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book (4)


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English (4)


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Book
Rumour and radiation : sound in video art
Author:
ISBN: 9781623562694 9781623566685 1623566681 9781623564131 1623562694 1623564131 9781322307770 1322307776 9781623564131 Year: 2015 Publisher: New York, N.Y. Bloomsbury

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Abstract

This is a book about video art, and about sound art. The thesis is that sound first entered the gallery via the video art of the 1960s and in so doing, created an unexpected noise. The early part of the book looks at this formative period and the key figures within it - then jumps to the mid-1990s, when video art has become such a major part of contemporary art production, it no longer seems an autonomous form. Paul Hegarty considers the work of a range of artists (including Steve McQueen, Christian Marclay, Ryan Trecartin, and Jane and Louise Wilson), proposing different theories according to the particular strategy of the artist under discussion. Connecting them all are the twinned ideas of intermedia and synaesthesia. Hegarty offers close readings of video works, as influenced by their sound, while also considering the institutional and material contexts. Applying contemporary sound theory to the world of video art, Paul Hegarty offers an entirely fresh perspective on the interactions between sound, sound art, and the visual.


Book
The selected letters of John Cage
Authors: ---
ISBN: 9780819575913 9780819575920 0819575925 0819575917 Year: 2016 Publisher: Middletown, CT

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Abstract

Letters of an avant-garde icon available to the public for the first time.


Book
Rationalizing culture : IRCAM, Boulez, and the Institutionalization of the musical avant-garde
Author:
ISBN: 0520085078 9780520202160 9780520085077 Year: 1995 Publisher: Berkeley ; Los Angeles ; London University of California Press

Reviews: Die Fackel, Die Weltbühne, Anbruch, Le Disque vert, Mécano, Versty
Author:
ISBN: 9051837828 9789051837827 9004449353 9789004449350 Year: 1994 Publisher: Amsterdam Rodopi

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Abstract

This study of six early twentieth-century periodicals serves to refine the traditional image of the inter-war journal as the pre-eminent vehicle of artistic and intellectual renewal. Every periodical has its own history but general themes are clearly identified. Traces emerge of a common commitment to the internationalisation of the arts and we find early and unexpected discussion of Freud, Chaplin and Joyce in Brussels and Berlin, jazz in Vienna and Brussels, Ezra Pound in the Netherlands and Belgium. In contrast to this internationalisation are the ambitions of the various editors to play a significant role in their national cultures. This tension between national and international influences was in the first instance stimulating and innovative. Later, as a result of political and socio-economic developments, the newly achieved openness and exchange were gradually diminished and finally disappeared as did the periodicals themselves.

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