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"Among the Garifuna is the first ethnographic narrative of a Garifuna family. The Garifuna are descendants of the "Black Carib," whom the British deposited on Roatan Island in 1797 and who settled along the Caribbean coast from Belize City to Nicaragua. In 1980, medical anthropologist Marilyn McKillop Wells found herself embarking on an "improbable journey" when she was invited to the area to do fieldwork with the added challenge of revealing the "real" Garifuna. Upon her arrival on the island, Wells was warmly embraced by a local family, the Diegos, and set to work recording life events and indigenous perspectives on polygyny, Afro-indigenous identity, ancestor-worshiping religion, and more. The result, as represented in Among the Garifuna, is a lovingly intimate, earthy, human drama. The family narrative is organized chronologically. Part I, "The Old Ways," consists of vignettes that introduce the family backstory with dialogue as imagined by Wells based on the family history she was told. We meet the family progenitors, Margaret and Cervantes Diego, during their courtship, experience Margaret's pain as Cervantes takes a second wife, witness the death of Cervantes and ensuing mourning rituals, follow the return of Margaret and the children to their previous home in British Honduras, and observe the emergence of the children's personalities. In Part II, "Living There," Wells continues the story when she arrives in Belize and meets the Diego children, including the major protagonist, Tas. In Tas's household Wells learns about foods and manners and watches family squabbles and reconciliations. In these mini-stories, Wells interweaves cultural information on the Garifuna people with first-person narrative and transcription of their words, assembling these into an enthralling slice of life. Part III, "The Ancestor Party," takes the reader through a fascinating postmortem ritual that is enacted to facilitate the journey of the spirits of the honored ancestors to the supreme supernatural. Among the Garifuna contributes to the literary genres of narrative anthropology and feminist ethnography in the tradition of Zora Neal Hurston and other women writing culture in a personal way. Wells's portrait of this Garifuna family will be of interest to anthropologists, Caribbeanists, Latin Americanists, students, and general readers alike. "--
Garifuna (Caribbean people) --- Social life and customs. --- Ethnic identity. --- Diego family. --- Black Carib Indians --- Black Caribs --- Carifuna (Caribbean people) --- Garif (Caribbean people) --- Garifunas --- Garinagu (Caribbean people) --- Kariphuna (Caribbean people) --- Blacks --- Ethnology --- Island Carib Indians --- Racially mixed people --- Mixed descent --- Black people
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Cariban Indians --- Island Carib Indians --- Calinago Indians --- Calino Indians --- Callinago Indians --- Kalinago Indians --- Indians of the West Indies --- Indians of South America --- History --- Antilles, Lesser --- Caribbees --- Lesser Antilles --- West Indies --- History.
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Indonesia
Languages & Literatures --- Native American & Hyperborean Languages --- Carib language. --- Calinya language --- Caraib language --- Caribe language --- Caribice language --- Caribisi language --- Cariña language --- Galibi language --- Kalinya language --- Cariban languages --- Indians of South America --- Languages --- indonesia --- Cassava --- Diphthong --- IJ (digraph) --- Island Caribs --- Kiban --- Phoneme --- Suffix --- Verb --- Vowel --- Vowel length
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To Weave and Sing is the first in-depth analysis of the rich spiritual and artistic traditions of the Carib-speaking Yekuana Indians of Venezuela, who live in the dense rain forest of the upper Orinoco. Within their homeland of Ihuruna, the Yekuana have succeeded in maintaining the integrity and unity of their culture, resisting the devastating effects of acculturation that have befallen so many neighboring groups. Yet their success must be attributed to more than natural barriers of rapids and waterfalls, to more than lack of "contact" with our "modern" world. The ethnographic history recounted here includes not only the Spanish discovery of the Yekuana but detailed indigenous accounts of the entire history of Yekuana contact with Western culture, revealing an adaptive technique of mythopoesis by which the symbols of a new and hostile European ideology have been consistently defused through their incorporation into traditional indigenous structures.The author's initial point of departure is the Watunna, the Yekuana creation epic, but he finds his principal entrance into this mythic world through basketry, focusing on the eleborate kinetic designs of the round waja baskets and the stories told about them. Guss argues that the problem of understanding Yekuana basketry is the problem of understanding all traditional art forms within a tribal context, and critiques the cultural assumptions inherent in our systems of classification. He demonstrates that the symbols woven into the baskets function not in isolation but collectively, as a powerful system cutting across the entire culture.To Weave and Sing addresses all Yekuana material culture and the greater reality it both incorporates and masks, discerning a unifying configuration of symbols in chapters on architectural forms, the geography of the body, and the use of herbs, face paints, and chants. A narrow view of slash-and-burn gardens as places of mere subsistence is challenged by Guss's portrait of these exclusively female spaces as systematic inversions of the male world, "the sacred turned on its head." Throughout, a wealth of narrative and ritual materials provides us with the closest approximation we have to a native exegesis of these phenomena. What we are offered here is a new Poetics of Culture, ethnography not as a static given but as a series of shifting fields, wherein culture (and our image of it) is constantly recreated in all of its parts, by all of its members.
Indian baskets --- Yecuana Indians --- Yecuana baskets. --- Baskets, Yecuana --- Baskets --- Cunuana Indians --- Dekuhana Indians --- Ihuruhana Indians --- Kunuhana Indians --- Maiongking Indians --- Maiongong Indians --- Makiritare Indians --- Maquiritare Indians --- Pawana Indians --- Soto Indians --- Yacuana Indians --- Yekuana Indians --- Yekuhana Indians --- Indians of South America --- Baskets, Indian --- Indians --- Religion. --- Basket making --- anthropology. --- basketry. --- carib. --- chants. --- creation myth. --- epic. --- ethnography. --- face paint. --- folk belief. --- folk tales. --- folklore. --- gardens. --- gender roles. --- gender. --- handicrafts. --- herbs. --- ihuruna. --- indian. --- indigenous culture. --- indigenous peoples. --- latin america. --- material culture. --- mythic world. --- mythology. --- mythopoetic. --- native peoples. --- nonfiction. --- orinoco. --- rainforest. --- religion. --- ritual. --- sacred. --- social science. --- sociology. --- south america. --- spain. --- spirituality. --- symbolism. --- tradition. --- traditional art. --- tribes. --- upper orinoco. --- venezuela. --- waja baskets. --- watunna. --- yekuana.
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Colouring the Caribbean offers the first comprehensive study of Agostino Brunias's intriguing pictures of colonial West Indians of colour - so called 'Red' and 'Black' Caribs, dark-skinned Africans and Afro-Creoles, and people of mixed race - made for colonial officials and plantocratic elites during the late-eighteenth century. Although Brunias's paintings have often been understood as straightforward documents of visual ethnography that functioned as field guides for reading race, this book investigates how the images both reflected and refracted ideas about race commonly held by eighteenth-century Britons, helping to construct racial categories while simultaneously exposing their constructedness and underscoring their contradictions. The book offers provocative new insights about Brunias's work gleaned from a broad survey of his paintings, many of which are reproduced here for the first time.
Race relations. --- Race in art. --- Imperialism in art. --- Race dans l'art. --- Livres numériques. --- Impérialisme dans l'art. --- Integration, Racial --- Race problems --- Race question --- Relations, Race --- Ethnology --- Social problems --- Sociology --- Ethnic relations --- Minorities --- Racism --- Brunias, Agostino --- Criticism and interpretation. --- Caribbean Area. --- Caribbean Area --- Caribbean Free Trade Association countries --- Caribbean Region --- Caribbean Sea Region --- West Indies Region --- Race relations --- History. --- "idian trade scenes. --- Afro-Creoles. --- Agostino Brunias. --- Black Caribs. --- British colonial Caribbean. --- British colonial art. --- Carib Wars. --- Caribbean life. --- colonial West Indians. --- dark-skinned Africans. --- late-eighteenth century Britain. --- mixed-race people. --- paintings. --- plantocratic elites. --- visual ethnography.
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In and Out of Suriname: Language, Mobility and Identity offers a unique multidisciplinary perspective on a multilingual society in the Caribbean and Guianan sphere. Breaking away from the view of bounded ethnicity, the authors address central theoretical issues of multilingual and multicultural societies including ethnicity as a social distinction, identity as the shifting construction of the self and others, and the role of language therein. They discuss the impact of contact and mobilities on language maintenance, expansion and change. Language, mobility and identity in Suriname are observed through the lens of the actors themselves, from the ever-mobile Amerindians and Maroons on the periphery of land and society through expanding urban societies enhanced by recent migration from Haiti, Brazil and China.
Creole dialects --- Languages in contact --- Linguistic change --- Sociolinguistics --- Suriname --- Languages. --- Language and languages --- Language and society --- Society and language --- Sociology of language --- Change, Linguistic --- Language change --- Creole languages --- Creolized languages --- Social aspects --- Sociological aspects --- Language and culture --- Linguistics --- Sociology --- Integrational linguistics (Oxford school) --- Historical linguistics --- Areal linguistics --- Languages, Mixed --- Pidgin languages --- Creole dialects. --- Language and languages. --- Languages in contact. --- Linguistic change. --- Sociolinguistics. --- Suriname. --- Foreign languages --- Languages --- Anthropology --- Communication --- Ethnology --- Information theory --- Meaning (Psychology) --- Philology --- Dutch Guiana --- Nederlandisch Guyana --- Nederlandsch Guyana --- Netherland Guiana --- Netherlands Guiana --- Orandaryō Giana --- Ranryō Giana --- Republic of Suriname --- Republiek Suriname --- Surinaam --- Surinam --- Sūrīnāma --- Surinamu --- surinam --- Carib language --- Chinese language --- Dutch language --- Ethnic group --- French Guiana --- Netherlands --- Paramaribo --- Sranan Tongo
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