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Gothic art finds its roots in the powerful architecture of the cathedrals of northern France. It is a medieval art movement that evolved throughout Europe over more than 200 years.Leaving curved Roman forms behind, the architects started using flying buttresses and pointed arches to open up cathedrals to daylight. A period of great economic and social change, the Gothic era also saw the development of a new iconography celebrating the Holy Mary - in drastic contrast to the fearful themes of dark Roman times. Full of rich changes in all of the various art forms (architecture, sculpture, painting, etc.), Gothic art paved the way for the Italian Renaissance and International Gothic movement.

Art, Gothic. --- Painting, Gothic. --- Sculpture, Gothic. --- Architecture, Gothic. --- Gothic art --- Art, Medieval --- Christian art and symbolism --- Gothic architecture --- Christian antiquities --- Church architecture --- Gothic sculpture --- Sculpture, Medieval --- Gothic painting --- Paintings, Gothic --- Art, Gothic --- Art --- Art, gothic

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Sculpture --- anno 1200-1499 --- Belgium --- Arts graphiques --- Belgique --- België --- Grafische kunst --- Polychromy --- Sculpture, Gothic --- Wood-carving, Gothic --- -Sculpture, Gothic --- -Wood-carving, Gothic --- -Gothic wood-carving --- Gothic sculpture --- Sculpture, Medieval --- Color in sculpture --- Color --- -Polychromy --- Gothic wood-carving --- Polychromy - Belgium --- Sculpture, Gothic - Belgium --- Wood-carving, Gothic - Belgium --- carvings [visual works] --- sculpture techniques --- polychromy --- beeldhouwkunst, Nederlanden --- Gothic [Medieval]

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"Explores images of torment and martyrdom that appeared in the German-speaking world in the late medieval period, tying them to premodern conceptualizations of individuality and selfhood"--

Violence --- Martyre --- Art médiéval --- Art, Medieval --- Dans l'art. --- Thèmes, motifs. --- Violence in art. --- Gothic painting. --- Gothic sculpture. --- courtly literature. --- gender. --- legal and juridical history. --- martyrdom. --- materiality. --- philosophy. --- response theory. --- rites of punishment. --- somaesthetics. --- theology. --- tortures. --- violence. --- visual culture.

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1400 - 1530 --- -Polychromy --- -Sculpture, High Gothic --- -Sculpture, Medieval --- -Wood sculpture --- -Wood sculpture, German --- -Color in sculpture --- Wood carvings --- Wooden sculpture --- Wood-carving --- High Gothic sculpture --- High Gothic --- Museums --- -German wood sculpture --- Sculpture, Gothic --- Color in sculpture --- Sculpture --- Exhibitions --- Color --- anno 1400-1499 --- anno 1500-1599 --- Germany --- Polychromy --- Sculpture, High Gothic --- Sculpture, Medieval --- Wood sculpture, German --- Wood sculpture --- German wood sculpture --- Public institutions --- Cabinets of curiosities --- beeldhouwkunst --- openbare collecties --- middeleeuwen --- 15de eeuw --- 16de eeuw --- Duitsland --- Frankrijk --- Exhibitions. --- middeleeuwen, middeleeuwse geschiedenis (historisch tijdvak) --- sculptuur --- 1400 - 1530. --- 15de eeuw. --- 16de eeuw. --- Duitsland. --- Frankrijk.

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This interdisciplinary study interprets the façade of Wells Cathedral as an integral part of thirteenth-century English Church liturgy and politics. Carolyn Malone posits that architectural motifs, as signs, complemented not only the façade's sculptural program of the Church Triumphant but also its use during liturgical processions. Interpreted as an ideological construct, the façade's design is related to theological change, liturgical innovation and political strategy, as well as to the conjuncture of several major historical and cultural events of the 1220s. As part of the Church's empowering ritual, the façade expressed the reforming views of the Fourth Lateran Council, promoted Wells as the seat the diocese and proclaimed the covenant between Church and State in England following Magna Carta.

Sculpture, English --- Sculpture, Gothic --- Facades --- Christian art and symbolism --- Themes, motives --- Wells Cathedral --- Cathédrale Saint André (Wells, Angleterre) --- Cathédrale St. André (Wells, Angleterre) --- Cathédrale de Wells --- Kathedraal van Sint Andrew (Wells, England) --- Kathedraal van St. Andrew (Wells, Engeland) --- Kathedraal van Wells --- Saint Andrew's Cathedral (Wells, England) --- St. Andrew's Cathedral (Wells, England) --- Wells (Angleterre). Cathédrale --- Wells (Engeland). Kathedraal --- Wells (England). Cathedral --- Wells cathedral --- 726 <420 WELLS> --- 726.5 --- 246.6 --- 246.6 Symbolisme in de christelijke kunst --- Symbolisme in de christelijke kunst --- 726.5 Kerkgebouwen. Kerkarchitectuur --- Kerkgebouwen. Kerkarchitectuur --- 726 <420 WELLS> Religieuze bouwkunst. Kerkelijke bouwkunst. Sacrale architectuur--Engeland--WELLS --- Religieuze bouwkunst. Kerkelijke bouwkunst. Sacrale architectuur--Engeland--WELLS --- Sculpture anglaise --- Sculpture gothique --- Façades --- Art et symbolisme chrétiens --- Themes, motives. --- Thèmes, motifs --- Wells Cathedral. --- Beeldhouwkunst [Engelse ] --- England --- Wells (England) --- Sculpture [Gothic ] --- Façades --- Medieval, 500-1500 --- Middle Ages, 500-1500 --- Sculpture, English - England - Wells - Themes, motives --- Sculpture, Gothic - England - Wells - Themes, motives --- Facades - England - Wells --- Christian art and symbolism - England - Wells - Medieval, 500-1500 --- Gothic sculpture --- Sculpture, Medieval --- English sculpture --- Architectural fronts --- Fronts (Architecture) --- Architecture --- Exterior walls --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Wells --- Details