Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Madchester may have been born at the Hacienda in the summer of 1988, but the city had been in creative ferment for almost a decade prior to the rise of acid house. The end-of-the-century party is the definitive account of a generational shift in popular music and youth culture, what it meant and what it led to. First published right after the Second Summer of Love, it tells the story of the transition from new pop to the political pop of the mid-1980s and its deviant offspring, post-political pop. Resisting contemporary proclamations about the end of youth culture and the rise of a new, right-leaning conformism, the book draws on interviews with DJs, record company bosses, musicians, producers and fans to outline a clear transition in pop thinking, a move from an obsession with style, packaging and synthetic sounds to content, socially conscious lyrics and a new authenticity. This edition is framed by a prologue by Tara Brabazon, asking how we can reclaim the spirit, energy and authenticity of Madchester for a post-youth, post-pop generation. It is illustrated with iconic photographs by Kevin Cummins. --.

Popular music --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- History and criticism. --- Social aspects. --- 1980s. --- Acid House. --- Cultural Studies. --- Haçienda. --- Jean Baudrillard. --- Madchester. --- Manchester. --- Pop music. --- Post-pop. --- Youth culture.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

In a tour de force of lyrical theory, Joshua Clover boldly reimagines how we understand both pop music and its social context in a vibrant exploration of a year famously described as "the end of history." Amid the historic overturnings of 1989, including the fall of the Berlin Wall, pop music also experienced striking changes. Vividly conjuring cultural sensations and events, Clover tracks the emergence of seemingly disconnected phenomena--from grunge to acid house to gangsta rap--asking if "perhaps pop had been biding its time until 1989 came along to make sense of its sensibility." His analysis deftly moves among varied artists and genres including Public Enemy, N.W.A., Dr. Dre, De La Soul, The KLF, Nine Inch Nails, Nirvana, U2, Jesus Jones, the Scorpions, George Michael, Madonna, Roxette, and others. This elegantly written work, deliberately mirroring history as dialectical and ongoing, summons forth a new understanding of how "history had come out to meet pop as something more than a fairytale, or something less. A truth, a way of being."

Popular music --- Rap (Music) --- Underground dance music --- Grunge music --- Nineteen eighty-nine, A.D. --- 1989 A.D. --- Nineteen hundred eighty-nine, A.D. --- Year nineteen eighty-nine, A.D. --- Nineteen eighties --- Grunge rock music --- Alternative rock music --- Club music --- Dance music, Electronic --- Dance music, Underground --- EDM (Electronic dance music) --- Electronic music (Electronic dance music) --- UDM (Underground dance music) --- Dance music --- Electronica (Music) --- Remixes --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- History and criticism. --- acid house. --- bands. --- cultural studies. --- de la soul. --- dr dre. --- entertainment industry. --- fall of the berlin wall. --- gangsta rap. --- george micheal. --- grunge music. --- historical. --- history. --- jesus jones. --- lyrical theory. --- madonna. --- media studies. --- music studies. --- music. --- musicians. --- nine inch nails. --- nirvana. --- nwa. --- performing arts. --- political aesthetics. --- politics. --- pop music. --- popular music. --- public enemy. --- rap music. --- retrospective. --- roxette. --- singers. --- social context. --- the end of history. --- the klf. --- the scorpions. --- u2.