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Faisant suite au volume Le genre de travers : littérature et transgénéricité (La Licorne, n° 82, 2008), cet ouvrage prolonge une réflexion collective consacrée aux enjeux théoriques de la généricité. L’angle d’approche privilégie la qualification conçue comme un ensemble de procédures d’évaluation, relevant soit d’une appréciation individuelle, soit d’un mécanisme plus largement institutionnel, par quoi l’œuvre littéraire est à la fois située dans sa spécificité et rendue à ses conditions actuelles d’intelligibilité.

Poétique --- Littérature et histoire --- Poétique. --- Littérature et histoire.

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Historical fiction, Spanish --- Spanish fiction --- Roman historique espagnol --- Roman espagnol --- History and criticism --- Histoire et critique --- Historical fiction --- Littérature espagnole --- Roman historique --- Littérature et histoire --- Thèmes, motifs --- Thèmes, motifs. --- Littérature et histoire. --- Histoire et critique. --- Historical fiction - History and criticism

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Comparative literature --- Thematology --- Historiography --- History in literature --- Literature and history --- Historiographie --- Histoire dans la littérature --- Littérature et histoire --- Congresses --- Congrès --- Congresses. --- Histoire dans la littérature --- Littérature et histoire --- Congrès

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The proliferation of historical novels with more or less overt metafictional traits in the late seventies and eighties in Britain is a particularly arresting phenomenon at a time when historians are openly questioning the validity of the traditional concept of history understood as a scientific search for knowledge. This apparent contradiction justifies the attempt made by the contributors of this volume to analize the relationship between history and literature in English. The reader will find four preliminary essays on "The End of the Classical Period" establishing the characteristics of the appropriation of history since the appearance of Sir Walter Scott's historical romances with special emphasis on the Victorian novel (Dickens, Eliot, Mrs Humphry Ward), the Irish ballad and Post-Independence Indian historical fiction, as a necessary preface to the main group of essays on "The Postmodernist Era" devoted to establishing the common as well as the individually distinctive traits in the writings of some of the most accomplished contemporary writers in English: the more "centered" British novelists Margaret Drabble, Julian Barnes and William Golding as well as the more "ex-centric" Angela Carter, Salman Rushdie and Jeanette Winterson plus the playwright Caryl Churchill, and the black American novelist David Bradley.

Fiction --- History as a science --- Narration (Rhetoric) --- Narration (Rhétorique) --- Narrative writing --- Verhaal (Retoriek) --- Historical fiction --- History in literature --- Literature and history --- Roman historique --- Histoire dans la littérature --- Littérature et histoire --- Narration --- History and criticism --- Histoire et critique --- 82:93 --- Literatuur en geschiedenis --- 82:93 Literatuur en geschiedenis --- Histoire dans la littérature --- Littérature et histoire --- Addresses, essays, lectures --- Narrative (Rhetoric) --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- History and literature --- History and poetry --- Poetry and history --- History --- ROMAN ANGLAIS --- ROMAN HISTORIQUE (GENRE LITTERAIRE) --- LITTERATURE ET HISTOIRE --- HISTOIRE DANS LA LITTERATURE --- HISTOIRE ET CRITIQUE --- PAYS DE LANGUE ANGLAISE

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Literature --- Geschiedenis en literatuur --- Geschiedenis en poëzie --- Histoire et littérature --- Histoire et poésie --- History and literature --- History and poetry --- Literature and history --- Literatuur en geschiedenis --- Littérature et histoire --- Narration (Rhetoric) --- Narration (Rhétorique) --- Narrative writing --- Poetry and history --- Poésie et histoire --- Poëzie en geschiedenis --- Verhaal (Retoriek) --- Poetry --- Narration --- Poésie --- History and criticism --- Histoire et critique --- Literature and history. --- Histoire et littérature --- Poésie