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In the context of critical museology, museums are questioning their social role, defining the museum as a site for knowledge exchange and participation in creating links between past and present. Museum education has evolved as a practice in its own right, questioning, expanding and transforming exhibitions and institutions. How does museum work change if we conceive of curating and education as an integrated practice? This question is addressed by international contributors from different types of museums. For anyone interested in the future of museums, it offers insights into the diversity of positions and experiences of translating the »grand designs« of museology into practice.

Museum architecture. --- Architecture --- UmU kursbok --- Exhibiting; Curating; Museum; Educational Turn; Cultural Management; Museum Education; Museology; Cultural Education --- Art museum curators --- Art --- Museum techniques --- Exhibition techniques --- Study and teaching --- Cultural Education. --- Cultural Management. --- Curating. --- Educational Turn. --- Museology. --- Museum Education. --- Museum.

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exhibiting --- museology --- Museology --- Art --- Museum Boymans-van Beuningen [Rotterdam] --- anno 1800-1999 --- Netherlands --- musea --- museumkunde --- anno 1900-1999 --- anno 1800-1899 --- Musea --- Architectuur --- 19de eeuw --- 20ste eeuw --- Museum exhibits --- Museum techniques --- History --- Museums --- Display techniques --- Displays, Museum --- Museum displays --- Exhibitions --- Technique --- 19th century --- 20th century --- Applied museology --- Museography --- Museum practices --- Museum studies --- museumkunde. --- 19de eeuw. --- 20ste eeuw.

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Installation art has become mainstream in artistic practices. However, acquiring and displaying such artworks means that curators and conservators are challenged to deal with obsolete technologies, ephemeral materials, and other issues concerning care and management of these artworks. By analyzing three in-depth case studies, the author sheds new light on the key concepts of traditional conservation - authenticity, artist's intention, and the notion of ownership - while exploring how these concepts apply in contemporary art conservation.

Museology --- Art --- installations [visual works] --- conservation [discipline] --- museology --- exhibiting --- installatiekunst --- museumkunde --- Installations (Art) --- Art, Modern --- Museum exhibits. --- Art museums. --- Conservation and restoration. --- Display techniques --- Displays, Museum --- Museum displays --- Museums --- Exhibitions --- Museum techniques --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Modern art --- Nieuwe Ploeg (Group of artists) --- Installation art --- Environment (Art) --- Galleries and museums --- Museum conservation methods. --- Conservation methods, Museum

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"Before the first purpose-designed exhibition spaces and painting exhibitions emerged, showing art was mainly related to the habit of dressing up spaces for political commemorations, religious festivals, and marketing strategies. Palaces, cloisters, façades, squares, and shops became temporary and privileged venues for art display, where sociability was performed, and the idea of exhibition developed. What were those places and events? What aesthetic, cultural, social and political discourses intersected with the early idea of exhibition space? How did displaying art shape a new vocabulary within these events, and conversely, how have these occasions conditioned exhibiting practices? This book traces the origins of the exhibition space by studying its visual and written imagery in the early modern period. It reconsiders events and habits that contributed to shaping the imagery of the exhibition space, and to defining exhibition-making practices, exploring micro-histories and long-term changes."--

Exhibition buildings --- Exhibitions --- ANTIQUES & COLLECTIBLES / Art. --- Event centers --- Events centers --- Exhibit buildings --- Exhibit halls --- Exhibition centers --- Exhibition halls --- Exposition buildings --- Exposition centers --- Fair buildings --- Buildings --- History. --- Exhibition Space, Displaying Collection, Typology of Spaces, Spatial imageries, Visual Studies. --- Museology --- History of civilization --- exhibitions [events] --- exhibition buildings --- exhibiting --- anno 1500-1799 --- anno 1400-1499 --- History of architecture. --- Early modern history: c 1450/1500 to c 1700. --- ARCHITECTURE / Buildings / Public, Commercial & Industrial. --- HISTORY / Renaissance. --- Exhibition buildings. --- The Arts: treatments and subjects. --- Architecture: public, commercial and industrial buildings. --- European history: Renaissance. --- Social aspects

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exhibiting --- art [fine art] --- museology --- Museology --- Art --- exhibitions [events] --- Modern [styles and periods] --- tentoonstellingen --- moderne kunst --- anno 1900-1999 --- Installations (Art) --- Art exhibition audiences --- Exhibitions. --- Psychology --- Expositions --- Publics --- Psychologie --- 069.01 --- 7.025 --- -Installations (Art) --- -Werner Hofmann, Bernard Blistère, Jean-Christophe Ammann [et al.] --- kunst --- Hofmann Werner --- Blistène Bernard --- Ammann Jean-Christophe --- Buren Daniel --- Szeemann Harald --- Harrison Charles --- Buchloh Benjamin H.D. --- Kabakov Ilya --- Groys Boris --- Collins & Milazzo --- Bijl Guillaume --- McEvilley Thomas --- Locher J.L. --- Ireland Patrick --- O'Doherty Brian --- Gombrich Ernst --- Raussmüller Urs --- van Weelden Dirk --- van der Heyden J.C.J. --- Lyotard Jean-François --- Crimp Douglas --- Tucker Marcia --- Fuchs Rudi --- Fabro Luciano --- Hoet Jan --- Gachnang Johannes --- Zaugg Rémy --- Courbet Gustave --- museologie --- 069 --- 7.01 --- 069.53 --- 069.4 --- Kunsttheorie ; over de kunst van het tentoonstellen ; 1980-1990 --- Exhibition design --- Museologie ; museumpresentatie ; voorstelling van kunsttentoonstellingen --- Tentoonstellingen ; vormgeven ; ontwerpen --- Buren, Daniel --- Szeeman, Harald --- Art & Language --- Kabakov, Ilya --- Bijl, Guillaume --- Gombrich, E.H. --- Fuchs, Rudi --- Fabro, Luciano --- Hoet, Jan --- Zaugg, Rémy --- Art museum attendance --- Arts audiences --- Installation art --- Art, Modern --- Environment (Art) --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Museologie --- Kunstwerken: verval; conservatie; restauratie; verandering van standplaats. Kunstbescherming --- Exhibitions --- Kunst ; theorie, filosofie, esthetica --- Museologie ; collecties ; techniek van het tentoonstellen --- Museologie ; werkwijzen mbt het opzetten van tentoonstellingen --- Audiences --- Psychology. --- Installations (Art). --- 7.025 Kunstwerken: verval; conservatie; restauratie; verandering van standplaats. Kunstbescherming --- 069.01 Museologie --- Modern [style or period] --- exhibition curators --- Buchloh Benjamin H.D --- Locher J.L --- van der Heyden J.C.J --- Werner Hofmann, Bernard Blistère, Jean-Christophe Ammann [et al.] --- Gombrich, E.H --- Kunst --- tentoonstellen --- curators [tentoonstellingsmakers] --- art [discipline] --- publiekswerking --- tentoonstellingsorganisme