Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Renoir, Pierre-Auguste --- Impressionism (Art) --- Exhibitions. --- Exhibitions

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

For Monet, the act of creation was always a painful struggle. His obsession with capturing light effects in nature was much more intense than that of his contemporaries. In his words: "Skills come and go... Art is always the same: a transposition of nature that requests as much will as sensitivity. I strive and struggle against the sun... should as well paint with gold and precious stones."A beautiful display of Impressionist work, Mega Square Monet explores the extraordinary paintings of one of the masters of the 19th century. Monet's rapid brushstroke style in landscapes and scenes from everyday

Impressionism (Art) --- Monet, Claude, --- Criticism and interpretation.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Ipaint what I see and not what it pleases others to see." What other words than these of Édouard Manet, seemingly so different from the sentiments of Monet or Renoir, could best define the movement of Impressionism? Without a doubt this singularity was explained when, shortly before his death, Claude Monet wrote: "I remain sorry to have been the cause of the name given to a group the majority of which did not have anything Impressionist."In this work, Nathalia Brodskaïa examines the contradictions of this late 19th-century movement through the paradox of a group who, while forming a coherent

Impressionism (Art) --- Aesthetics --- Art, Modern --- Modernism (Art) --- Painting --- Post-impressionism (Art) --- Art --- Painting, French

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

While Impressionism marked the first steps toward modern painting by revolutionising an artistic medium stifled by academic conventions, Post-Impressionism, even more revolutionary, completely liberated colour and opened it to new, unknown horizons. Anchored in his epoch, relying on the new chromatic studies of Michel Eugène Chevreul, Georges Seurat transcribed the chemist's theory of colours into tiny points that created an entire image. With his heavy strokes, Van Gogh illustrated the midday sun, while Cézanne renounced perspective. Rich in its variety and in the singularity of its artists,

Post-impressionism (Art) --- Postimpressionism (Art) --- Aesthetics --- Art, Modern --- Cubism --- Expressionism (Art) --- Futurism (Art) --- Impressionism (Art) --- Modernism (Art) --- Neo-impressionism (Art) --- Painting

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Painters --- Impressionism (Art) --- Peintres --- Impressionnisme (Art) --- Biography. --- Biographies --- Seurat, Georges,