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"Although often hailed as a 'quintessentially American' writer, the modernist poet, novelist and playwright Gertrude Stein (1874-1946) spent most of her life in France. With chapters written by leading international scholars, Gertrude Stein in Europe is the first sustained exploration of the European artistic and intellectual networks in which Stein's work was first developed and circulated. Along the way, the book investigates the European contexts of Stein's writing, how her own work intersected with European thought, including phenomenology and the vitalist work of Henri Bergson, and ultimately how it was received by scholars and artists across the continent. Gertrude Stein in Europe opens up new perspectives on Stein as a writer and on the centrality of artistic and intellectual networks to European modernism."--Bloomsbury Publishing.
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A critical guide to the poetics and philosophy of Gertrude Stein
Stein, Gertrude, --- Staĭn, Gertruda, --- Stein, Gertruda, --- Criticism and interpretation.
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Religion --- Philosophy. --- Stein, Edith, Saint,
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#GROL:SEMI-1-05'19' Stei --- Stein, Edith Saint --- Stein, Edith, --- Stein, Edith, - Saint, - 1891-1942
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Stein, Gertrude, -- 1874-1946. --- English --- Languages & Literatures --- American Literature --- Stein, Gertrude, --- Staĭn, Gertruda, --- Stein, Gertruda,
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Stein's modernist fascination with life connects her writing to late-nineteenth- and twentieth-century thinkers.
Literature --- Modernism (Literature) --- Philosophy. --- Stein, Gertrude,
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Stein, Gertrude --- Litterature et science --- Science in literature --- Stein (gertrude), 1874-1946
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GBS_insertPreviewButtonPopup('ISBN:9780748611980);Gertrude Stein frequently called herself a genius, but what did this term really mean for her? Stein's claims to genius are legendary, appearing frequently throughout her texts and public lectures. Were they the signs of excessive egotism, of desperate self-advertisement, or of something else entirely? This book examines the centrality and the specificity of the idea of 'genius' to Stein's work and to the aesthetic ideals and contradictory intellectual affiliations of high modernism in general. Through a chronological reading, it maps Stein's move from an early investment in an essential and essentializing notion of 'genius' to her later use of the term to describe an anti-essentialist, democratic textual process. It considers how this revisionary idea of 'genius' came to correspond with Stein's identification of herself as Jewish, queer and American. And it ends with Stein's seemingly paradoxical decision to call a text about being a genius in America, Everybody's Autobiography. Drawing upon a wide range of literary theory, cultural criticism and historical evidence, and offering new readings of previously unexamined texts by Stein, Barbara Will challenges received understandings of Stein's claims to 'genius' and of modernist literary hermeticism by reconceptualising the textual practice of this exemplary modernist writer.Key FeaturesA scholarly study of a writer who is receiving ever-increasing critical attentionThe first major scholarly study to deal with Gertrude Stein's central claim to being a geniusOffers new insight into debates over modernism, mass culture, and postmodernismCombines a historical approach with a theoretical reading inflected by postmodern thinkingOriginal, theoretically informed and consistently well-written.Gertrude Stein, Modernism, and the Problem of 'Genius' was winner of the Choice Outstanding Academic Title award in 2001."
Genius in literature. --- Modernism (Literature) --- Stein, Gertrude, --- Staĭn, Gertruda, --- Stein, Gertruda, --- Criticism and interpretation.
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Authors, American --- Americans --- History --- Stein, Gertrude, --- Toklas, Alice B. --- Staĭn, Gertruda, --- Stein, Gertruda, --- Paris (France) --- Intellectual life
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