slaves. Yet the witty, wealthy, and independent hetaira, well-known from other genres, does not feature. Its detailed narratives and character portrayals provide a unique discourse on sexual labor and reveal the complex relationship between such labor and Athenian society. Through a holistic examination of five key speeches, Sexual Labor in the Athenian Courts considers how portrayals of sex laborers intersected with gender, the body, sexuality, the family, urban spaces, and the polis in the context of the Athenian courts. Drawing on gender theory and exploring questions of space, place, and mobility, Allison Glazebrook shows how sex laborers represented a diverse set of anxieties concerning social legitimacy and how the public discourse about them is in fact a discourse on Athenian society, values, and institutions.
Prostitution --- Speeches, addresses, etc., Greek. --- History. --- Athens (Greece) --- Civilization. --- sex work, Ancient Athens, Athenian courts, oratory, sexual labor, gender theory, ancient Greece, classical Athens, prostitution. --- Speeches, addresses, etc., Greek --- Social aspects --- History
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This book explores the figure of the modern woman in the essays and fiction of Federica Montseny (1905-1994), a prominent Spanish anarchist leader during the 1920s and 1930s. It examines in depth the author's theories of gender in light of the basic principles of anarchist political thought and philosophy. In addition, Montseny's novels are shown to engage in an elaborate and critical dialogue with scientific and cultural discourses on women that proliferated during the first four decades of the 20th century. Montseny's ideal modern woman is not a static and definite figure; rather, she shifts across different and at times contradictory articulations that, nonetheless, all fall within her anarchist beliefs. Montseny, a popular politician and writer during her time, developed and disseminated some of the most original concepts dealing with women's emancipation and gender theory, and the present volume is the first to situate her thought as a key component within the evolution of Spanish feminism..
Nuria Cruz-C©Łmara is Professor of Spanish at the University of Tennessee.
Women in literature --- Montseny, Federica --- Criticism and interpretation --- Montseny, Federica - Criticism and interpretation --- Women in literature. --- Criticism and interpretation. --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Mañé, Federica Montseny, --- Montseny Mañé, Federica, --- Montseny, Frederica, --- 1920s. --- 1930s. --- Federica Montseny. --- Spanish anarchist leader. --- Spanish feminism. --- gender theory. --- modern woman. --- women's emancipation.
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In 2001, Freestyle, a survey exhibition curated by Thelma Golden at the Studio Museum in Harlem, introduced both a young generation of artists of African descent and the ambitious yet knowingly opaque term post-black to a pre 9-11 and pre-Obama world. In Taking Stakes in the Unknown, Nana Adusei-Poku contextualizes the term post-black in its socio-historical and cultural context. Whilst exploring its present legacy and past potential, she examines works by artists who were defined as part of the post-black generation: Mark Bradford, Leslie Hewitt, Mickalene Thomas and Hank Willis Thomas - and, by expanding the scope of the definition, the Black German artist Philip Metz.
Black Art; Black Diaspora Art; Critical Race Art History; Cultural Studies; African American; Black German; Art; Postcolonialism; Gender; Theory of Art; Gender Studies; Fine Arts --- African American. --- Art. --- Black Diaspora Art. --- Black German. --- Critical Race Art History. --- Cultural Studies. --- Fine Arts. --- Gender Studies. --- Gender. --- Postcolonialism. --- Theory of Art.
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This impressive array of essays considers the contingent and shifting meanings of gender and the body in contemporary Southeast Asia. By analyzing femininity and masculinity as fluid processes rather than social or biological givens, the authors provide new ways of understanding how gender intersects with local, national, and transnational forms of knowledge and power. Contributors cut across disciplinary boundaries and draw on fresh fieldwork and textual analysis, including newspaper accounts, radio reports, and feminist writing. Their subjects range widely: the writings of feminist Filipinas; Thai stories of widow ghosts; eye-witness accounts of a beheading; narratives of bewitching genitals, recalcitrant husbands, and market women as femmes fatales. Geographically, the essays cover Singapore, Indonesia, Malaysia, Thailand, and the Philippines. The essays bring to this region the theoretical insights of gender theory, political economy, and cultural studies. Gender and other forms of inequality and difference emerge as changing systems of symbols and meanings. Bodies are explored as sites of political, economic, and cultural transformation. The issues raised in these pages make important connections between behavior, bodies, domination, and resistance in this dynamic and vibrant region.
Power (Social sciences) --- Sex role --- Empowerment (Social sciences) --- Political power --- Exchange theory (Sociology) --- Political science --- Social sciences --- Sociology --- Consensus (Social sciences) --- Gender role --- Sex (Psychology) --- Sex differences (Psychology) --- Social role --- Gender expression --- Sexism --- Southeast Asia --- Social life and customs. --- Power (Christian theology) --- Power (Mechanics) --- Power (Philosophy) --- Power resources --- Energy --- Mechanics --- Power (Theology) --- Christian sociology --- Energy resources --- Power supply --- Natural resources --- Energy harvesting --- Energy industries --- Authority --- Ethics --- Philosophy --- Gender roles --- Gendered role --- Gendered roles --- Role, Gender --- Role, Gendered --- Role, Sex --- Roles, Gender --- Roles, Gendered --- Roles, Sex --- Sex roles --- analysis. --- asian culture. --- asian history. --- biology. --- cultural studies. --- essay anthology. --- essay collection. --- eyewitness. --- femininity. --- fieldwork. --- gender construct. --- gender studies. --- gender theory. --- gender. --- ghosts. --- human body. --- indonesia. --- inequality. --- international. --- literary analysis. --- literary criticism. --- malaysia. --- marriage. --- masculinity. --- nature vs nurture. --- philippines. --- political economy. --- singapore. --- southeast asia. --- supernatural. --- thailand. --- transnational. --- true story. --- widow.
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This sequel to A Critical Cinema offers a new collection of interviews with independent filmmakers that is a feast for film fans and film historians. Scott MacDonald reveals the sophisticated thinking of these artists regarding film, politics, and contemporary gender issues. The interviews explore the careers of Robert Breer, Trinh T. Minh-ha, James Benning, Su Friedrich, and Godfrey Reggio. Yoko Ono discusses her cinematic collaboration with John Lennon, Michael Snow talks about his music and films, Anne Robertson describes her cinematic diaries, Jonas Mekas and Bruce Baillie recall the New York and California avant-garde film culture. The selection has a particularly strong group of women filmmakers, including Yvonne Rainer, Laura Mulvey, and Lizzie Borden. Other notable artists are Anthony McCall, Andrew Noren, Ross McElwee, Anne Severson, and Peter Watkins.
Experimental films --- Independent filmmakers --- NON-CLASSIFIABLE. --- Independent moviemakers --- Motion picture producers and directors --- History and criticism --- United States. --- History and criticism. --- Interviews --- United States --- Interviews. --- film --- filmgeschiedenis --- Verenigde Staten --- experimentele film --- Breer Robert --- Snow Michael --- Mekas Jonas --- Baillie Bruce --- Ono Yoko --- McCall Anthony --- Noren Andrew --- Robertson Anne --- Benning James --- Borden Lizzie --- McElwee Ross --- Friedrich Su --- Severson Anne --- Mulvey Laura --- Rainer Yvonne --- Minh-ha Trinh T --- Reggio Godfrey --- Watkins Peter --- 791.43 --- Films expérimentaux --- Réalisateurs de cinéma indépendants --- Histoire et critique --- Entretiens --- a critical cinema sequel. --- andrew noren. --- anne robertson. --- anne severson. --- anthony mccall. --- bruce baillie. --- film and television. --- film criticism. --- film culture. --- film fans. --- film history. --- film studies. --- gender and sexuality. --- gender theory. --- godfrey reggio. --- independent filmmakers. --- james benning. --- john lennon. --- jonas mekas. --- laura mulvey. --- lizzie borden. --- media studies. --- micheal snow. --- movie criticism. --- peter watkins. --- politics. --- robert breer. --- ross mcelwee. --- su friedrich. --- trinh t minh ha. --- women filmmakers. --- yoko ono. --- yvonne rainer.
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This study transforms our understanding of Roman love elegy, an important and complex corpus of poetry that flourished in the late first century b.c.e. Sharon L. James reads key poems by Propertius, Tibullus, and Ovid for the first time from the perspective of the woman to whom they are addressed-the docta puella, or learned girl, the poet's beloved. By interpreting the poetry not, as has always been done, from the stance of the elite male writers-as plaint and confession-but rather from the viewpoint of the women-thus as persuasion and attempted manipulation-James reveals strategies and substance that no one has listened for before.
Books and reading --- Elegiac poetry, Latin --- Love poetry, Latin --- Man-woman relationships in literature. --- Persuasion (Rhetoric) --- Sex role in literature. --- Women and literature --- Women in literature. --- Women --- History and criticism. --- History --- Man-woman relationships in literature --- Sex role in literature --- Women in literature --- History and criticism --- -Elegiac poetry, Latin --- -Love poetry, Latin --- -Man-woman relationships in literature --- -Women and literature --- -Women in literature --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Forensics (Public speaking) --- Oratory --- Rhetoric --- Literature --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- Latin love poetry --- Latin poetry --- Latin elegiac poetry --- Appraisal of books --- Books --- Choice of books --- Evaluation of literature --- Reading, Choice of --- Reading and books --- Reading habits --- Reading public --- Reading --- Reading interests --- Reading promotion --- -Appraisal --- Evaluation --- Elegiac poetry, Latin - History and criticism --- Love poetry, Latin - History and criticism --- Persuasion (Rhetoric) - History - To 1500 --- Women - Books and reading - Rome --- Women and literature - Rome --- Books and reading - Rome --- acanthis. --- amator. --- amatoria. --- amores. --- ancient rome. --- augustus. --- beloved. --- catullus. --- classics. --- corinna. --- courtesan. --- cynthia. --- dipsas. --- docta puella. --- dominae. --- elegiac love. --- feminism. --- feminist theory. --- gender studies. --- gender theory. --- gender. --- literary criticism. --- literary theory. --- love elegy. --- love poetry. --- love. --- male authors. --- nonfiction. --- ovid. --- poetics. --- poetry. --- propertius. --- roman elegy. --- roman empire. --- roman literature. --- romance. --- seduction. --- sexual morality. --- sexuality. --- tibullus. --- woman as subject.
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