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Tells the story of a sixteenth-century French imposter who convinced a peasant woman and her family that he was her missing husband.

Trials (Impostors and imposture) --- Impostors and imposture --- Du Tilh, Arnault, --- Du Tilh, Arnaud, --- Du Tilh, Arnault, --- France.

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Intertextuality --- Criticism --- Semiotics --- Influence (Literary, artistic, etc.) --- Aragon, --- A-la-kung, --- Andrieux, Louis, --- Arāghūn, --- Aragon, Louis, --- Aragon --- Aragông, --- Aragông, Lui, --- Arankon, --- אראגאָן, לואי, --- אראגון --- Routisie, Albert de, --- Saint-Romain, Arnaud de, --- La Colère, François, --- Témoin des martyrs, --- Criticism and interpretation.

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Aragon, Louis --- Poets, French --- Poètes français --- Biography --- Biographies --- Aragon, --- Aragon --- Criticism and interpretation --- 840 "19" ARAGON, LOUIS --- Franse literatuur--20e eeuw. Periode 1900-1999--ARAGON, LOUIS --- Criticism and interpretation. --- 840 "19" ARAGON, LOUIS Franse literatuur--20e eeuw. Periode 1900-1999--ARAGON, LOUIS --- Poètes français --- A-la-kung, --- Andrieux, Louis, --- Arāghūn, --- Aragon, Louis, --- Aragông, --- Aragông, Lui, --- Arankon, --- אראגאָן, לואי, --- אראגון --- Routisie, Albert de, --- Saint-Romain, Arnaud de, --- La Colère, François, --- Témoin des martyrs, --- Aragon - Criticism and interpretation

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Finalist: Raymond Klibansky Book Prize Humanities and Social Sciences Federation of Canada (2008) Making a connection between photography and memory is almost automatic. Should it be? In Scissors, Paper, Stone Martha Langford explores the nature of memory and art. She challenges the conventional emphasis on the camera as a tool of perception by arguing that photographic works are products of the mind - picturing memory is, first and foremost, the expression of a mental process. Langford organizes the book around the conceit of the child's game scissors, paper, stone, using it to ground her discussion of the tensions between remembering and forgetting, the intersection of memory and imagination, and the relationship between memory and history. Scissors, Paper, Stone explores the great variety of photographic art produced by Canadian artists as expressions of memory. Their work, including images by Carl Beam, Carole Condé and Karl Beveridge, Donigan Cumming, Stan Denniston, Robert Houle, Robert Minden, Michael Snow, Diana Thorneycroft, Jeff Wall, and Jin-me Yoon, is presented as part of a rich interdisciplinary study of contemporary photography and how it has shaped modern memory.

Memory in art. --- Photography, Artistic. --- Photography --- Artistic photography --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics --- fotografie --- kunst --- fotografietheorie --- eenentwintigste eeuw --- Canada --- herinnering --- Denniston Stan --- Buchanan Hamish --- Bubas Karin --- Cumming Donigan --- Cadieux Geneviève --- Pelkey Brenda --- Snow Michael --- Mackenzie Robin --- Holownia Thaddeus --- Wall Jeff --- Jin-me Yoon --- Condé Carole --- Beveridge Karl --- Houle Robert --- Beam Carl --- Maggs Arnaud --- Evergon --- Penner Bancroft Marian --- Dean Max --- Semchuck Sandra --- April Raymonde --- Robideau Henri --- Clark June --- Carrière Bertrand --- Lambeth Michael --- Baillargeon Richard --- Steeves George --- Thorneycroft Diana --- Lamothe Michel --- Staats Greg --- MacKenzie Robin --- Readman Sylvie --- Yoon Jin-me --- 77.01 --- Mémoire dans l'art. --- Photographie artistique. --- Photographie