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Polyphonic chansons --- Music --- History and criticism. --- -Music --- -Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Chansons, Polyphonic --- Part songs, French --- History and criticism --- -History and criticism --- Art music --- 78.21.0 --- Polyphonic chansons - 500-1400 - History and criticism. --- Music - France - 500-1400 - History and criticism.
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Music --- anno 1400-1499 --- Burgundy --- Polyphonic chansons --- Polyphonies françaises --- Musique --- Analysis, appreciation --- History and criticism --- Analyse et appréciation --- Histoire et critique --- Binchois, Gilles, --- -Polyphonic chansons --- -Chansons, Polyphonic --- Part songs, French --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Binchois, Gilles. --- -History and criticism --- de Binche, Gilles --- de Bins, Gilles --- -Part songs, French --- Chansons, Polyphonic --- Polyphonies françaises --- Analyse et appréciation --- Chanson, Polyphonic --- Binche, Egidius de, --- Binche, Gilles de, --- Binchois, --- Binchois, Égide, --- Binchois, G. --- Binchoys, Gilles, --- Egidius de Binche, --- Gilles de Binche, --- Gilles, --- 78.41.2 --- Binchois, Gilles
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This book provides an in-depth study of the late medieval chanson, from Gace Brulé through Guillaume Du Fay. It is largely concerned with interpretation of the way accidentals function, not only at the level of local detail but also as part of the overall design. Thomas Brothers thus explores the way inflections are used by the composer as an expressive tool. The background problem to which this study responds is the conceptual difficulty we have in interpreting pitch syntax in this repertory. Support for this approach comes from reference to causa pulchritudinis ('by reason of beauty'), a justification for chromatic writing first encountered at the beginning of the fourteenth century. In advancing an interpretation of the musical side of the chanson, Thomas Brothers aims to bring standards closer to what has been achieved in study of sister disciplines of art and literature.
78.23 --- 78.41.2 --- Monophonic chansons --- Musica ficta --- Polyphonic chansons --- 78.033 --- 78.033 Muziek--?.033 --- Muziek--?.033 --- History and criticism --- Chansons, Polyphonic --- Part songs, French --- Alteration, Chromatic --- Chromatic alteration (Music) --- Conjuncta --- Musica falsa --- Chromaticism (Music) --- Performance practice (Music) --- Chansons, Monophonic --- Songs, French --- Musica ficta. --- History and criticism. --- Songs --- 500-1400 --- Part songs --- 15th century
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