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A newly translated Libretto featuring foreign language/English side-by-side, and music examples interspersed throughout the text.
Operas --- Opera --- Verdi, Giuseppe, --- Verdi, Dzhuzepe, --- Verdi, Fortunino Giuseppe Francesco, --- Verdis, Dž., --- Verdi, G. --- Verudi, G., --- Wei'erdi, --- ליאונקובלו, ר. --- רדדי, ג. --- ڤيردي، جيوسپي، --- Verdi, József, --- Verdi, Jakab, --- Verdi, Joseph, --- Verdi, Giuseppo, --- Verdi, D., --- Verdi, Dzh., --- Verdi, Giuseppe --- Verdi, Dzhuzepe --- Verdi, Fortunino Giuseppe Francesco --- Verdis, Dž. --- Verudi, G. --- Wei'erdi --- Verdi, József --- Verdi, Jakab --- Verdi, Joseph --- Verdi, Giuseppo --- Verdi, D. --- Verdi, Dzh.
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Abitare la battaglia, Gabriele Baldini's study of the operas of Verdi from Oberto to Un ballo in maschera, has, since its posthumous publication in 1970, received much critical acclaim both in Italy and elsewhere. Its lack of technical language makes it easily accessible to the general music lover, but its original and sometimes controversial ideas have stimulated a great deal of discussion among Verdi specialists. The book's central concern is to present an analysis of Verdi the musical dramatist, and its conclusions constitute a radical reassessment of the vexed relationship between opera and literary form, between words and music. As Julian Budden says in his foreword: 'It blows a breath of fresh air into the weary platitudes of traditional Verdian criticism.' This English translation, The Story of Giuseppe Verdi, includes some new editorial additions, bringing various factual matters into line with recent Verdi scholarship. But the book's discussion of the music is always left to speak for itself. While many of the comments may offend the purist, they are always based on a profound knowledge and love of Verdi's operatic masterpieces as seen on the stage. They rarely fail to stimulate the reader into thinking more deeply about this immensely rich repertoire.
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How did Paris and its musical landscape influence Verdi's La traviata? In this book, Emilio Sala re-examines La traviata in the cultural context of the French capital in the mid-nineteenth century. Verdi arrived in Paris in 1847 and stayed for almost two years: there, he began his relationship with Giuseppina Strepponi and assiduously attended performances at the popular theatres, whose plays made frequent use of incidental music to intensify emotion and render certain dramatic moments memorable to the audience. It is in one of these popular theatres that Verdi probably witnessed one of the first performances of Dumas fils' La Dame aux camélias, which became hugely successful in 1852. Making use of primary source material, including unpublished musical works, journal articles and rare documents and images, Sala's close examination of the incidental music of La Dame aux camélias - and its musical context - offers an invaluable interpretation of La traviata's modernity.
In opera. --- Verdi, Giuseppe, --- Travel --- Paris (France) --- Opera --- Verdi, Giuseppe --- France --- Verdi, Dzhuzepe, --- Verdi, Fortunino Giuseppe Francesco, --- Verdis, Dž., --- Verdi, G. --- Verudi, G., --- Wei'erdi, --- ליאונקובלו, ר. --- רדדי, ג. --- ڤيردي، جيوسپي، --- Verdi, József, --- Verdi, Jakab, --- Verdi, Joseph, --- Verdi, Giuseppo, --- Verdi, D., --- Verdi, Dzh., --- Ferrer, José, --- Dumas, Alexandre, --- Arcas, Julián, --- Verdi, Dzhuzepe --- Verdi, Fortunino Giuseppe Francesco --- Verdis, Dž. --- Verudi, G. --- Wei'erdi --- Verdi, József --- Verdi, Jakab --- Verdi, Joseph --- Verdi, Giuseppo --- Verdi, D. --- Verdi, Dzh.
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In Experiencing Verdi: A Listener's Companion, Donald Sanders combines biography with simple, concise musical analysis. Summarizing the evolution of Italian opera and the bel canto tradition that prevailed at the beginning of Verdi's career, Sanders takes readers on a leisurely tour of eleven of Verdi's most important operas and of the Manzoni Requiem and concludes with a look at Verdi's influence on later composers like Giacomo Puccini, his place in the modern repertoire,
Opera --- Verdi, Giuseppe, --- Verdi, Dzhuzepe, --- Verdi, Fortunino Giuseppe Francesco, --- Verdis, Dž., --- Verdi, G. --- Verudi, G., --- Wei'erdi, --- ליאונקובלו, ר. --- רדדי, ג. --- ڤيردي، جيوسپي، --- Verdi, József, --- Verdi, Jakab, --- Verdi, Joseph, --- Verdi, Giuseppo, --- Verdi, D., --- Verdi, Dzh., --- Criticism and interpretation. --- Verdi, Giuseppe --- Verdi, Dzhuzepe --- Verdi, Fortunino Giuseppe Francesco --- Verdis, Dž. --- Verudi, G. --- Wei'erdi --- Verdi, József --- Verdi, Jakab --- Verdi, Joseph --- Verdi, Giuseppo --- Verdi, D. --- Verdi, Dzh.
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Verdi, Giuseppe --- Composers --- Italy --- Biography --- Verdi, Giuseppe Fortunino Francesco
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Verdi, Giuseppe --- Composers --- Italy --- Biography --- Verdi, Giuseppe Fortunino Francesco
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Verdi, Giuseppe --- Composers --- Opera --- Compositeurs --- Opéra --- Biography --- Biographies --- Verdi, Giuseppe, --- Criticism and interpretation. --- Verdi, Dzhuzepe, --- Verdi, Fortunino Giuseppe Francesco, --- Verdis, Dž., --- Verdi, G. --- Verudi, G., --- Wei'erdi, --- ליאונקובלו, ר. --- רדדי, ג. --- ڤيردي، جيوسپي، --- Verdi, József, --- Verdi, Jakab, --- Verdi, Joseph, --- Verdi, Giuseppo, --- Verdi, D., --- Verdi, Dzh., --- Criticism and interpretation --- Italy --- 78.21.1 --- Verdi, Dzhuzepe --- Verdi, Fortunino Giuseppe Francesco --- Verdis, Dž. --- Verudi, G. --- Wei'erdi --- Verdi, József --- Verdi, Jakab --- Verdi, Joseph --- Verdi, Giuseppo --- Verdi, D. --- Verdi, Dzh. --- Verdi, Giuseppe, - 1813-1901 - Criticism and interpretation. --- Verdi, Giuseppe, - 1813-1901
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