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animal art --- Iconography --- Animals in art --- Animaux dans l'art --- Animals in art. --- Art --- Catalogs.
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Art --- animal art --- still lifes --- Rusche, ... --- Painting --- SØR Rusche-Sammlung [Paderborn] --- anno 1600-1699 --- Netherlands
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symbolism [artistic concept] --- creatures --- animal art --- Aesthetics of art --- Iconography --- Monsters in art --- Monstres dans l'art --- Monstres --- Art
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"A collection of essays examining the place of animals in history and culture and their influence on life and art, from the Renaissance to the present"--Provided by publisher.
Human-animal relationships --- Animals and history. --- Animals and civilization --- Civilization and animals --- Civilization --- History and animals --- History --- History. --- Art --- History of civilization --- animal art
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Poissons qui grimpent aux arbres, cigognes qui prennent soin de leurs parents... A l'ère prémoderne, les textes et les arts visuels forment un fabuleux bestiaire qui révèle l'inventivité et la richesse de la réflexion sur les animaux. Les études de ce volume vous font découvrir l'animal dans tous ses états : est-il une simple image anthropomorphique de l'homme ? Un modèle à suivre ? Ou même un être autonome, égal ou supérieur à l'homme ? Explorant une diversité de textes - fables, poésie, roman, récits de voyage, emblèmes - et de médias visuels - peinture, tapisserie, bijouterie, ce volume montre les fructueux échanges prémodernes entre l'histoire naturelle et les arts. En interrogeant implicitement la nécessité de dépasser l'anthropocentrisme et l'anthropomorphisme régnants, il s'inscrit dans les nouvelles tendances de la critique culturelle. Fish climbing trees, storks taking care of their parents...Premodern textual and visual culture presents us with a fabulous bestiary that reveals ingenious and rich reflections on the animal kingdom. The studies united in this volume will allow you to discover animals in all their possible states: are they simple anthropomorphic images of man? Models to follow? Or autonomous beings, equal or even superior to man? By exploring a large diversity of texts - fables, poetry, novels, travel narratives, emblematic works - and visual media - paintings, tapestries, jewellery, this richly illustrated volume displays the fruitful premodern exchanges between natural history and culture. It follows new trends in cultural criticism by implicitly interrogating the need to move beyond the reigning paradigms of anthropocentrism and anthropomorphism. -- quatrième de couverture.
Art History --- Literature and Cultural Studies --- Zoology --- Iconography --- Thematology --- Festschriften --- animal art --- Europe --- Animaux --- Littérature --- Art --- Dans la littérature. --- Thèmes, motifs. --- Dans l'art. --- Art history --- History of art --- Dans la littérature
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The number of ways in which humans interact with animals is almost incalculable. From beloved household pets to the steak on our dinner tables, the fur in our closets to the Babar books on our shelves, taxidermy exhibits to local zoos, humans have complex, deep, and dependent relationships with the animals in our ecosystems. In Displaying Death and Animating Life, Jane C. Desmond puts those human-animal relationships under a multidisciplinary lens, focusing on the less obvious, and revealing the individualities and subjectivities of the real animals in our everyday lives. Desmond, a pioneer in the field of animal studies, builds the book on a number of case studies. She conducts research on-site at major museums, taxidermy conventions, pet cemeteries, and even at a professional conference for writers of obituaries. She goes behind the scenes at zoos, wildlife clinics, and meetings of pet cemetery professionals. We journey with her as she meets Kanzi, the bonobo artist, and a host of other animal-artists-all of whom are preparing their artwork for auction. Throughout, Desmond moves from a consideration of the visual display of unindividuated animals, to mourning for known animals, and finally to the marketing of artwork by individual animals. The first book in the new Animal Lives series, Displaying Death and Animating Life is a landmark study, bridging disciplines and reaching across divisions from the humanities and social sciences to chart new territories of investigation.
Human-animal relationships. --- Human-animal relationships in mass media. --- Human-animal relationships in art. --- Body Worlds Exhibition. --- animal art. --- animal mourning. --- animal studies. --- animals. --- kinship. --- mourning for animals. --- museum displays. --- roadkill. --- taxidermy.
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animal art --- Dürer, Albrecht --- Iconography --- Zoology --- dieren --- Albrecht Dürer 1471-1528 (°Nuremberg, Dl.) --- Grafiek ; Noordelijke Renaissance ; Albrecht Dürer --- 76.07 --- Grafische kunst ; grafische kunstenaars A-Z --- Animals in art. --- Animals in art --- Animal painting and illustration --- Pets in art --- Wild animals in art --- Zoo animals in art --- Durer, Albert --- Criticism and interpretation. --- dieren. --- Dürer, Albrecht.
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In The Enlightenment's Animals Nathaniel Wolloch takes a broad view of changing conceptions of animals in European culture during the long eighteenth century. Combining discussions of intellectual history, the history of science, the history of historiography, the history of economic thought, and, not least, art history, this book describes how animals were discussed and conceived in different intellectual and artistic contexts underwent a dramatic shift during this period. While in the seventeenth century and the first half of the eighteenth century the main focus was on the sensory and cognitive characteristics of animals, during the late Enlightenment a new outlook emerged, emphasizing their conception as economic resources. Focusing particularly on seventeenth-century Dutch culture, and on the Scottish Enlightenment, Wolloch discusses developments in other countries as well, presenting a new look at a topic of increasing importance in modern scholarship.
Kunst --- Cultuurgeschiedenis --- Animalia [kingdom] --- dieren in de kunst --- anno 1700-1799 --- Europa --- Human-animal relationships --- Human-animal relationships. --- History --- 1700-1799. --- Art --- History of civilization --- animal art --- Europe --- Animal-human relationships --- Animal-man relationships --- Animals and humans --- Human beings and animals --- Man-animal relationships --- Relationships, Human-animal --- Animals --- Animals, European Enlightenment, Dutch Painting, Economic Thought, Scottish Enlightenment.
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Franse titel : N11382 : Des animaux et des hommes : Témoignages de la Préhistoire et de l'Antiquité
Archéologie --- Art --- Bruxelles --- Exposition --- Préhistoire --- Anthropology. --- archaeology --- animal art --- decorative arts --- Prehistory --- Antiquity --- History of civilization --- Animals --- Pictorial works --- Exhibitions --- Art [Prehistoric ] --- Art [Ancient ] --- Bezoekers tentoonstelling --- #GGSB: Kunst (cataloog tentoonstelling) --- #VCV fonds R. van der Linden --- #VCV monografie 1999 --- #C9112 --- kunst --- prehistorie --- Oudheid --- iconologie --- dieren --- archeozoölogie --- 7.031/032 --- 7.031 --- 7.032 --- 7.042 --- biologie --- geschiedkundige beschrijvingen --- decorative arts [discipline] --- Dieren --- Archeologie --- Mensen --- Kunsten --- Prehistorie --- Geschiedenis --- Dier --- Mens --- Kunst --- Beeldhouwkunst --- Geluid --- Naamgeving --- Vervoer --- Sociologie --- Verzorging --- Geneeskunde --- Techniek (wetenschap) --- Romeinse Rijk --- Hellenisme --- Griekenland --- Hellas --- Atlas --- Museum --- Filosofie --- Film --- Literatuur --- Muziek --- Schilderkunst --- Tekenkunst --- Erfelijkheidsleer --- Stadssamenleving --- Verpleegkunde --- Beroep --- Vlaanderen --- Vlaams --- Emigratie --- Vrouw --- Kunst (cataloog tentoonstelling)
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The ubiquity of references to dogs in medieval and early modern texts and images must at some level reflect their actual presence in those worlds, yet scholarly consideration of this material is rare and scattered across diverse sources. This volume addresses that gap, bringing together fifteen essays that examine the appearance, meaning, and significance of dogs in painting, sculpture, manuscripts, literature, and legal records of the period, reaching beyond Europe to include cultural material from medieval Japan and Islam. While primarily art historical in focus, the authors approach the subject from a range of disciplines and with varying methodology that ultimately reveals as much about dogs as about the societies in which they lived. Contributors are Kathleen Ashley, Jane Carroll, Emily Cockayne, John Block Friedman, Karen M. Gerhart, Laura D. Gelfand, Craig A. Gibson, Walter S. Gibson, Nathan Hofer, Jane C. Long, Judith W. Mann, Sophie Oosterwijk, Elizabeth Carson Pastan, Donna L. Sadler, Alexa Sand, and Janet Snyder.
animal art --- Iconography --- Canis familiaris [species] --- Literature --- Art --- anno 500-1499 --- Europe --- Dogs in art. --- Arts, European --- Animals and civilization --- Chiens dans l'art --- Arts européens --- Animaux et civilisation --- Themes, motives. --- Thèmes, motifs --- 7.042 --- Iconografie: fauna, dierenrijk, fabeldieren --- Dogs in art --- Themes, motives --- 7.042 Iconografie: fauna, dierenrijk, fabeldieren --- Arts européens --- Thèmes, motifs --- Animals and civilization. --- Civilization and animals --- Civilization --- Human-animal relationships --- European arts --- Europe. --- Council of Europe countries --- Eastern Hemisphere --- Eurasia --- Arts, European - Themes, motives --- Animals and civilization - Europe
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