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Figural and non-figural supports are a ubiquitous feature of Roman marble sculpture; they appear in sculptures ranging in size from miniature to colossal and of all levels of quality. At odds with modern ideas about beauty, completeness, and visual congruence, these elements, especially non-figural struts, have been dismissed by scholars as mere safeguards for production and transport. However, close examination of these features reveals the tastes and expectations of those who commissioned, bought, and displayed marble sculptures throughout the Mediterranean in the Hellenistic and Roman periods. Drawing on a large body of examples, Greek and Latin literary sources, and modern theories of visual culture, this study constitutes the first comprehensive investigation of non-figural supports in Roman sculpture. The book overturns previous conceptions of Roman visual values and traditions and challenges our understanding of the Roman reception of Greek art.
Marble sculpture, Roman. --- Struts (Stone carving) --- Stone carving --- Roman marble sculpture
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Marble industry and trade --- Marble sculpture, Classical --- Marbre --- Sculpture en marbre antique --- Industrie --- -Marble industry and trade --- -Marble sculpture, Classical --- Classical marble sculpture --- Marble quarrying --- Stone industry and trade --- Marble sculpture, Classical.
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Frieze --- Phigalian marbles --- Sculpture, Greek --- Frises --- Sculpture grecque --- Temple of Apollo (Bassai) --- Phigalian marbles. --- Marble sculpture
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Mythology, Classical, in art. --- Marble sculpture, Roman --- Figurines --- Sculpture --- Collectors and collecting --- France, Southwest --- Antiquities, Roman.
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"In Ancient Marbles in Naples in the Eighteenth Century Eloisa Dodero aims at documenting the history of numerous private collections formed in Naples during the 18th century, with particular concern for the "Neapolitan marbles" and the circumstances of their dispersal. Research has thus made it possible to formulate a synthesis of the collecting dynamics of Naples in the 18th century, to define the interest of the great European collectors, especially British, in the antiquities of the city and its territory and to draw up a catalogue which for the first time brings together the nucleus of sculptures reported in the Neapolitan collections or coming from irregular excavations, most of which shared the destiny of dispersal, in some cases here traced in definitive fashion"--
Sculpture --- art market --- marble [rock] --- art collections --- anno 1700-1799 --- Naples --- antieke beeldhouwkunst --- collecting, Italy --- Marble sculpture, Classical --- Antiquities --- Private collections --- Collectors and collecting --- History --- Naples (Italy)
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Marble sculpture, Greek --- Group work in art --- Sculpture en marbre grecque --- Art --- History --- Travail en équipe --- Histoire --- Olympia Master --- Temple of Zeus (Olympia, Greece) --- Olympia (Greece : Ancient sanctuary) --- Criticism and interpretation --- 733.3 --- Arts Sculpture Greek --- Travail en équipe --- Olympia. Tempel van Zeus. Beeldhouwwerken. --- Olympie (Maître d'). --- Olympie. Temple de Zeus. Sculptures. --- Olympia (Meester van). --- History. --- Greek marble sculpture --- Teamwork in art --- Artistic collaboration --- Criticism and interpretation. --- Group work in art - Greece - Olympia --- Marble sculpture, Greek - Greece - Olympia --- Olympia Master - Criticism and interpretation
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Franse titel : N11199 : Marbres Helléniques : De la carrière au chef-d'oeuvre : [ Exposition : .. ]
Architecture --- History of civilization --- Archeology --- Antiquity --- Greece --- Archéologie grecque --- Marble sculpture, Greek --- -Marble --- -Archeologie ; Griekenland ; marmer ; van steengroeve tot kunstwerk --- Tentoonstellingscatalogi ; Brussel ; Passage 44 --- Metamorphic rocks --- Calcium carbonate --- Greek marble sculpture --- Kunstgeschiedenis ; Oud-Griekse kunst --- Marble. --- Marble --- Exhibitions. --- archeologie --- Griekenland --- (069) --- 7.032.6 --- Archeologie ; Griekenland ; marmer ; van steengroeve tot kunstwerk --- Exhibitions --- (Musea. Collecties) --- Exposition --- Histoire et culture grecques --- Sculpture --- Marbre. Industrie. Grèce ancienne. Exposition. Bruxelles. 1987. --- Marmerindustrie. Griekenland (Oud-). Tentoonstelling. Brussel. 1987. --- Bezoekers tentoonstelling
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Epigrafie [Griekse ] --- Epigraphie grecque --- Griekse epigrafie --- Inscripties [Griekse ] --- Inscriptions [Greek ] --- Inscriptions grecques --- Korai (Art grec) --- Korai (Griekse kunst) --- Korai statues --- Kore statues --- Opschriften [Griekse ] --- Athena (Greek deity) --- Art --- Votive offerings --- Greece --- Athens (Greece) --- Acropolis (Athens, Greece) --- Inscriptions, Greek --- Korai --- Ex-votos --- Offerings, Votive --- Greek inscriptions --- Akropolis (Athens, Greece) --- Athenian Acropolis (Athens, Greece) --- Sacrifice --- Marble sculpture, Greek --- Women in art --- Greek language --- Greek philology
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Marble --- Stone --- Marble industry and trade --- Stone industry and trade --- Marble sculpture, Classical --- Decoration and ornament, Architectural --- Stone buildings --- Marbre --- Pierre --- Sculpture en marbre antique --- Décoration et ornement architecturaux --- Constructions en pierre --- Analysis --- Congresses. --- Congresses --- History --- Analyse --- Congrès --- Industrie --- Histoire --- Conferentie --- Décoration et ornement architecturaux --- Congrès --- Building materials industry --- Marble quarrying --- Building materials --- Rocks --- Metamorphic rocks --- Calcium carbonate
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