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Rethinking materiality : the engagement of mind with the material world
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ISBN: 1902937309 9781902937304 Year: 2004 Volume: *4 Publisher: Cambridge McDonald Institute for Archaeological Research

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The aesthetics of matter : modernism, the avant-garde and material exchange
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ISBN: 9783110317534 3110317532 9783110317374 3110317370 Year: 2013 Publisher: Berlin : de Gruyter,

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It has often been argued that the arrival of the early-20th-century avant-gardes and modernisms coincided with an in-depth exploration of the materiality of art and writing. The European historical avant-gardes and modernisms excelled in their attempts to establish the specificity of media and art forms as well as in experimenting with the hybridity of the materials of their multiple disciplines. This third volume of the series European Avant-Garde and Modernism Studies sheds light on the full range and import of this aspect in avant-garde and modernist aesthetics across all art forms and throughout the 19th and 20th centuries.


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Iconoclasm As Child's Play
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ISBN: 1503608743 9781503608740 9780804798501 0804798508 Year: 2020 Publisher: Stanford, CA : Stanford University Press,

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When sacred objects were rejected during the Reformation, they were not always burned and broken but were sometimes given to children as toys. Play is typically seen as free and open, while iconoclasm, even to those who deem it necessary, is violent and disenchanting. What does it say about wider attitudes toward religious violence and children at play that these two seemingly different activities were sometimes one and the same? Drawing on a range of sixteenth-century artifacts, artworks, and texts, as well as on ancient and modern theories of iconoclasm and of play, Iconoclasm As Child's Play argues that the desire to shape and interpret the playing of children is an important cultural force. Formerly holy objects may have been handed over with an intent to debase them, but play has a tendency to create new meanings and stories that take on a life of their own. Joe Moshenska shows that this form of iconoclasm is not only a fascinating phenomenon in its own right; it has the potential to alter our understandings of the threshold between the religious and the secular, the forms and functions of play, and the nature of historical transformation and continuity.


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The Sculptural in the (Post-)Digital Age

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Digital technologies have profoundly impacted the arts and expanded the field of sculpture since the 1950s. Art history, however, continues to pay little attention to sculptural works that are conceived and ‘materialized’ using digital technologies. How can we rethink the artistic medium in relation to our technological present and its historical precursors? A number of theoretical approaches discuss the implications of the so-called ‘Aesthetics of the Digital’, referring, above all, to screen-based phenomena. For the first time, this publication brings together international and trans-historical research perspectives to explore how digital technologies re-configure the understanding of sculpture and the sculptural leading into the (post-)digital age. Up-to-date research on digital technologies’ expansion of the concept of sculpture Linking historical sculptural debates with discourse on the new media and (post-)digital culture Digitale Technologien haben die Künste grundlegend geprägt und das Feld der Skulptur seit den 1950er­Jah­ren erweitert. Die Kunstgeschichte schenkt jedoch skulpturalen Werken, die mithilfe von Computerprogram­men konzipiert und „materialisiert" wurden, bisher wenig Aufmerksamkeit. Wie lässt sich das Skulpturale in Bezug auf unsere technologische Gegenwart und seine historischen Vorläufer weiter­ denken? Einige theoretische Ansätze diskutieren die Implikationen einer sogenannten „Ästhetik des Digitalen"; sie beziehen sich vor allem auf bild­schirmbasierte Phänomene. Erstmals werden in dieser Publikation internatio­nale, transhistorische Forschungsper­spektiven vereint, die sich damit auseinandersetzen, wie das Verständnis des Skulpturalen bis ins Zeitalter des (Post­)Digitalen konfiguriert wird. Aktuelle Forschung zur Erweiterung des Skulpturbegriffs durch digitale Technologien Verbindung historischer skulpturaler Debatten mit Diskursen um Neue Medien und (post-)digitale Kultur


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Literatur, Buchgestaltung und Buchkunst : Ein Kompendium
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ISBN: 9783110528299 3110526476 3110528290 9783110526479 3110355345 9783110355345 Year: 2020 Publisher: Berlin De Gruyter

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Die Materialität des Buchs, seine Gestaltungsformen und Funktionen werden zum einen durch Künstlerbücher erkundet, die sich seit den 1960er Jahren als eigenständige künstlerisches Genre profiliert haben, zum anderen sind sie aber auch Gegenstand literarischer Reflexion - in Werken, für die ihre jeweilige Buchgestalt konstitutiv ist. Das Handbuch widmet sich den vielfältigen Spielformen literarischer und künstlerischer Gestaltung des Buchs und ihren konvergenten Interessen. Ein besonderer Schwerpunkt liegt dabei auf solchen Künstlerbüchern, die in produktiver Auseinandersetzung mit literarischen Texten entstanden sind und diese durch buchgestalterische Mittel inszenieren, transformieren und reflektieren. Gegliedert in fünf Teile, bietet das Handbuch in Teil A Überblicksdarstellungen und Beispiele zu Themen der Buchreflexion wie Materialität, Visualität und Schriftlichkeit. Teil B gilt der literarisch-künstlerischen Rezeption historischer Buchtypen wie Atlas, Bestiarium und Enzyklopädie, Teil C ästhetischen Aspekten des Kinder- und des Bilderbuchs. In Teil D finden sich Artikel zu zentralen Konzepten und Formen literarisch-künstlerischer Buchgestaltung, in Teil E dann je 50 Beispiele buchgestalterischer Literatur und Literatur basierter Künstlerbücher. There are many instances where interest in the materiality and design of the book links contemporary literature to art books, as they have developed since the 1960s. The five parts of this Handbook cover the themes and forms of reflection on book design, design considerations in historical book types, children's books and picture books, central forms and concepts, along with 100 examples from literature and the art of the book.


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Second sight : the visionary imagination in late Victorian literature
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ISBN: 9781847791801 1847791808 9781781701096 1781701091 0719071445 9780719071447 0719071453 1847794866 Year: 2013 Publisher: Manchester, UK : Manchester University Press,

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This challenging and important study, which examines a range of canonical and less well-known writers, is an innovative reassessment of late Victorian literature in its relation to visionary Romanticism. It examines six late Victorian writers - Dante Gabriel Rossetti, Walter Pater, Vernon Lee, Eugene Lee-Hamilton, Theodore Watts-Dunton and Thomas Hardy - to reveal their commitment to a Romantic visionary tradition which surfaces towards the end of the nineteenth century in response to the threat of a growing materialism. Offering detailed and imaginative readings of both poetry and prose, Seco


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Objects, Bodies and Work Practice
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ISBN: 1788924541 1788924533 9781788924535 9781788924528 1788924525 9781788924542 9781788924559 178892455X Year: 2019 Publisher: Blue Ridge Summit, PA : Multilingual Matters,

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What role do material objects play in the in-situ, embodied and spatial circumstances of interaction? How do people organize their embodied conduct with regard to such objects, and how is this consequential in and for their work practices? In this volume, contributors focus on these questions in terms of connections between ongoing courses of interaction within work practices, object materiality and mobility in space, bodily movement and manipulation of objects, and language. The chapters in this book address a broad range of settings and actions (including dressmaking, foreign language teaching, international business meetings and forklift driving) where a variety of objects become relevant.


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Movie circuits : curatorial approaches to cinema technology
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ISBN: 9789048527540 9048527546 9789089648907 9089648909 9048561469 Year: 2019 Publisher: Amsterdam : Amsterdam University Press,

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Movie Circuits: Curatorial Approaches to Cinema Technology attempts to grasp media in the making. It delves into the underbelly of cinema in order to explore how images circulate and apparatus crystallize across different material formations. The indisciplinary experience of curators and projectionists provides a means to suspend traditional film studies and engage with the medium as it happens, as a continuing, self-differing mess. From contemporary art exhibitions to pirate screenings, research and practice come together in a vibrant form of media scholarship, built from the angle of cinema's functionaries - a call to reinvent the medium from within.


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Waste siege : the life of infrastructure in Palestine
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ISBN: 150361090X 9781503610903 9781503607309 9781503610897 1503607305 9781503607309 Year: 2020 Publisher: Stanford, California : Stanford University Press,

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Waste Siege offers an analysis unusual in the study of Palestine: it depicts the environmental, infrastructural, and aesthetic context in which Palestinians are obliged to forge their lives. To speak of waste siege is to describe a series of conditions, from smelling wastes to negotiating military infrastructures, from biopolitical forms of colonial rule to experiences of governmental abandonment, from obvious targets of resistance to confusion over responsibility for the burdensome objects of daily life. Within this rubble, debris, and infrastructural fallout, West Bank Palestinians create a life under settler colonial rule. Sophia Stamatopoulou-Robbins focuses on waste as an experience of everyday life that is continuous with, but not a result only of, occupation. Tracing Palestinians' own experiences of wastes over the past decade, she considers how multiple authorities governing the West Bank—including municipalities, the Palestinian Authority, international aid organizations, NGOs, and Israel—rule by waste siege, whether intentionally or not. Her work challenges both common formulations of waste as "matter out of place" and as the ontological opposite of the environment, by suggesting instead that waste siege be understood as an ecology of "matter with no place to go." Waste siege thus not only describes a stateless Palestine, but also becomes a metaphor for our besieged planet.


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Material und k?unstlerisches Handeln
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ISBN: 3839434173 3837634175 9783839434178 Year: 2017 Publisher: Bielefeld, [Germany]

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Welche Rolle spielen Material und Materialprozess, Materialität und Immaterialität in der zeitgenössischen Kunst? Wie werden Materialien durch Künstlerinnen und Künstler in Räumen verortet und durch welche Ausstellungsdisplays exponiert? Was passiert, wenn in der Kunst der Gegenwart traditionelle, ewige, klassische und analoge Materialien um ephemere, instabile, arme, triviale, alltägliche oder digitale Materialien erweitert werden? In Auseinandersetzung mit diesen Fragen vereint der Band Beiträge aus den Perspektiven der Kunst, Kunstpädagogik und Kunstwissenschaft. Sie zeigen, wie künstlerisches Handeln durch die Auseinandersetzung mit spezifischer Materialität angeregt wird, und ermöglichen auf diese Weise zugleich Einblicke in verschiedene Materialdiskurse. Mit Beiträgen von Kunibert Bering, Lisa Gotto, Armin Hartenstein, Petra Kathke, Julia Kröpelin, Roland Nachtigäller, Bea Otto, Guido Reuter, Judith Samen, Gunnar Schmidt, Johanna Schwarz und einem Interview mit Karsten Bott. »Inspirierend sind [...] die Vielfalt an vorgestellten künstlerischen Positionen und Arbeitsweisen sowie die Beispiele aus Schule und Hochschule.« Sara Burkhardt, Kunst und Unterricht, 417-418 (2017) Besprochen in: Bauhaus, 9 (2017) Kunstbulletin, 6 (2018), Brita Polzer

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