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Comic books, strips, etc. --- Comic strips --- Comics --- Funnies --- Manga (Comic books, strips, etc.) --- Manhua (Comic books, strips, etc.) --- Manhwa (Comic books, strips, etc.) --- Serial picture books --- Caricatures and cartoons --- Wit and humor, Pictorial --- Manhua (Comic books) --- Manhwa (Comic books)
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Comicalités. Études de culture graphique entend interroger la spécificité ainsi que l'évolution des modes d’expression, de production et de réception de la bande dessinée, de l'illustration, de la caricature, du dessin animé... Résolument interdisciplinaire, son comité scientifique accueille des articles qui sont évalués par un vivier d'experts et publiés au fil de l'eau.
Comic books, strips, etc. --- Bandes dessinées --- Periodicals --- Périodiques --- graphic culture --- Comic strips --- Comics --- Funnies --- Manga (Comic books, strips, etc.) --- Manhua (Comic books, strips, etc.) --- Manhwa (Comic books, strips, etc.) --- Serial picture books --- Caricatures and cartoons --- Wit and humor, Pictorial --- Comic books, strips, etc --- Literature - General --- Manhua (Comic books) --- Manhwa (Comic books)
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Comic books, strips, etc. --- History and criticism. --- Comic books, strips, etc --- History and criticism --- Comic strips --- Comics --- Funnies --- Manga (Comic books, strips, etc.) --- Manhua (Comic books, strips, etc.) --- Manhwa (Comic books, strips, etc.) --- Serial picture books --- Caricatures and cartoons --- Wit and humor, Pictorial --- Manhua (Comic books) --- Manhwa (Comic books) --- Bandes dessinées --- France --- Histoire et critique --- Belgique --- Belgium
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Comic books, strips, etc. --- Cartoons and comics --- Strips. --- Karikaturen. --- Cartoons. --- Humor (grappigheden) --- Comic strips --- Comics --- Funnies --- Manga (Comic books, strips, etc.) --- Manhua (Comic books, strips, etc.) --- Manhwa (Comic books, strips, etc.) --- Serial picture books --- Caricatures and cartoons --- Wit and humor, Pictorial --- History and criticism --- Rubriek serials: kunst en cultuur --- Rubriek serials: grafische- en reclamevormgeving --- Periodicals --- Arts and Humanities --- General and Others
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Among both fans and the academic community, there is a general assumption that the X-Men franchise is one of the most progressive and inclusive superhero comic books that has been published. However, this study challenges such assumptions, revealing that there is an unfortunate trend throughout the majority of the title's history: Minority characters are most likely to be villains, female characters are most likely to be supporting cast members, and white males are most likely to be members of the X-Men.
X-Men (Fictitious characters) --- Race in literature. --- Gender identity in literature. --- Comic books, strips, etc. --- Comic strips --- Comics --- Funnies --- Manga (Comic books, strips, etc.) --- Manhua (Comic books, strips, etc.) --- Manhwa (Comic books, strips, etc.) --- Serial picture books --- Caricatures and cartoons --- Wit and humor, Pictorial --- X-men (Comic strip) --- Manhua (Comic books) --- Manhwa (Comic books)
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This anthology hosts a collection of essays examining the role of comics as portals for historical and academic content, while keeping the approach on an international market versus the American one.
Comic books, strips, etc. --- Comic books, strips, etc., in education. --- Teaching --- Visual education --- Comic strips --- Comics --- Funnies --- Manga (Comic books, strips, etc.) --- Manhua (Comic books, strips, etc.) --- Manhwa (Comic books, strips, etc.) --- Serial picture books --- Caricatures and cartoons --- Wit and humor, Pictorial --- Mass media --- Influence on mass media. --- Aids and devices --- Influence of comic books, strips, etc., on --- Manhua (Comic books) --- Manhwa (Comic books)
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To create a comic is not to illustrate words, but to create narrative diagrams and transform strokes into imaging words. The infinite array of possibilities that the merging of text and pictures provides is a garden of forking paths that critics have just started to explore. This is an art that operates as the crossroads of various disciplines, but whose specifications require a thorough understanding of its unique mechanisms. The explosion of experimental works and the incorporation of previously marginal (or nonexistent) genres and themes in comics have enriched an already fruitful art in w
Comic books, strips, etc. --- Comic strips --- Comics --- Funnies --- Manga (Comic books, strips, etc.) --- Manhua (Comic books, strips, etc.) --- Manhwa (Comic books, strips, etc.) --- Serial picture books --- Caricatures and cartoons --- Wit and humor, Pictorial --- History and criticism. --- Manhua (Comic books) --- Manhwa (Comic books)
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Comic books, strips, etc. --- Cómics --- History and criticism --- Study and teaching --- Comic strips --- Comics --- Funnies --- Manga (Comic books, strips, etc.) --- Manhua (Comic books, strips, etc.) --- Manhwa (Comic books, strips, etc.) --- Serial picture books --- Caricatures and cartoons --- Wit and humor, Pictorial --- comics --- comics studies --- popular culture --- philology --- humanities --- Manhua (Comic books) --- Manhwa (Comic books) --- Study and teaching.
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Whether one describes them as sequential art, graphic narratives or graphic novels, comics have become a vital part of contemporary culture. Their range of expression contains a tremendous variety of forms, genres and modes − from high to low, from serial entertainment for children to complex works of art. This has led to a growing interest in comics as a field of scholarly analysis, as comics studies has established itself as a major branch of criticism. This handbook combines a systematic survey of theories and concepts developed in the field alongside an overview of the most important contexts and themes and a wealth of close readings of seminal works and authors. It will prove to be an indispensable handbook for a large readership, ranging from researchers and instructors to students and anyone else with a general interest in this fascinating medium.
Graphic arts --- Thematology --- Literary semiotics --- Comic books, strips, etc --- Comic strips --- Comics --- Funnies --- Manga (Comic books, strips, etc.) --- Manhua (Comic books, strips, etc.) --- Manhwa (Comic books, strips, etc.) --- Serial picture books --- Caricatures and cartoons --- Wit and humor, Pictorial --- Manhua (Comic books) --- Manhwa (Comic books)
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“A welcome and necessary addition to the histories of print in Britain... What a joy to have such a volume finally.” - Ian Gordon, author of Comic Strips and Consumer Culture “Told with a scholar’s meticulousness and a journalist’s nose for hidden connections… Twycross offers a new framework, one that will become indispensable as readers discover the riches of newspaper comics in the exploding online archives of our new century.” - Joe Sutliff Sanders, Associate Professor, University of Cambridge, UK “Rigorously researched and engagingly written, it’s a fascinating read.” - Julia Round, Associate Professor, Bournemouth University, UK This book explores the history and development of the British daily newspaper strip. It considers such strips within their political, commercial and societal contexts and fills in a crucial section of publishing history that has been largely overlooked by both comics and newspaper studies to date. Beginning with an examination of the role of the image within British publishing in the final decades of the nineteenth century, the book moves on to explore the arrival and development of the first daily strips. It considers the links that bound these strips to surrounding cultural forms, their relationship to their host newspapers, and their position within the wider structures of the emerging popular press. Subsequent chapters cover a range of topics including the impact of the world wars, the anti-comics campaigns of the 1940s and 50s, and how changes to British publishing and wider society shaped the newspaper strips of the final decades of the twentieth century. Culminating with a discussion of the way in which strips became established within the broadsheet press from the 1960s, the book builds to provide a detailed overview of the twentieth century development of this most neglected cultural form. Adam Twycross is a Senior Lecturer at Anglia Ruskin University, UK and has taught extensively in the fields of animation, comics studies, VFX and computer games. His research focuses on newspaper strips, comics for non-juvenile audiences and the lost histories of British comics creators. British Newspaper Strips is his first book.
British newspapers --- Comic books, strips, etc --- Journaux britanniques --- Journaux --- Newspapers --- comic strips. --- History. --- Histoire. --- Cahiers, chroniques, etc --- Bandes dessinées. --- Sections, columns, etc --- Comics. --- Comic books, strips, etc. --- Ethnology --- Culture. --- Popular Culture. --- Culture --- Comics Studies. --- British Culture. --- Visual Culture. --- Influence on mass media. --- Great Britain. --- Study and teaching. --- Popular culture.
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