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Joys and Sorrows of Imaginary Persons is a literary approach to consciousness where Donald Wesling denies that emotion is the scandal or handmaid of reason—rather emotion is the co-creator with reason of human life in the world. Discoveries in neuro-science in the 1990's Decade of the Brain have proven that thinking and feeling are wrapped with each other, and regulate and fulfill each other. Accepting this co-creative equality, we reveal a new role for literature, or a traditional role we’ve repressed: literature as a set of processes in time where we’ve thought feeling through stories about the lives of imaginary persons. We need these stories in order to practice emotions for when we return to the world from reading. Donald Wesling argues that to be more accurate in our dealings with stories, we require a grammar of this new recognition, where we build up traditional stylistics by a more careful tracking of emotion-states as these are set into writing. The first half of Joys and Sorrows of Imaginary Persons offers a creative stock-taking of the current state of scholarship on emotion, based on wide reading in several fields. The second half gives three focused studies, rich in examples, of emotion as cognition, as story, and as historical structure of feeling.
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"Romantic Vacancy argues that, at the cult of sensibility's height, Romantic writers found alternative tropes of affect to express movement beyond sensation and the body. Grappling with sensibility's claims that sensation could be translated into ideas and emotions, poets of vacancy rewrote core empiricist philosophies that trapped women and men in sensitive bodies and, more detrimentally, in ideological narratives about emotional response that gendered subjects' bodies and minds. Kate Singer contends that affect's genesis occurs instead through a series of figurative responses and movements that loop together human and nonhuman movements of mind, body, and nature into a posthuman affect. This study discovers a new form of Romantic affect that is dynamically linguistic and material. It seeks to end the long tradition of holding women and men writers of the Romantic period as separate and largely unequal. It places women writers at the forefront of speculative thinking, repositions questions of gender at the vanguard of Romantic-era thought, revises how we have long thought of gender in the period, and rewrites our notions of Romantic affect. Finally, it answers pivotal questions facing both affect studies and Romanticism about interrelations among language, affect, and materiality. Readers will learn more about the deep history of how poetic language can help us move beyond binary gender and its limiting intellectual and affective ideologies" --
English literature --- Sentimentalism in literature. --- Senses and sensation in literature. --- Romanticism --- History and criticism.
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As the first book-length study of the Yongming poets, this book focuses on unraveling the complexity and hybridity of the poetic voices beneath their seemingly ""technical"" pursuit of prosodic innovation.
Chinese poetry --- Sensuality in literature. --- Senses and sensation in literature. --- Chinese literature --- History and criticism. --- China --- Court and courtiers. --- Senses and sensation in literature --- Sensuality in literature --- S16/0221 --- History and criticism --- China: Literature and theatrical art--Poetry: Han - Sui
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"Reading with the Senses shows how major Victorian novelists, aesthetes, and scientists dramatically revised their understanding of reading and sensory perception in light of nineteenth-century scientific work in psychology, physiology, and physics. This book argues that the rise of perception science led major Victorian writers--George Eliot, Thomas Hardy, Vernon Lee, and Walter Pater--to embrace a radical literary empiricism that had transformative effects on the novel and the Aesthetic Movement. Coombs shows how the effects of this radical literary empiricism continue to reverberate in our own moment, when a descriptive turn in the humanities has pushed literary critics to align their reading practices with scientific methods of observation"--
Criticism --- Senses and sensation in literature. --- Perception in literature. --- Literature and science --- English literature --- History --- History and criticism.
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"I never travel without my diary. One should always have something sensational to read in the train" (Oscar Wilde). Literature has always treated the sensational: crime, passion, violence, trauma, catastrophe. It has frequently caused, or been at the centre of scandal, censorship and moral outrage. But literature is also intricately connected with sensation in ways that are less well understood. It mediates between the sensory world, perception and cognition through rich modes of thought alli...
Senses and sensation in literature. --- Emotions in literature. --- Émotions --- Sens et sensations --- Dans la littérature. --- Émotions --- Dans la littérature.
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English literature --- Thematology --- anno 1700-1799 --- Sentimentalism in literature --- Littérature anglaise --- Sentimentalisme dans la littérature --- History and criticism --- Histoire et critique --- Senses and sensation in literature --- Emotions in literature --- -Senses and sensation in literature --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- Emotions in literature. --- Senses and sensation in literature. --- Sentimentalism in literature. --- History and criticism. --- Littérature anglaise --- Sentimentalisme dans la littérature --- English literature. --- Roman anglais --- Sens et sensations dans la littérature. --- Sentimentalisme dans la littérature. --- Sentiments --- littérature anglaise --- roman anglais --- sensibilité. --- Dans la littérature --- Dans la littérature anglaise. --- Sensibilité --- Richardson, Samuel --- 1700-1799.
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The essays collected in The Five Senses in Medieval and Early Modern England examine the interrelationships between sense perception and secular and Christian cultures in England from the medieval into the early modern periods. They address canonical texts and writers in the fields of poetry, drama, homiletics, martyrology and early scientific writing, and they espouse methods associated with the fields of corpus linguistics, disability studies, translation studies, art history and archaeology, as well as approaches derived from traditional literary studies. Together, these papers constitute a major contribution to the growing field of sensorial research that will be of interest to historians of perception and cognition as well as to historians with more generalist interests in medieval and early modern England. Contributors include: Dieter Bitterli, Beatrix Busse, Rory Critten, Javier Díaz-Vera, Tobias Gabel, Jens Martin Gurr, Katherine Hindley, Farah Karim-Cooper, Annette Kern-Stähler, Richard Newhauser, Sean Otto, Virginia Richter, Elizabeth Robertson, and Kathrin Scheuchzer
English literature --- Thematology --- anno 1600-1699 --- anno 1500-1599 --- Senses and sensation in literature. --- Sens et sensations dans la littérature --- Littérature anglaise --- History and criticism. --- Histoire et critique --- Sens et sensations dans la littérature --- Littérature anglaise
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Ce numéro de Marcel Proust Aujourd’hui , ‘Sensations proustiennes’, regroupe une dizaine articles, en français, traitant de de la notion de ‘sensation’ sous plusieurs perspectives : une recherche basée sur la sémiotique et la phénoménologie ; une approche partant des portraits de peintres dans Les Plaisirs et les Jours ; une étude de l’ivresse ; la chambre en tant qu’espace générateur d’une part, polysignifiant de l’autre ; l’érotisme d’Albertine, ainsi que la transposition des sensations dans le domaine du cinéma. En plus des études sur ‘le roman noir’, sur les modalités de la traduction et sur le dynamisme des titres chez Proust complètent ce panorama. Avec des contributions de: Joel Candau ; Thomas Carrier-Lafleur ; Fanny Daubigny ; Rokus Hofstede ; Sjef Houppermans ; Farzaneh Karimian ; Guillaume Lavoie; Cristian Micu ; Bérengère Moricheau-Airaud ; Thomas Muzart ; Philippe Robichaud ; Philippe Willemart ; Manet van Montfrans ; Nell de Hullu-van Doeselaar ; Annelies Schulte Nordholt ; Sjef Houppermans
Senses and sensation in literature. --- Proust, Marcel, --- Criticism and interpretation. --- Prust, Marselʹ, --- Proust, Valentin Louis Georges Eugène Marcel, --- Pʻŭrusŭtʻŭ, Marŭsel, --- Pʻu-lu-ssu-tʻe, --- Пруст, Марсель, --- פרוסט, מארסל --- פרוסט, מרסל --- ,פרוסט, מרסל --- بروست، مارسيل،, --- Proust, Marcel
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Romantic poets, notably Wordsworth, Blake, Coleridge and Keats, were deeply interested in how perception and sensory experience operate, and in the connections between sense-perception and aesthetic experience. Noel Jackson tracks this preoccupation through the Romantic period and beyond, both in relation to late eighteenth-century human sciences, and in the context of momentous social transformations in the period of the French Revolution. Combining close readings of the poems with interdisciplinary research into the history of the human sciences, Noel Jackson sheds light on Romantic efforts to define how art is experienced in relation to the newly emerging sciences of the mind and shows the continued relevance of these ideas to our own habits of cultural and historical criticism today. This book will be of interest not only to scholars of Romanticism, but also to those interested in the intellectual interrelations between literature and science.
Aesthetics in literature --- English poetry --- Literature and science --- Mind and body in literature --- Perception in literature --- Poets, English --- Romanticism --- Senses and sensation in literature --- English poets --- Poetry and science --- Science and literature --- Science and poetry --- Science and the humanities --- History and criticism --- History --- Aesthetics --- Senses and sensation in architecture. --- Mind and body in literature. --- Perception in literature. --- Aesthetics in literature. --- Architecture --- History and criticism. --- Aesthetics. --- Senses and sensation in literature. --- Arts and Humanities --- Literature
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Thematology --- Proust, Marcel --- French literature --- Senses and sensation in literature --- Sense (Philosophy) --- Littérature française --- Sens et sensations dans la littérature --- Sensibilité (Philosophie) --- History and criticism --- Histoire et critique --- Proust, Marcel, --- Littérature française --- Sens et sensations dans la littérature --- Sensibilité (Philosophie)
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