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Death in literature. --- Invention (Rhetoric) --- Self in literature. --- History --- Ronsard, Pierre de, --- Criticism and interpretation.

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La lecture, l’écriture et la production du livre n’ont cessé d’accompagner Pierre de Ronsard tout au long de son existence (1524-1585). La présente étude retrace la trajectoire biographique, sociale et culturelle de ce poète selon deux perspectives théoriques (bibliologique ou génétique, et littéraire). En observant l’oeuvre ronsardienne en train de se faire et en décrivant l’évolution du projet littéraire, créatif, dans ses relations aux conditions matérielles du livre (manuscrit et imprimé), il s’agit de montrer comment Ronsard a tiré profit de la production et du commerce du livre pour asseoir son statut de poète royal et pour marquer de son empreinte la poésie du XVIe siècle. Le présent volume examine tous les aspects de l’écriture manuscrite chez Ronsard (l’annotation de livres lus, la rédaction de documents relatifs à sa vie privée, la copie de textes littéraires écrits sous sa dictée ou recopiés par des secrétaires). S’appuyant sur le corpus des textes manuscrits de Ronsard connu à ce jour –et sur la redécouverte de manuscrits inédits-, ce livre s’efforce de répondre à plusieurs questions : que nous apporte l’étude des textes manuscrits pour saisir la personnalité du poète et comprendre ses habitudes de lecture et d’écriture ? Quelle est la place du manuscrit dans l’activité littéraire de Ronsard ? Quels rôles social et littéraire le poète leur assigne-t-il ? Quelle est la fonction du manuscrit dans la genèse de l’écriture poétique et quelle conclusion peut-on tirer de l’examen de leurs variantes textuelles ? En fin de parcours, sont évaluées la relation spécifique qui se joue entre les poèmes manuscrits et la poésie imprimée, et la part qui revient à chacun dans la diffusion de la poésie ronsardienne.

Poets, French --- Poètes français --- Ronsard, Pierre de, --- Poètes français --- French literature --- History and criticism --- Ronsard, P. de --- De Ronsard, Pierre, --- Criticism and interpretation. --- Manuscripts. --- Criticism and interpretation --- Manuscripts --- de Ronsard, Pierre --- French literature - 16th century - History and criticism --- Ronsard, Pierre de, - 1524-1585 - Criticism and interpretation --- Ronsard, Pierre de, - 1524-1585 - Manuscripts --- Ronsard, Pierre de, - 1524-1585 --- Books and reading. --- Ronsard, Pierre de (1524-1585) --- Livres et lecture --- Critique et interprétation

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Paragone (Aesthetics) --- Art and literature --- Ut pictura poesis (Aesthetics) --- Aesthetics --- Humanism in art --- Ronsard, Pierre de, --- Knowledge --- Arts.

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Although it has been recognized that Edmund Spenser's poetry owes a debt to the work of the French poets of the Pléiade, particularly to Joachim du Bellay and Pierre de Ronsard, there has been no critical analysis of this relationship. Mr. Satterthwaite compares the work of the three poets, showing the relation between the English movement to write quantitative verse and the French experiments in vers mesures. He discusses the attitudes of the poets to their Muses and to contemporary literature, their ideas of time and mutability, their moral (or amoral) views of literature and of life their religious orientation, and their use of the Platonic and neo-Platonic theories that were a part of the inherited culture of the Renaissance.Originally published in 1960.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Renaissance. --- Renaissance --- Revival of letters --- Civilization --- History, Modern --- Civilization, Medieval --- Civilization, Modern --- Humanism --- Middle Ages --- History --- Du Bellay, Joachim, --- Ronsard, Pierre de, --- Spenser, Edmund, --- Criticism and interpretation.

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'Epic Arts in Renaissance France' examines the relationship between art and literature in 16th-century France, and considers how the epic genre became 'public' via realisations in various other art forms.

Art and literature --- Literature in art. --- Epic French literature --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- Aesthetics --- Literature --- History --- History and criticism. --- Dolet, Etienne, --- Ronsard, Pierre de, --- Aubigné, Agrippa d', --- D'Aubigné, Agrippa, --- Aubigné, Théodore Agrippa d', --- Obinʹe, Agrippa d', --- Обинье, Агриппа д', --- Obinʹe, Teodor Agrippa d', --- Обинье, Теодор Агриппа д', --- Ronsard, P. de --- De Ronsard, Pierre, --- Dolet, Étienne, --- Doletus, Stephanus, --- Dolet, Estienne, --- Literature in art --- History an criticism --- Aubigné, Agrippa d’, --- Art and literature - France - History an criticism --- Dolet, Etienne, - 1509-1546 --- Ronsard, Pierre de, - 1524-1585 --- Aubigné, Agrippa d’, - 1552-1630. - Tragiques