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#GOSA:II.P.HI.M --- #GROL:SEMI-276-05 Hier --- 235.3 HIERONYMUS --- 871 HIERONYMUS --- 871 HIERONYMUS Latijnse literatuur--HIERONYMUS --- Latijnse literatuur--HIERONYMUS --- Hagiografie--HIERONYMUS --- Jerome, --- Gerolamo, --- Gérome, --- Gerónimo, --- Girolamo, --- Heronimos, --- Hieronim, --- Hieronymus, Eusebius, --- Hieronymus, --- Hieronymus, Sophronius Eusebius, --- Hieronymus, Stridonensis, --- Ieronim, Stridonskiĭ, --- Iheronimus, --- Jerónimo, --- Jerōnimos, --- Jeronimi, --- Jerome, - Saint, - -419 or 420 --- Hieronymus presb.

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Painting, Renaissance. --- Painting, Dutch --- Peinture de la Renaissance --- Peinture hollandaise --- Bosch, Hieronymus, --- Influence. --- Painting, Renaissance --- Influence --- Paintings, Renaissance --- Renaissance painting --- Bosch, Hieronymus --- -Influence --- -Bosch, Hieronymus --- Bosch, Jerome --- de Bosch, Jeronimo --- Bosch, Jheronimus --- Aeken, Hieronymus van, --- Aken, Hieronymus van, --- Aken, Jeroen Anthoniszoon van, --- Aken, Jheronymus van, --- Aquen, Jheronimus, --- Bos, Hieronymus van, --- Bos, Ierōnymos, --- Bos, Jeronimus, --- Bosch, Hieronimus, --- Bosch, Hieronymous, --- Bosch, Hieronymus van Aken, --- Bosch, Jeroen, --- Bosch, Jérôme, --- Bosch, Jerónimo, --- Bosch, Jheronimus, --- Bosch, Jheronymus, --- Bosco, Hieronymus, --- Boskh, Ieronim, --- Bosque, Jerónimo, --- El Bosco, --- van Aken, Jheronimus --- Bosch, Jeroen --- Aeken, Hieronymus van --- Aken, Hieronymus van --- Aken, Jeroen Anthoniszoon van --- Aken, Jheronymus van --- Aquen, Jheronimus --- Bos, Hieronymus van --- Bos, Ierōnymos --- Bos, Jeronimus --- Bosch, Hieronimus --- Bosch, Hieronymous --- Bosch, Jérôme --- Bosch, Jerónimo --- Bosch, Jheronymus --- Bosco, Hieronymus --- Boskh, Ieronim --- Bosque, Jerónimo --- El Bosco --- Bosch, Hieronymus, - -1516 - Influence --- Bosch, Hieronymus, - -1516

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Jérôme Bosch (1450-1516) est issu d'une famille modeste venue s'installer aux Pays-Bas deux siècles plus tôt. Son grand-père Jan van Aken et son père Anthonis van Aken ont aussi exercé le métier de peintre. Épousant en 1480 une fille de riche aristocrate, il est accueilli comme « membre notable » par la confrérie Notre-Dame, association religieuse consacrée au culte de la Vierge, dont il devient naturellement le peintre attitré. C'est dans ses lectures et dans l'atmosphère d'hérésie et de mysticisme régnant alors, que Bosch puise une inspiration nouvelle qui lui fait délaisser l'iconographie t

Bosch, Hieronymus, --- Bosch, Hieronymus --- Bosch, Jerome --- de Bosch, Jeronimo --- Bosch, Jheronimus --- Aeken, Hieronymus van, --- Aken, Hieronymus van, --- Aken, Jeroen Anthoniszoon van, --- Aken, Jheronymus van, --- Aquen, Jheronimus, --- Bos, Hieronymus van, --- Bos, Ierōnymos, --- Bos, Jeronimus, --- Bosch, Hieronimus, --- Bosch, Hieronymous, --- Bosch, Hieronymus van Aken, --- Bosch, Jeroen, --- Bosch, Jérôme, --- Bosch, Jerónimo, --- Bosch, Jheronimus, --- Bosch, Jheronymus, --- Bosco, Hieronymus, --- Boskh, Ieronim, --- Bosque, Jerónimo, --- El Bosco, --- van Aken, Jheronimus --- Bosch, Jeroen --- Aeken, Hieronymus van --- Aken, Hieronymus van --- Aken, Jeroen Anthoniszoon van --- Aken, Jheronymus van --- Aquen, Jheronimus --- Bos, Hieronymus van --- Bos, Ierōnymos --- Bos, Jeronimus --- Bosch, Hieronimus --- Bosch, Hieronymous --- Bosch, Jérôme --- Bosch, Jerónimo --- Bosch, Jheronymus --- Bosco, Hieronymus --- Boskh, Ieronim --- Bosque, Jerónimo --- El Bosco

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Hiëronymus Bosch was painting frightful yet vaguely likable monsters long before computer games were ever invented, often with a touch of humor. His works are assertive statements about the mental illness that befalls any man who abandons the teachings of Christ. With a life that spanned 1450 to 1516, Bosch experienced the thick of the highly charged Renaissance and its wars of religion.Medieval tradition and values were crumbling, paving the way to thrust man into a new universe where faith lost some of its power and much of its magic.

Bosch, Hieronymus, --- Bosch, Hieronymus --- Bosch, Jerome --- de Bosch, Jeronimo --- Bosch, Jheronimus --- Aeken, Hieronymus van, --- Aken, Hieronymus van, --- Aken, Jeroen Anthoniszoon van, --- Aken, Jheronymus van, --- Aquen, Jheronimus, --- Bos, Hieronymus van, --- Bos, Ierōnymos, --- Bos, Jeronimus, --- Bosch, Hieronimus, --- Bosch, Hieronymous, --- Bosch, Hieronymus van Aken, --- Bosch, Jeroen, --- Bosch, Jérôme, --- Bosch, Jerónimo, --- Bosch, Jheronimus, --- Bosch, Jheronymus, --- Bosco, Hieronymus, --- Boskh, Ieronim, --- Bosque, Jerónimo, --- El Bosco, --- Criticism and interpretation. --- Painting, Renaissance. --- Paintings, Renaissance --- Renaissance painting --- van Aken, Jheronimus --- Bosch, Jeroen --- Aeken, Hieronymus van --- Aken, Hieronymus van --- Aken, Jeroen Anthoniszoon van --- Aken, Jheronymus van --- Aquen, Jheronimus --- Bos, Hieronymus van --- Bos, Ierōnymos --- Bos, Jeronimus --- Bosch, Hieronimus --- Bosch, Hieronymous --- Bosch, Jérôme --- Bosch, Jerónimo --- Bosch, Jheronymus --- Bosco, Hieronymus --- Boskh, Ieronim --- Bosque, Jerónimo --- El Bosco

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In the West, monastic ideals and scholastic pursuits are complementary; monks are popularly imagined copying classics, preserving learning through the Middle Ages, and establishing the first universities. But this dual identity is not without its contradictions. While monasticism emphasizes the virtues of poverty, chastity, and humility, the scholar, by contrast, requires expensive infrastructure-a library, a workplace, and the means of disseminating his work. In The Monk and the Book, Megan Hale Williams argues that Saint Jerome was the first to represent biblical study as a mode of asceticism appropriate for an inhabitant of a Christian monastery, thus pioneering the enduring linkage of monastic identities and institutions with scholarship. Revisiting Jerome with the analytical tools of recent cultural history-including the work of Bourdieu, Foucault, and Roger Chartier-Williams proposes new interpretations that remove obstacles to understanding the life and legacy of the saint. Examining issues such as the construction of Jerome's literary persona, the form and contents of his library, and the intellectual framework of his commentaries, Williams shows that Jerome's textual and exegetical work on the Hebrew scriptures helped to construct a new culture of learning. This fusion of the identities of scholar and monk, Williams shows, continues to reverberate in the culture of the modern university. "[Williams] has written a fascinating study, which provides a series of striking insights into the career of one of the most colorful and influential figures in Christian antiquity. Jerome's Latin Bible would become the foundational text for the intellectual development of the West, providing words for the deepest aspirations and most intensely held convictions of an entire civilization. Williams's book does much to illumine the circumstances in which that fundamental text was produced, and reminds us that great ideas, like great people, have particular origins, and their own complex settings."-Eamon Duffy, New York Review of Books

RELIGION / General. --- Jerome, --- Gerolamo, --- Gérome, --- Gerónimo, --- Girolamo, --- Heronimos, --- Hieronim, --- Hieronymus, Eusebius, --- Hieronymus, --- Hieronymus, Sophronius Eusebius, --- Hieronymus, Stridonensis, --- Ieronim, Stridonskiĭ, --- Iheronimus, --- Jerónimo, --- Jerōnimos, --- 276 =71 HIERONYMUS, SOPHRONIUS EUSEBIUS --- Latijnse patrologie--HIERONYMUS, SOPHRONIUS EUSEBIUS --- Jeronimi, --- Fathers of the church. --- Pères de l'Eglise --- Jerome --- Hieronymus presb. --- Jerome, - Saint, - -419 or 420 --- christian, christianity, faith, belief, religion, religious studies, history, historical, academic, scholarly, research, jerome, sect, monastic, west, western, middle ages, classics, poverty, chastity, morals, values, humility, monastics, asceticism, scholarship, university, education, culture, cultural, bourdieu, foucault, chartier, saint. --- Jérôme (0345?-0420) --- Christianisme et culture --- Ascétisme --- saint --- Savoir et érudition --- Critique et interprétation --- 4e-siècle