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Faust has been called the fundamental icon of Western culture, and Goethe's inexhaustible poetic drama is the centrepiece of its tradition in literature, music and art. In recent years, this play has experienced something of a renaissance, with a surge of studies, theatre productions, press coverage and public discussions. Reflecting this renewed interest, leading Goethe scholars in this volume explore the play's striking modernity within its theatrical framework. The chapters present new aspects such as the virtuality of Faust, the music drama, the modernization of evil, Faust's blindness, the gay Mephistopheles, classic beauty and horror as phantasmagoria, and Goethe's anticipation of modern science, economics and ecology. The book contains an illustrated section on Faust in modern performance, with contributions by renowned directors, critics and dramaturges, and a major interview with Peter Stein, director of the uncut 'millennium production' of Expo 2000.
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The tradition of the German novel, before the emergence of its 'classic' writers in the first half of the twentieth century (Thomas Mann, Kafka, Hesse, Musil), does not have an assured place in the canon of European literature. Not that it has wanted for spirited advocates; but, despite all efforts, it has remained firmly on the periphery. The one signal exception is Goethe's novel Die Leiden des jungen Werthers usually rendered as 'The Sorrows of Young Werther'. Werther was an extraordinary and immediate bestseller both in Germany and abroad.
Goethe, von, Johann Wolfgang --- Goethe, Johann Wolfgang von, --- Goethe, Johann Wolfgang von --- Arts and Humanities --- Literature
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Authors, German --- Ecrivains allemands --- Biography. --- Biographies --- Goethe, Johann Wolfgang von,
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In his late novels, Goethe formulates a profound critique of language and thus challenges his own capacity to represent. Goethe's fundamental scepticism about language derives from an irresolvable ambiguity of words coupled with limitations on their expressiveness; in the case of Elective Affinities and Journeyman Years this leads to the conception of an open work of art. Using detailed textual analysis, Christian Mittermüller reconstructs a hitherto scarcely recognised connection between scepticism about language and poetic theory, and in so doing opens up a new avenue for approaching Goethe'
Goethe. --- Linguistic scepticism. --- Goethe, Johann Wolfgang von, --- Criticism and interpretation.
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