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Hygiene. Public health. Protection --- Nursing --- verpleegkunde --- Nursing Diagnosis --- Nursing diagnosis --- Diagnostics infirmiers --- Periodicals. --- Périodiques --- Nursing Diagnosis. --- Nursing. --- Classification. --- Terminology. --- Societies, Nursing. --- Nursing diagnosis. --- Health Sciences --- General and Others --- Medical Education, Training & Research --- NANDA International. --- Nursing Societies --- Nursing Society --- Society, Nursing --- Diagnosis --- Terminology as Topic. --- Etymology --- Nomenclature as Topic --- Etymologies --- Dictionaries as Topic --- Unified Medical Language System --- Standardized Nursing Terminology --- ICNP Terminology --- International Classification for Nursing Practice --- NANDA-I --- NANDA-International --- NANDA-International Terminology --- NIC Terminology --- NOC Terminology --- Nursing Interventions Classification --- Nursing Outcomes Classification Terminology --- Nursing Terminology --- Classification, Nursing Interventions --- Classifications, Nursing Interventions --- ICNP Terminologies --- Interventions Classification, Nursing --- Interventions Classifications, Nursing --- NANDA International --- NANDA International Terminology --- NANDA-International Terminologies --- NANDA-Internationals --- NIC Terminologies --- NOC Terminologies --- Nursing Interventions Classifications --- Nursing Terminologies --- Nursing Terminologies, Standardized --- Nursing Terminology, Standardized --- Standardized Nursing Terminologies --- Terminologies, ICNP --- Terminologies, NANDA-International --- Terminologies, NIC --- Terminologies, NOC --- Terminologies, Nursing --- Terminologies, Standardized Nursing --- Terminology, ICNP --- Terminology, NANDA-International --- Terminology, NIC --- Terminology, NOC --- Terminology, Nursing --- Terminology, Standardized Nursing --- Standardized Nursing Terminology. --- Diagnosis, Nursing --- Diagnoses, Nursing --- Nursing Diagnoses --- Nurses. --- Nursing Personnel --- Personnel, Nursing --- Registered Nurses --- Nurse --- Nurse, Registered --- Nurses, Registered --- Registered Nurse

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Although many of its stories originated centuries ago in the Middle East, the 1001 Nights is regarded as a classic of world literature by virtue of the seminal French and English translations produced in the eighteenth and nineteenth centuries. Supporting the suspicion that the story collection is more Parisian than Persian, some of its most famous tales, including the stories of Aladdin and Ali Baba, appear nowhere in the original sources. Yet as befits a world where magic lamps may conceal a jinni and fabulous treasures lie just beyond secret doors, the truth of the Nights is richer than standard criticism suggests. Marvellous Thieves recovers the cross-cultural encounters--the collaborations, borrowings, and acts of literary larceny--that produced the 1001 Nights in European languages. Ranging from the coffeehouses of Aleppo to the salons of Paris, from colonial Calcutta to Bohemian London, Paulo Lemos Horta introduces readers to the poets and scholars, pilgrims and charlatans who made crucial but largely unacknowledged contributions to this most famous of story collections. Each version of the Nights betrays the distinctive cultural milieu in which it was produced and the workshop atmosphere of its compilation. Time and again, Horta shows, stories were retold and elaborate commentaries added to remake the Nights in accordance with the personalities and ambitions of the storytellers and writers. Untangling the intricate web of invention and plagiarism that ensnares the Nights, Horta rehabilitates the voices hidden in its long history--voices that mirror the endless potential of Shahrazad's stories to proliferate.--

Arabic literature --- European influences. --- Arabian nights --- Authorship. --- Arabian nights. --- Middle Eastern literature --- North African literature --- Hikajat 1001 malem --- Hikayat 1001 malem --- Hikajat sariboe satoe malem --- Sariboe satoe malem --- Seribu satu malam --- Sen-ichiya monogatari --- Gafu issen ichiya monogatari --- Alf laylah wa-laylah --- Thousand nights and one night --- Thousand and one nights --- Alif laila --- Tysi︠a︡cha i odna nochʹ --- Tausendundeine Nacht --- Tisíc a jedná noc --- Hikayat sa-ribu satu malam --- I chʻien ling i yeh --- Book of the thousand nights and one night --- Mille et une nuits --- Book of a thousand nights and a night --- Thousand nights and a night --- Elef lailah ṿe-lailah --- Tales of the Arabian nights --- 1001 Nacht --- Mille e una notte --- Arabiyan naito --- One thousand and one nights --- 1001 nights --- Arabian nights entertainments --- Hazar ew mēk gisherner --- Cartea celor o mie și una nopți --- Mie și una nopți --- Cartea celor o 1001 nopți --- Elf leyle ve leyle --- Alf sakhar ve sakhar

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In applying the standards of modern literary criticism to medieval Arabic literature, Andras Hamori concentrates on those aspects of the literature that appear most alien to modern Western taste: the limitation of themes, the sedimentation with conventions, and the use of elusive patterns of composition.The first part of the book approaches Arabic literature from the historical point of view, concentrating on the transformations in poetic genres and poetic attitudes towards time and society in the literature between the sixth and the tenth centuries. The problems of poetic technique are then discussed, with special emphasis on poetic unity and the use of conventions. The third part of the book deals with methods of composition in prose through an examination of the orders and disorders in two tales from the Arabian Nights.Originally published in 1974.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Civilization, Medieval, in literature. --- Arabic poetry --- History and criticism. --- Arabian nights. --- Hikajat 1001 malem --- Hikayat 1001 malem --- Hikajat sariboe satoe malem --- Sariboe satoe malem --- Seribu satu malam --- Sen-ichiya monogatari --- Gafu issen ichiya monogatari --- Alf laylah wa-laylah --- Thousand nights and one night --- Thousand and one nights --- Alif laila --- Tysi︠a︡cha i odna nochʹ --- Tausendundeine Nacht --- Tisíc a jedná noc --- Hikayat sa-ribu satu malam --- I chʻien ling i yeh --- Book of the thousand nights and one night --- Mille et une nuits --- Book of a thousand nights and a night --- Thousand nights and a night --- Elef lailah ṿe-lailah --- Tales of the Arabian nights --- 1001 Nacht --- Mille e una notte --- Arabiyan naito --- One thousand and one nights --- 1001 nights --- Arabian nights entertainments --- Hazar ew mēk gisherner --- Cartea celor o mie și una nopți --- Mie și una nopți --- Cartea celor o 1001 nopți --- Elf leyle ve leyle --- Alf sakhar ve sakhar

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Cette publication a été réalisée conjointement à l'exposition de même titre au musée d'art moderne de New York. Elle se présente comme un panorama de l'art graphique du XXème siècle reprenant le graffiti, la caricature, la bande dessinée, l'affiche publicitaire, le tout en relation avec les démarches artistiques contemporaines.

posters --- typography --- caricatures --- graffiti --- Iconography --- Graphic arts --- Art --- art history --- History --- Graphics industry --- Bickerton, Ashley --- Spiegelman, Art --- Johns, Jasper --- Man Ray --- Rotella, Mimmo --- Halley, Peter --- Vasarely, Victor --- Sachs, Bernhard --- Kruger, Barbara --- Holzer, Jenny --- Léger, Fernand --- Puvis de Chavannes, Pierre --- Saul, Peter --- Dubosc, René --- Philipon, Charles --- Tad --- Davis, Stuart --- Scott Brown, Denise --- Kutzman, Harvey --- Corcos, Vittorio --- Seurat, Georges --- Hains, Raymond --- Bonnard, Pierre --- Hamilton, Richard --- Balla, Giacomo --- Abbott, Berenice --- McCay, Winsor --- Burkey, Bryan --- Gulbransson, Olaf --- Cornell, Joseph --- Pollock, Jackson --- Bourdet, Jules-Joseph-Guillaume --- Oppenheim, Meret --- Golden, William --- Boucher, Lucien --- Morris, George --- Murphy, Gerald --- Shuster, Joe --- Wolverton, Basil --- Crumb, Robert --- O'Sullivan, Timothy --- Picasso, Pablo --- Novick, Irv --- Hausmann, Raoul --- Smithson, Robert --- Grandinetti, Jerry --- Höch, Hannah --- Toulouse-Lautrec, de, Henri --- Marinetti, Filippo Tommaso --- Brown, Roger --- Lee & Fred --- Atget, Eugène --- Wood, Wally --- David, Jacques Louis --- Braque, Georges --- Delaunay, Robert --- Venturi, Robert --- Lucas, E.V. --- Guston, Philippe --- Sherman, Cindy --- Haacke, Hans --- Craig, Johnny --- Duchamp, Marcel --- Kane, Robert --- Jess --- Dart, Harry Grant --- NOC --- Brancusi, Constantin --- Steinberg, Saul --- Salle, David --- Baudelaire, Charles --- Rosenquist, James --- Paolozzi, Eduardo --- O'Galop --- Jorn, Asger --- Murray, Elisabeth --- Grandville, Jean J. --- Rauschenberg, Robert --- Gris, Juan --- Outcault, Richard Felton --- Gottfredson, Floyd --- Picabia, Francis --- Brassaï --- Tàpies, Antonio --- Covarrubias, Miguel --- Hallgren, Gary --- Feininger, Lyonel --- Poulbot, Francisque --- Izenour, Steven --- Luks, George Benjamin --- Teniel, John --- Rodtschenko, Alexander Michajlowitsch --- Miró, Joan --- Dongen, van, Kees --- Villeglé, Jacques --- Carrà, Carlo --- Siskind, Aaron --- Iwerks, Ub --- Chéret, Jules --- Ruscha, Ed --- Nauman, Bruce --- Herriman, George --- Gogh, van, Vincent --- Vernet, Horace --- Juez --- Dubuffet, Jean --- Warhol, Andy --- Daumier, Honoré --- Fahlstrom, Öyvind --- Moser, Koloman --- Oldenburg, Claes --- Hamlin, V.T. --- Basquiat, Jean-Michel --- Levine, Sherrie --- Munch, Edvard --- Walker, Mort --- McHale, John --- Ernst, Max --- Grosz, Georg --- Lissitzky, Eliezer --- Magritte, René --- Fisher, Bud --- Busch, Wilhelm --- Elder, Will --- Klee, Paul --- Ensor, James --- Riou, Edouard --- Malevitsj, Kasimir --- Traviès de Viller, Charles-Joseph --- Dantan, Jean-Pierre --- Schwitters, Kurt --- Twombly, Cy --- Scharf, Kenny --- Koons, Jeff --- Heath, Russ --- Haring, Keith --- Du Maurier, George --- anno 1900-1999 --- beeldverhalen --- Caricatures et dessins humoristiques --- Art graphique --- Bande dessinée --- Beeldende kunst en populaire cultuur ; 20ste eeuw --- Tentoonstellingscatalogi ; New York ; MOMA --- Kunstgeschiedenis ; 1950 - 2000 --- Art, Modern --- Popular culture --- Caricatures and cartoons --- Graffiti --- Advertising --- Comic books, strips, etc. --- Pop art --- Culture populaire --- Publicité --- Bandes dessinées --- Pop'art --- Themes, motives --- Exhibitions. --- Exhibitions --- Thèmes, motifs --- Expositions --- Murray, Elizabeth --- advertising --- karikaturen --- Modern [style or period] --- comics [documents] --- reclamevormgeving --- moderne kunst --- Caricature --- Affiche --- Art [Modern ] --- 20th century --- 19th century --- David, Jacques-Louis --- 7.038 --- (069) --- (Musea. Collecties) --- Lissitzky, El --- Noc 167 --- Traviès de Villers, Charles-Joseph --- kunstsociologie --- graffiti [casual notations] --- Tàpies, Antoni --- communication design

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In applying the standards of modern literary criticism to medieval Arabic literature, Andras Hamori concentrates on those aspects of the literature that appear most alien to modern Western taste: the limitation of themes, the sedimentation with conventions, and the use of elusive patterns of composition.The first part of the book approaches Arabic literature from the historical point of view, concentrating on the transformations in poetic genres and poetic attitudes towards time and society in the literature between the sixth and the tenth centuries. The problems of poetic technique are then discussed, with special emphasis on poetic unity and the use of conventions. The third part of the book deals with methods of composition in prose through an examination of the orders and disorders in two tales from the Arabian Nights.Originally published in 1974.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Arabic poetry --- Civilization, Medieval, in literature. --- History and criticism. --- Civilization, Medieval, in literature --- History and criticism --- Arabian nights. --- Hikajat 1001 malem --- Hikayat 1001 malem --- Hikajat sariboe satoe malem --- Sariboe satoe malem --- Seribu satu malam --- Sen-ichiya monogatari --- Gafu issen ichiya monogatari --- Alf laylah wa-laylah --- Thousand nights and one night --- Thousand and one nights --- Alif laila --- Tysi︠a︡cha i odna nochʹ --- Tausendundeine Nacht --- Tisíc a jedná noc --- Hikayat sa-ribu satu malam --- I chʻien ling i yeh --- Book of the thousand nights and one night --- Mille et une nuits --- Book of a thousand nights and a night --- Thousand nights and a night --- Elef lailah ṿe-lailah --- Tales of the Arabian nights --- 1001 Nacht --- Mille e una notte --- Arabiyan naito --- One thousand and one nights --- 1001 nights --- Arabian nights entertainments --- Hazar ew mēk gisherner --- Cartea celor o mie și una nopți --- Mie și una nopți --- Cartea celor o 1001 nopți --- Elf leyle ve leyle --- Alf sakhar ve sakhar