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Johann Joachim Winckelmann --- kunst --- achttiende eeuw --- oudheid --- kunsttheorie --- esthetica --- classicisme --- neoclassicisme --- schilderkunst --- beeldhouwkunst --- 7.01
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It is the aim of this work to examine the pivotal role of Johann Joachim Winckelmann (1717-1768) as a judge of classical sculpture and as a major contributor to German art criticism. John Harry North seeks to identify the key features of his treatment of classical beauty, particularly in his famous descriptions of large-scale classical sculpture. Five case studies are offered to demonstrate the academic classicism that formed the core of his philosophy of art. North aims to establish Winckelm...
Art criticism --- Art --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Arts --- Criticism --- History --- Philosophy. --- Analysis, interpretation, appreciation --- Winckelmann, Johann Joachim, --- Winkelmann, M. --- Winckelmann, Johann Jacob --- Criticism and interpretation. --- Influence.
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Der deutsch-italienische Band präsentiert die Ergebnisse einer interdisziplinären Tagung in der Villa Vigoni, die sich mit der Konstituierung neuer Diskursformen zur Wahrnehmung und Bewertung der bildenden Kunst im Verlauf des 18. Jahrhunderts befasst hatte. Vor dem Hintergrund einer kulturpolitisch spannungsreichen Antikenrezeption werden, ausgehend von Winckelmanns Umdeutung der Ekphrase zu einem Medium ästhetischer Selbstanalyse, Versprachlichungsprozesse der Kunstbetrachtung untersucht, die sich an dem bis weit ins 19. Jahrhundert gültigen Konstrukt einer zeitlosen griechischen Klassik orientieren. Deren mythologischer, nunmehr unter anthropologischen und ästhetischen Gesichtspunkten neu definierter Kontext gewinnt in der Literatur der Kunstperiode eine Eigendynamik, die sich in großen kulturgeschichtlichen Erzählungen, exemplarischen Novellen wie in sozialutopischen Entwürfen manifestiert. Aus der Deskription und Reflexion von Kunsterfahrung entwickeln sich narrative Formen, in denen das archaische Kunstwerk als Leitbild einer künftigen, weltbürgerlich vereinten Menschheit hervortritt und sich zugleich in seinem für die Moderne charakteristischen autonomen Status des Kunstwerks profiliert.
Art and mythology --- Mythology, Classical, in art --- Ekphrasis --- Winckelmann, Johann Joachim, --- Criticism and interpretation --- Aesthetics --- Ecphrasis --- Art in literature --- Description (Rhetoric) --- Mythology and art --- Mythology in art --- Mythology --- Winkelmann, M. --- Winckelmann, Johann Jacob --- Aesthetics. --- Mythology. --- Reception of Antiquity. --- Winckelmann, Johann Joachim.
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History --- Antique, the --- Ideal, the --- art history --- art theory --- Art --- aesthetics --- Winckelmann, Johann Joachim --- History as a science --- Beeldhouwkunst [Griekse ] --- Male nude in art --- Mannelijk naakt in de kunst --- Nu masculin dans l'art --- Sculpture [Greek ] --- Sculpture grecque --- Aesthetics, German --- Sculpture, Greek --- Esthétique allemande --- Historiography --- Historiographie --- Winckelmann, Johann, --- human figures [visual works] --- nudes [representations] --- Esthétique allemande --- Aesthetics --- Aesthetics [German ] --- 18th century --- Winckelmann, Johann Joachim, - 1717-1768 - Aesthetics. --- Aesthetics, German - 18th century. --- Male nude in art. --- Sculture, Greek. --- antieke beeldhouwkunst --- ideale schoonheid
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History --- Art --- art theory --- Philosophy --- philosophy of art --- Philosophy. --- Plato --- Winckelmann, Johann --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Analysis, interpretation, appreciation
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Es ist hinlänglich bekannt, dass die Antike für die Literatur und Kunst der Goethezeit eine modellbildende Funktion besaß. Am Beispiel des ,klassischen' Weimar zeigt der vorliegende Band, welch immensen Einfluss in diesem Zusammenhang das altertumskundliche Wissen gehabt hat. Die Studie ist dreigeteilt: Einem einleitenden Essay, der die in den 1770er Jahren einsetzende Transformation der Altertumskunde von einer vornehmlich antiquarisch-philologischen Disziplin hin zu einer positivistisch-historischen Wissenschaft nachzeichnet, folgt ein ausführlich kommentierter Katalog der wichtigsten altertumskundlichen Schriften der Zeit und ihrer Rezeption im Weimarer Kreis. Ein besonderes Augenmerk gilt dabei der zwischen 1808 und 1825 von den Weimarischen Kunstfreunden besorgten Ausgabe der Werke J. J. Winckelmanns. Das sich unablässig erweiternde Spektrum der damals bekannten antiken Kunstwerke veranschaulicht eine von Carl Ludwig Fernow in den Jahren 1803/04 an der Universität Jena gehaltene Vorlesung Von den vorzüglichsten aus dem Alterthume übrig gebliebenen Statuen, die hier erstmals im Druck vorliegt. Die Antike, so macht der Band deutlich, ist in der Zeit um 1800 kein statisches, sondern ein durch und durch dynamisches Konzept, auf dessen Veränderungen Kunst und Kultur überaus sensibel reagieren.
Civilization, Classical --- Classical civilization --- Civilization, Ancient --- Classicism --- Influence. --- Germany --- Greece --- Rome --- Intellectual life --- Antiquities. --- Age of Goethe. --- Reception of antiquity. --- Weimar. --- Winckelmann.
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This volume provides a new perspective on the emergence of the modern study of antiquity, Altertumswissenschaft, in eighteenth-century Germany through an exploration of debates that arose over the work of the art historian Johann Joachim Winckelmann between his death in 1768 and the end of the century. Winckelmann's eloquent articulation of the cultural and aesthetic value of studying the ancient Greeks, his adumbration of a new method for studying ancient artworks, and his provision of a model of cultural-historical development in terms of a succession of period styles, influenced both the public and intra-disciplinary self-image of classics long into the twentieth century. Yet this area of Winckelmann's Nachleben has received relatively little attention compared with the proliferation of studies concerning his importance for late eighteenth-century German art and literature, for historians of sexuality, and his traditional status as a 'founder figure' within the academic disciplines of classical archaeology and the history of art. Harloe restores the figure of Winckelmann to classicists' understanding of the history of their own discipline and uses debates between important figures, such as Christian Gottlob Heyne, Friedrich August Wolf, and Johann Gottfried Herder, to cast fresh light upon the emergence of the modern paradigm of classics as Altertumswissenschaft: the multi-disciplinary, comprehensive, and historicizing study of the ancient world.
Classical antiquities --- Antiquités gréco-romaines --- Study and teaching --- History --- Historiography --- Etude et enseignement --- Histoire --- Historiographie --- Winckelmann, Johann Joachim, --- Influence. --- Historiography. --- Antiquités gréco-romaines --- Classicism --- Germany --- Intellectual life --- Pseudo-classicism --- Aesthetics --- Literature --- Civilization, Classical --- Antiquities, Classical --- Antiquities, Grecian --- Antiquities, Roman --- Archaeology, Classical --- Classical archaeology --- Roman antiquities --- Antiquities --- Archaeological museums and collections --- Art, Ancient --- Classical philology --- Winkelmann, M. --- Winckelmann, Johann Jacob --- Archaeology. --- Antiquities.
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Fragonard, Jean-Honoré --- Chardin, Jean Baptiste Siméon --- Boucher, François --- Loo, Carle van --- Winckelmann, Johann Joachim --- Diderot, Denis --- Bergeret de Grancourt, Jacques Onésyme --- Rubens, Peter Paul --- Painters --- Biography. --- Fragonard, Jean-Honoré, --- van Loo, Carle --- Fragonard, Jean-Honoré. --- Chardin, Jean Baptiste Siméon. --- Boucher, François. --- van Loo, Carle. --- Winckelmann, Johann Joachim. --- Diderot, Denis. --- Bergeret de Grancourt, Jacques Onésyme. --- Rubens, Peter Paul. --- terracotta. --- Neer, Jakob Johan van der.
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Johann Joachim Winckelmann (1717-1768) has long been recognized as one of the founders of modern art history and a major force in the development of archaeology and the study of ancient Greek architecture. He also exerted an influence on the Weimar Classicism of Goethe and Schiller, for whom his description of Greek sculpture as evoking "edle Einfalt und stille Grösse" (noble simplicity and a calm greatness) became a watchword. He contributed to modern scientific archaeology through his application of empirically derived categories of style to the analysis of classical works of art and architecture, and was one of the first to undertake detailed empirical examinations of artefacts and describe them precisely in a way that enabled reasoned conclusions to be drawn about ancient societies and their cultures. Yet several of his important essays are not available in modern English translation. The present volume remedies this situation by collecting four of Winckelmann's most seminal essays on art along with several shorter pieces on the topic, two major if brief essays on architecture, and one longer essay on archaeology. Paired with this is an introduction covering Winckelmann's life and work. David Carter is retired as Professor of Communicative English at Yonsei University, Seoul, Korea, and is former Lecturer in German Studies at the University of Southampton, UK. Among his recently published translations from German are Klaus Mann's novel Alexander (2008) and On Cocaine (2011), a collection of Sigmund Freud's writings on the topic.
Sculpture --- Painting --- Architecture --- Archeology --- Art --- Excavations (Archaeology) --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Building --- Archaeological digs --- Archaeological excavations --- Digs (Archaeology) --- Excavation sites (Archaeology) --- Ruins --- Sites, Excavation (Archaeology) --- Archaeology --- Design and construction --- Art, Primitive --- Architecture, Primitive --- Art. --- Architecture. --- Ancient Greek Architecture. --- Archaeology. --- Art History. --- Artifacts. --- Empirical Examinations. --- Johann Joachim Winckelmann. --- Modern English Translations. --- Modern Scientific Archaeology.
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