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Arvo Pärt is one of the most influential and widely performed contemporary composers. Around 1976 he developed an innovative new compositional technique called 'tintinnabuli' (Latin for 'sounding bells'), which has had an extraordinary degree of success. It is frequently performed around the world, has been used in award-winning films, and pieces such as Für Alina and Spiegel im Siegel have become standard repertoire. This collection of essays, written by a distinguished international group of scholars and performers, is the essential guide to Arvo Pärt and his music. The book begins with a general introduction to Pärt's life and works, covering important biographical details and outlining his most significant compositions. Two chapters analyze the tintinnabuli style and are complemented by essays which discuss Pärt's creative process. The book also examines the spiritual aspect of Pärt's music and contextualizes him in the cultural milieu of the twenty-first century and in the marketplace.
Composers --- Music --- Compositeurs --- Musique --- History and criticism --- Histoire et critique --- Pärt, Arvo --- Pärt, Arvo --- Pjārts, Arvo --- Pi︠a︡rt, Arvo --- Pärt, A. --- Paert, Arvo Augustovich --- Pyart, Arvo --- Criticism and interpretation. --- General. --- Pärt, Arvo. --- Criticism and interpretation --- Pärt, Arvo - Criticism and interpretation
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"Expanding the notion of translation, this book specifically focuses on the transferences between music and text. The concept of 'translation' is often limited solely to language transfer. It is, however, a process occurring within and around most forms of artistic expression. Music, considered a language in its own right, often refers to text discourse and other art forms. In translation, this referential relationship must be translated too. How is music affected by text translation? How does music influence the translation of the text it sets? How is the sense of both the text and the music transferred in the translation process? Combining theory with practice, the book questions the process and role translation has to play in a musical context. It provides a range of case studies across interdisciplinary fields. It is the first collection on music in translation that is not restricted to one discipline, including explorations of opera libretti, surtitling, art song, musicals, poetry, painting, sculpture and biography, alongside looking at issues of accessibility."--Bloomsbury Publishing.
Opera's --- Muziek --- Opera --- Liederen --- Boventiteling. --- Music and language. --- Translating and interpreting. --- Libretto --- Songs --- Libretti --- vertalen. --- Translating. --- Texts --- Musique et langage --- Ligeti, György --- Pärt, Arvo --- Musique vocale --- Translation science --- Music --- Chansons --- Traduction --- Livrets --- Ethnomusicologie --- Sémiotique --- Britten, Benjamin --- Cage, John --- Satie, Erik --- Schoenberg, Arnold --- Critique et interprétation --- Traduction. --- Musique et langage. --- Ethnomusicologie. --- Sémiotique. --- Critique et interprétation. --- Libretto -- Translating. --- Songs -- Texts -- Translating. --- Music and language --- Translating and interpreting --- Music, Dance, Drama & Film --- Music History & Criticism, Vocal --- Music Philosophy --- Arias --- Ariettas --- Art songs --- Lieder --- Solo songs --- Solo vocal music, Secular --- Songs with various acc. --- Lyric poetry --- Vocal music --- Recorded accompaniments (Voice) --- Librettos --- Dramatic music --- Interpretation and translation --- Interpreting and translating --- Language and languages --- Literature --- Translation and interpretation --- Translators --- Language and music --- Translating --- History and criticism --- E-books
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