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History --- Art --- Festschriften --- Winner, Matthias
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Andre;e Hayum approaches Matthias Grunewald's Isenheim Altarpiece, now at the Muse;e d'Unterlinden in Colmar, as a structural and iconographic entity and restores it to its broader cultural context in the early sixteenth century. She interprets the altarpiece in terms of its hospital context, then explores how this polyptych functions as a system of communication, in relation to contemporary sermons and in response to an emerging print culture. The meaning and motivation behind the direct visual appeal of the Isenheim panels are considered within the liturgy and the sacramental economy.
altarpieces --- Grünewald, Matthias --- Christian art and symbolism --- Grünewald, Matthias (Mathis Gothart Nithart) --- Criticism and interpretation. --- Musée d'Unterlinden (Colmar, France) --- Grünewald, Matthias (Mathis Gothart Nithart), --- Musée d'Unterlinden (Colmar, France). --- Criticism and interpretation --- 1450-1600 (Renaissance) --- Germany
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Book history --- Hungary --- 091 <439 BUDAPEST> --- 091 <017.2 MATTHIAS CORVINUS> --- 091.31 <45> --- Handschriftenkunde. Handschriftencatalogi--Hongarije--BUDAPEST --- Handschriftenkunde. Handschriftencatalogi--Private verzamelingen--MATTHIAS CORVINUS --- Verluchte handschriften--Italië --- 091.31 <45> Verluchte handschriften--Italië --- 091 <017.2 MATTHIAS CORVINUS> Handschriftenkunde. Handschriftencatalogi--Private verzamelingen--MATTHIAS CORVINUS --- 091 <439 BUDAPEST> Handschriftenkunde. Handschriftencatalogi--Hongarije--BUDAPEST --- Matthias I, King of Hungary, 1443- 1490 --- Library --- Manuscripts --- Illumination of books and manuscripts, Renaissance --- Libraries --- History --- Matthias --- Manuscripts - Hungary - Budapest - Catalogs --- Illumination of books and manuscripts, Renaissance - Catalogs --- Manuscripts - Catalogs --- Libraries - Hungary - Budapest - History - 1400-1600 --- Matthias - I, - King of Hungary, - 1143-1490 - Library - Catalogs --- Matthias - I, - King of Hungary, - 1143-1490
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Metteur en scène original qui aime bousculer les normes traditionnelles du théâtre et dont l'humour ravageur sape toutes les conventions, Matthias Langhoff allie ses trouvailles les plus séduisantes comme ses inventions les plus saugrenues à une recherche dramaturgique rigoureuse et à une maîtrise absolue des moyens scéniques. Qu'il nous fasse visiter Büchner, redécouvrir O'Neill ou qu'il décrypte H. Müller, M. Langhoff incite le spectateur à une nouvelle forme d'écoute. Les mises en scène, les dispositifs d'un metteur en scène dérangeant, son itinéraire, sa poétique...
Langhoff, Matthias --- Theatrical producers and directors --- Theater --- Producteurs et metteurs en scène de théâtre --- Théâtre --- Production and direction --- Production et mise en scène --- Langhoff, Matthias, --- Producteurs et metteurs en scène de théâtre --- Théâtre --- Production et mise en scène --- Theatrical producers and directors - Germany --- Langhoff, Matthias, - 1941 --- -Theatrical producers and directors --- -Langhoff, Matthias
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Hovius, Matthias --- Counter-Reformation --- Contre-Réforme --- Hovius, Matthias, --- Catholic Church --- Bishops --- History --- Belgium --- Belgique --- Church history --- Religious life and customs --- Histoire religieuse --- Vie religieuse --- Contre-Réforme --- Religious life and customs. --- HOVIUS (MATHIAS), 1542-1620 --- CONTRE-REFORME --- MALINES (BELGIQUE, ARCHEVECHE) --- FLANDRE (BELGIQUE) --- BELGIQUE --- 16E-17E SIECLES --- HISTOIRE --- 16E-18E SIECLES --- HISTOIRE RELIGIEUSE
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CORVIN
Book history --- Art --- Manuscripts. Epigraphy. Paleography --- history [discipline] --- illuminated manuscripts --- Matthias I Corvinus [King of Hungary] --- Royal Library Albert I [Brussels] --- anno 1500-1599 --- Hungary --- Hongarije --- Geschiedenis --- Renaissance --- Handschriften --- Miniaturen --- 091:264-12 --- 091 <493 BRUSSEL> --- 091 <064> --- 091 <017.2 MATTHIAS CORVINUS> --- 091.31 <45> --- 091 <439 BUDAPEST> --- #GGSB: Liturgie (historische werken) --- C3 --- geschiedenis --- missaal --- handschrift --- renaissance (x) --- Magyarország [land - HU] --- middeleeuwen (x) --- nieuwe tijd (x) --- #gsdbA --- 091 <439 BUDAPEST> Handschriftenkunde. Handschriftencatalogi--Hongarije--BUDAPEST --- Handschriftenkunde. Handschriftencatalogi--Hongarije--BUDAPEST --- 091:264-12 Missalen en sacramentaria--(handschriften) --- Missalen en sacramentaria--(handschriften) --- 091.31 <45> Verluchte handschriften--Italië --- Verluchte handschriften--Italië --- 091 <017.2 MATTHIAS CORVINUS> Handschriftenkunde. Handschriftencatalogi--Private verzamelingen--MATTHIAS CORVINUS --- Handschriftenkunde. Handschriftencatalogi--Private verzamelingen--MATTHIAS CORVINUS --- 091 <064> Handschriftenkunde. Handschriftencatalogi--Tentoonstellingscatalogi. Museumcatalogi --- Handschriftenkunde. Handschriftencatalogi--Tentoonstellingscatalogi. Museumcatalogi --- 091 <493 BRUSSEL> Handschriftenkunde. Handschriftencatalogi--België--BRUSSEL --- Handschriftenkunde. Handschriftencatalogi--België--BRUSSEL --- Kunst en cultuur --- Missals --- Manuscripts --- Matthias I, King of Hungary, 1443- 1490 --- Library --- Handschrift (manuscript) --- Miniatuur --- Geneeskunde --- Techniek (wetenschap) --- Atlas --- Museum --- Muziek --- Schilderkunst --- Tekenkunst --- Liturgie (historische werken) --- Missel de matthias corvinus --- Missels
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"Theatre of Real People offers fresh perspectives on the current fascination with putting people on stage who present aspects of their own lives and who are not usually trained actors. After providing a history of this mode of performance, and theoretical frameworks for its analysis, the book focuses on work developed by seminal practitioners at Berlin's Hebbel am Ufer (HAU) production house. It invites the reader to explore the HAU's innovative approach to Theatre of Real People, authenticity and cultural diversity during the period of Matthias Lilienthal's leadership (2003-12). Garde and Mumford also elucidate how Theatre of Real People can create and destabilize a sense of the authentic, and suggest how Authenticity-Effects can present new ways of perceiving diverse and unfamiliar people. Through a detailed analysis of key HAU productions such as Lilienthal's brainchild X-Apartments, Mobile Academy's Blackmarket, and Rimini Protokoll's 100% City, the book explores both the artistic agenda of an important European theatre institution, and a crucial aspect of contemporary theatre's social engagement."--Page 4 of cover.
Theater --- Theater and society. --- Hebbel am Ufer (Berlin, Germany) --- Theater - Germany. --- Production and direction --- Authentizität. --- Laienschauspieler. --- Multikulturelle Gesellschaft. --- Production and direction. --- Lilienthal, Matthias, --- Hebbel am Ufer (Berlin, Germany). --- HAU Hebbel am Ufer --- Germany
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Organ music. --- Hymns, German. --- German hymns --- Weckmann, Matthias, --- Germany. --- Weckman, Hans, --- Weckman, Matthias, --- Wegkmann, Matthias, --- Weykmann, Matthias, --- Alemania --- Ashkenaz --- BRD --- Bu̇gd Naĭramdakh German Uls --- Bundesrepublik Deutschland --- Deutsches Reich --- Deutschland --- Doitsu --- Doitsu Renpō Kyōwakoku --- Federal Republic of Germany --- Federalʹna Respublika Nimechchyny --- FRN --- German Uls --- Germania --- Germanii︠a︡ --- Germanyah --- Gjermani --- Grossdeutsches Reich --- Jirmānīya --- KhBNGU --- Kholboony Bu̇gd Naĭramdakh German Uls --- Nimechchyna --- Repoblika Federalin'i Alemana --- República de Alemania --- República Federal de Alemania --- Republika Federal Alemmana --- Vācijā --- Veĭmarskai︠a︡ Respublika --- Weimar Republic --- Weimarer Republik --- Germany (East) --- BuÌgd NaiÌramdakh German Uls --- Deguo --- Doitsu RenpoÌ KyoÌwakoku --- Federalʹna Respublika Nimechchyny --- GeÌrman --- Germaniiï¸ a︡ --- JirmaÌniÌya --- Kholboony BuÌgd NaiÌramdakh German Uls --- RepuÌblica de Alemania --- RepuÌblica Federal de Alemania --- VaÌcijaÌ --- VeiÌmarskaiï¸ a︡ Respublika --- Germany (West) --- Europe --- Gėrman
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This absorbing book takes us back to the busy, colorful world of a Netherlandish Catholic bishop and his flock during the age of Reformation. It is drawn from a rare journal, one of many kept by Mathias Hovius from 1596 to 1620 while he was Archbishop of Mechelen (part of modern Belgium). Elegantly written, the book focuses not only on the life of Mathias Hovius but also on key events and characters of his time; it portrays "lived religion," so that we see people from all sides getting involved in the constant negotiation of what it meant to be a good Catholic. Craig Harline and Eddy Put recreate the eventful life and times of Mathias Hovius-a world in which other-believers were outright heretics, the nagging fevers of old age were the result of unbalanced bodily humors, and a corruptible earth rested motionless at the center of the universe while God sat exalted on a throne just beyond the fixed stars. The authors also tell the stories of monks, nuns, priests, millers, pilgrims, peasant women, saints, town and village councils, and ordinary parishioners; each story, fascinating in its own right, illustrates a major theme in the history of the Catholic Reformation. In the end Harline and Put have painted a picture teeming with life and energy.
Counter-Reformation --- Anti-Reformation --- Church history --- Church renewal --- Reformation --- Hovius, Matthias, --- Houius, Matthias, --- Hovius, Mathias, --- Mathias, --- Catholic Church --- Bishops --- History --- Flanders (Belgium) --- Vlaanderen (Belgium) --- Région flamande (Belgium) --- Flemish Region (Belgium) --- Vlaams Gewest (Belgium) --- Flandre (Belgium) --- Religious life and customs. --- Church of Rome --- Roman Catholic Church --- Katholische Kirche --- Katolyt︠s︡ʹka t︠s︡erkva --- Römisch-Katholische Kirche --- Römische Kirche --- Ecclesia Catholica --- Eglise catholique --- Eglise catholique-romaine --- Katolicheskai︠a︡ t︠s︡erkovʹ --- Chiesa cattolica --- Iglesia Católica --- Kościół Katolicki --- Katolicki Kościół --- Kościół Rzymskokatolicki --- Nihon Katorikku Kyōkai --- Katholikē Ekklēsia --- Gereja Katolik --- Kenesiyah ha-Ḳatolit --- Kanisa Katoliki --- כנסיה הקתולית --- כנסייה הקתולית --- 가톨릭교 --- 천주교
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Includes work by Alighiero e Boetti, Guillaume Bijl, Guy Bleus, Thomas Huber, Regina Moller, Museum in Progress, Jan van Oost, Matthias Schaufler, Franck Scurti, Lawrence Weiner.
Bijl, Guillaume --- Oost, van, Jan --- Huber, Thomas --- Weiner, Lawrence --- Möller, Regina --- Museum in progress --- Schaufler, Matthias --- Boetti, Alighiero --- Bleus, Guy --- Scurti, Franck --- Art --- Hasselt [Belgium] --- Art contemporain --- Catalogues d'expositions --- Hedendaagse kunst --- Tentoonstellingscatalogi --- Conceptual art --- Art criticism --- Art, Modern --- Art conceptuel --- Critique d'art --- Exhibitions. --- History --- Expositions --- Histoire --- Boetti, Alighiero e --- Van Oost, Jan --- Beeldende kunst ; 2de h. 20ste eeuw --- Conceptuele kunst --- Tentoonstellingscatalogi ; Hasselt ; Prov. Centrum voor Beeldende Kunsten --- Lambrecht, Luk ; als curator --- Weiner, Laurence --- Museum in Progress --- 7.038 --- (069) --- kunst --- twintigste eeuw --- België --- Boetti Alighiero --- Alighiero e Boetti --- Bijl Guillaume --- Bleus Guy --- Huber Thomas --- Möller Regina --- Van Oost Jan --- Schaufler Matthias --- Scurti Franck --- Weiner Lawrence --- Concept Art --- mail art --- conceptuele kunst --- kunsttheorie --- schilderkunst --- installaties --- beeldhouwkunst --- politiek --- copy art --- Feldmann Hans-Peter --- Broodthaers Marcel --- Chomsky Noam --- Kunstgeschiedenis ; 1950 - 2000 --- (Musea. Collecties) --- museum in progress [Vienna]
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