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Music --- Musique --- History and criticism --- Histoire et critique --- History and criticism. --- 20th century --- Music - 20th century - History and criticism.
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Music --- History and criticism --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Philosophy and aesthetics --- Philosophy --- 78.28.1 --- Music - 20th century - History and criticism
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This new edition of Mind Models reintroduces and renews a classic work on 20th century composition, one that has remained relevant for over a quarter century -- and should remain a central reading for decades to come.
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kamermuziek --- Ysaÿe, Eugène --- Musique --- Muziek --- Chamber music --- Musique de chambre --- Ysaye, Eugène, --- Ysaye, Eugène, --- 78.44.6.2 Ysaye --- 526.10 --- Monografieën componisten en uitvoerders - Biografieën, Stijl- en oeuvrebesprekingen --- Ysaÿe, Eugène --- 790 --- Belgique musique --- kunstenaars --- artistes --- Ysaÿe, Eugène, --- Chamber music - 19th century - History and criticism. --- Chamber music - 20th century - History and criticism. --- Biografieën --- Kamermuziek --- België --- 20e eeuw
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Music --- Music and literature. --- Musique --- Musique et littérature --- History and criticism. --- Histoire et critique --- Music and literature --- History and criticism --- Musique et littérature --- Cocteau, Jean --- Diaries --- Archival resources --- Correspondence --- Critique musicale. --- Comptes rendus. --- Et la musique. --- Music - 20th century - History and criticism
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Musicology --- Musicologie --- Computer music --- Avant-garde (Music) --- Music and technology --- Music --- Congresses. --- History and criticism --- Philosophy and aesthetics --- 78.86.2 --- Computer music - Congresses. --- Avant-garde (Music) - Congresses. --- Computer music - 20th century - History and criticism - Congresses. --- Music and technology - Congresses. --- Musicology - Congresses. --- Music - Philosophy and aesthetics - Congresses.
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In recent years the music of minimalist composers has become the subject of important musicological reflection, research and debate. This Companion provides an authoritative overview of research in this area and highlights the innovative work of the renowned early minimalists, the distinctive work of second and third generation minimalists, and the work of diverse composers who have moved in parallel with minimalist developments while remaining resolutely outside its immediate environment. The Companion also considers minimalism's role in culture and society from the perspective of historiogra
Music --- Minimal music --- Musique --- Musique répétitive --- History and criticism. --- Histoire et critique --- Minimal music -- History and criticism. --- Minimal music. --- Music -- 20th century -- History and criticism. --- Music -- 21st century -- History and criticism. --- Music, Dance, Drama & Film --- Music History & Criticism, General --- History and criticism --- muziekgeschiedenis --- anno 1900-1999 --- Musique répétitive --- Histoire et critique.
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Music --- History and criticism --- -Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- -History and criticism --- History and criticism. --- Musique --- Histoire et critique --- 78.28.1 --- Music - 20th century - History and criticism
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Music -- 20th century -- History and criticism. --- Musical analysis. --- Twelve-tone system. --- Music --- Twelve-tone system --- Music History & Criticism, General --- Music, Dance, Drama & Film --- History and criticism --- History and criticism. --- Dodecaphonic system --- Twelve-note composition --- Twelve-note system --- Twelve-tone technique --- Serialism (Music)
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Music --- -Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- History and criticism --- muziekgeschiedenis --- avant-garde --- anno 1900-1999 --- History and criticism. --- 78.28.1 --- Music - 20th century - History and criticism
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