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"Since the 1997 completion of what many consider his greatest achievement - the stunning Guggenheim Museum in Bilbao, Spain - Frank O. Gehry has soared to the forefront of contemporary American architecture. Long recognized by his peers for his innovative designs, Gehry now enjoys a new level of prominence in the popular imagination. This book, the catalogue of the first large-scale retrospective of Gehry's work in 15 years, examines the architect's unique vision and provides the historical perspective with which to interpret the audacious accomplishments." "Essays by noted museum curators and architectural historians explore his iconoclastic spirit and trace his melding of unconventional materials and forms. Photographs, drawings, plans, and scale models communicate the breadth and complexity of Gehry's work and show how, in his view of architecture as sculptural space, Gehry has opened up a world of new possibilities for architecture"--
Gehry, Frank --- Architecture --- Architects --- Architectes --- Gehry, Frank O., --- Architectuur --- Gehry, Frank O. --- United States --- Architecture [Modern ] --- 20th century --- Architecte --- Gehry, Frank O., - 1929 --- -Architecture --- United States of America --- -Architectuur
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Die Fondation Louis Vuitton von Frank O. Gehry erhebt sich aus dem Wald des Bois de Boulogne als neues Wahrzeichen im Pariser Stadtbild. Gehrys dynamische Architektur ist schillernd und vieldeutig: Segelschiff, Eisberg, Meeresungeheuer? Sie fasziniert mit Anspielungsreichtum und entzieht sich zugleich aber auch einer eindeutigen Festsetzung. Drei herausragende Vertreter verschiedener Generationen der Kunstgeschichte, James S. Ackerman (†), Irving Lavin und Horst Bredekamp haben die Fondation Louis Vuitton gemeinsam besichtigt. Sie nähern sich dem Gebäude in drei reichbebilderten Essays an, die der schwimmenden Architektur des "Magiers" Gehry in ihren kunst- und architekturhistorischen Kontexten nachforschen. The Fondation Louis Vuitton by Frank O. Gehry rises from the Bois de Boulogne as a new landmark in the Parisian skyline. Gehry's dynamic architecture is both glittering and multifaceted: is it a sailing vessel, an iceberg, or a sea monster? It fascinates with its wealth of references and, at the same time, escapes any clear-cut definition. Three outstanding representatives of different generations of art history, James S. Ackerman (†), Irving Lavin, and Horst Bredekamp have together paid a visit to the Fondation Louis Vuitton. They explore the building in three richly illustrated essays that try to fathom the floating architecture of the "magician" Gehry in the context of both art and architectural history.
Architecture --- Fondation Louis Vuitton. --- Frank O. Gehry. --- Horst Bredekamp. --- Gehry, Frank O., --- Gehry, Frank, --- Goldberg, Frank, --- Gehry, Frank Owen, --- Goldberg, Ephraim Owen, --- Fondation Louis Vuitton (Paris, France) --- Paris (France) --- France --- Buildings, structures, etc. --- City of Paris --- Paris
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Après un aperçu historique, 17 exemples d'architecture universitaires sont présentés et illustrés. Le problème spécifique des amphithéâtres est abordé, une documentation express nous livre d'autres exemples de bâtiments universitaires.
College buildings. --- Architecture, Modern --- Architecture, Postmodern. --- Constructions universitaires --- Architecture --- Architecture postmoderne --- Architecture, Postmodern --- College buildings --- Universities and colleges --- Ecole d'architecture --- Bâtiment universitaire --- Amphithéâtre --- Université --- Buildings --- Beaudouin, Laurent --- Berger, Patrick --- Bosch, Theo --- Gehry, Frank O. --- Giacomazzi, Sylvain --- Hauvette, Christian --- Holzbauer, Wilhelm --- Ikehara, Yoshiro --- King, Dave --- Kurokawa, Kisho --- Mather, Rick --- Mcallister, Rod --- Penela Fernandez, Alfonso --- Perrault, Dominique --- Rousselot, Christine --- Schattner, Karljosef --- Stirling, James --- Wilford, Michael --- architectuur --- Architectuur ; universiteiten ; hogescholen --- universiteitsgebouwen --- 727.3 --- hogeschoolgebouwen --- twintigste eeuw --- Schattner Karljosef --- Beaudouin Laurent --- Giacomazzi Sylvain --- Rousselot Christine --- Gehry Frank O. --- Penela Fernandez Alfonso --- Kurokawa Kisho --- Stirling James --- Wilford Michael --- Bosch Theo --- Berger Patrick --- Ikehara Yoshiro --- Perrault Dominique --- Mather Rick --- Hauvette Christian --- Szyszkowitz Michael --- Kowalski Karla --- Gregotti Associatti --- Gebouwen voor opleiding en wetenschap ; universiteiten, hogescholen --- Gehry Frank O --- University buildings --- College facilities --- School buildings --- Postmodern architecture --- Postmodernism --- History --- Gehry, Frank Owen --- Perrault, Dominique, --- Architecture, Modern - 20th century --- Universities and colleges - Buildings --- Perrault, Dominique, 1953 --- -Rousselot, Christine --- Grandes écoles --- Constructions --- 1970-....
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Architecture --- anno 1900-1999 --- United States --- Amerika --- Amérique --- Bouwkunst --- Geschiedenis van de nieuwste tijden --- Histoire contemporaine --- History --- Interviews. --- Histoire --- Entretiens --- Ecrit d'architecte --- Théorie de l'architecture --- Barnes, Edward Larrabee --- Barnett, Jonathan --- Gehry, Frank O. --- Graves, Michael --- Gwathmey, Charles --- Hardy, Hugh --- Meier, Richard --- Moore, Charles --- Pei, Ieoh Ming --- Pelli, César --- Polshek, James Stewart --- Portman, John --- Stern, Robert A.m. --- Weinstein, Richard --- Architecture américaine --- Etats-Unis --- Architectes --- Architecture américaine. --- Architecture moderne --- Gehry, Frank Owen --- United States of America
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Color is inextricably linked with architecture; as a design element and also as an inherent quality, it characterizes the shape and texture of the built fabric. The book presents extraordinary color schemes, both in terms of technology and aesthetics, for ground-breaking architecture with a wide spectrum of functions: from apartment to concert hall, from flagship store to city park.The focus is on the works of the three architects Frank O. Gehry, Jean Nouvel and Wang Shu. This is expanded by the works of other practices such as BIG, Zaha Hadid, Herzog & de Meuron, Toyo Ito and SANAA.This publication presents a compendium that documents color schemes in architecture in the context of very different aesthetic approaches. The large-format photographs by Iwan Baan, Christian Richters, Roland Halbe and Philippe Ruault fascinate with their clarity and presence. Farbe ist unlösbar mit der Architektur verbunden - als Medium der Gestaltung, aber auch als eigene Qualität prägt sie Form und Textur des Gebauten.Das Buch präsentiert Farbgestaltungen avancierter Architektur, die in technologischer wie in ästhetischer Hinsicht außerordentlich sind, für ein breites Spektrum von Bauaufgaben: vom Apartment zur Konzerthalle, vom Flagship Store zum Stadtpark.Im Vordergrund stehen Werke der drei Architekten Frank O. Gehry, Jean Nouvel und Wang Shu. Erweitert wird das Spektrum durch Arbeiten anderer Büros wie beispielsweise BIG, Zaha Hadid, Herzog & de Meuron, Toyo Ito und SANAA.Mit dieser Darstellung liegt ein Kompendium vor, das Farbgestaltung in der Architektur in sehr unterschiedlichen ästhetischen Auffassungen dokumentiert. Die großformatigen Fotografien von Iwan Baan, Christian Richters, Roland Halbe und Philippe Ruault faszinieren durch ihre Klarheit und Präsenz.
Couleurs --- Gehry, Frank Owen --- Nouvel, Jean, --- Wang, Shu, --- 72.017 --- 72.039 --- Architectuur en kleur ; vorm en kleur ; 21ste eeuw --- Architectuur ; licht en schaduw ; kleuren en texturen --- Gehry, Frank O. --- Nouvel, Jean --- Wang Shu --- BIG ; Bjarke Ingels Group --- Boeri, Stefano --- Hadid, Zaha --- Herzog & de Meuron --- Steven Holl Architects --- Ito, Toyo --- Lui Jiakun --- Michael Manzan Architecture --- Mazzanti, Giancarlo --- Ruiz-Geli, Enric ; Cloud 9 --- SANAA --- Architectuur ; kleur, licht, compositie --- Architectuurgeschiedenis ; 2000 - 2050 --- Wang, Shu --- Couleurs. --- Gehry, Frank O --- Architecture. --- Architects. --- Color in architecture. --- Architectural polychromy --- Buildings --- Color in building --- Architecture --- Interior decoration --- Polychromy --- Professional employees --- Architecture, Western (Western countries) --- Building design --- Construction --- Western architecture (Western countries) --- Art --- Building --- Color --- Design and construction --- Gehry, Frank O., --- Boeri, Stefano. --- Itō, Toyoo, --- Mazzanti, Giancarlo. --- Ruiz Geli, Enric. --- Jiakun, Lui. --- Geli, Enric Ruiz --- Mazzanti Sierra, Giancarlo --- Sierra, Giancarlo Mazzanti --- Ito, Toyo, --- Yidong, Fengxiong, --- 伊東豊雄, --- Shu, Wang, --- 王澍, --- Wang Shu, --- Gehry, Frank, --- Goldberg, Frank, --- Gehry, Frank Owen, --- Goldberg, Ephraim Owen, --- Zaha Hadid Architects. --- Herzog & de Meuron. --- Steven Holl Architects. --- Michael MalZan Architecture. --- Cloud 9 (Firm) --- Honduras. --- S.A.N.A.A. --- Cloud9 (Firm) --- Holl Architects --- Herzog et de Meuron --- Herzog und de Meuron --- Herzog and de Meuron --- ZHA --- Dones arquitectes. --- Arquitectes --- Architecture, Primitive
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L'ouvrage étudie les problèmes et besoins des Musées ainsi que les rapports entre le Musée comme oeuvre architecturale e les oeuvres exposées. On y trouve des études particulières sur 11 importants Musées de Los Angeles, Washington, Houston, Frobourg, Bottrop, Humleboek, Sakata, Matsumoto, Villeneuve-d'Ascq, Merida, Arles. Le problème spécifique de l'éclairage est analysé et un tableau comparatif des piveaux les plus importants est présentés. Enfin, un complément aux études particulières sur les musées existants achève le travail. Le tout est abondamment illustré de photographies, plans, dessins.
Bâtiment culturel --- Musée --- Art museum architecture --- Museum architecture --- Architecture, Modern --- Eclairage --- Barnes, Edward Larrabee --- Bruno, Andrea --- Busmann, Peter --- Cruz, Antonio --- Ferrier, Marcel --- Gamberini, Italo --- Goff, Bruce --- Haberer, Godfried --- Hollein, Hans --- Isozaki, Arata --- Kada, Klaus --- Levitt, Helen --- Lion, Yves --- Maki, Fumihiko --- Meier, Richard --- Naito, Hiroshi --- Ortiz, Antonio --- Prince, Bart --- Stirling, James --- Cologne --- Francfort --- Los angeles --- Stuttgart --- Art museum architecture. --- Museum architecture. --- Museumarchitectuur 1982-1991 --- Cruz, Antonio & A. Ortiz --- Goff, Bruce & Bart Prince --- Larrabee Barnes, Edward --- Hardy Holzman Pfeiffer --- Bruno, Andra --- Busmann, Peter & Godfried Haberer --- Lion, Yves & Alan Levitt --- 727.7 --- musea --- museumarchitectuur --- Gebouwen voor opleiding en wetenschap kunstmusea, kunstgalerijen --- gebouwen voor musea, kunstgalerijen - museumarchitectuur --- Bo, Jorgen --- Ciriani, Henri --- Küppers, Bernhard --- Shinohara, Kazuo --- Simounet, Roland --- Taniguchi, Yoshio --- Waeber, Michel --- Wohlert, Vilhelm --- Zoëlly, Pierre --- Piano Renzo --- Waeber Michael --- Zoëlly Pierre --- Küppers Bernhard --- Bo Jorgen --- Wohlert Vilhelm --- Taniguchi Yoshio --- Shinohara Kazuo --- Simounet Roland --- Monéo Rafael --- Ciriani Henri --- museums [buildings] --- Public buildings --- Gehry, Frank O. --- Moneo Vallés, José Rafael --- Pei, Ieoh Ming --- Piano, Renzo --- Art --- Architecture des musées --- Architecture --- Musées --- Gehry, Frank Owen --- 037 --- 718.4 --- 72.036 --- architectuur --- Gehry Frank O --- Pei I.M --- Musea (architectuur) --- Museumarchitectuur --- 20ste eeuw (architectuur) --- Twintigste eeuw (architectuur) --- Museumarchitectuur ; 1982-1991 --- Gebouwen voor opleiding en wetenschap ; kunstmusea, kunstgalerijen --- Ciriani, Henri, --- Architecture, Modern - 20th century --- Ciriani, Henri, 1936 --- -Gehry, Frank Owen --- museumarchitectuur. --- museumkunde. --- tentoonstellingsinrichting.
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The success of the Guggenheim Museum in Bilbao, designed and engineered by Frank O. Gehry and inaugurated in 1997, opened the eyes of the world to the plastic possibilities of Free Form Design. That is, on the side of architects and their admiring clients. Some architects draw up complicated but surprising and attractive Free Form Designs and win design competitions. The next step is to involve the manufacturing industry and the contractors in realizing these dreams. According to the author(s), the desire and logic for an adapted Free Form Technology will become became apparent after more designs. At Mick Eekhout’s design & build company Octatube the first experiences with Free Form Designs either failed, were aborted, were a disaster or led to unfortunate events such as the bankruptcy of competing firms who took on the projects without major Free Form Design experience. But Free Form design has matured nowadays. Many lessons can be learned from these early experiments, which is the main reason to share these experiences with readers of this book.
Architectural design --- Data processing. --- Floriade Pavilion --- Guggenheim Museum --- Tel Aviv --- Galleria --- Berlin --- Free Form Design --- Alphen aan den Rijn --- non-orthogonal --- DG Bank --- Malmö --- engineering --- Free Form Technology --- Bilbao --- Rotterdam --- Town Hall --- high rises --- Greenhouse --- Hoofddorp --- Rabin Centre --- Frank O. Gehry
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Applied arts. Arts and crafts --- Michael Collins & Andreas Papadakis --- design --- geschiedenis --- twintigste eeuw --- meubels --- meubelkunst --- verlichting --- textiel --- productdesign --- productontwikkeling --- postmodernisme --- Alessi --- Boffil Ricardo --- Botta Mario --- Branzi Andrea --- Castiglioni Achille --- Cortes Pepe --- De Lucchi Michele --- Du Pasquier Nathalie --- Eisenman Peter --- Foster Norman --- Gehry Frank O. --- Graves Michael --- Hadid Zaha --- Hausmann Robert --- Hollein Hans --- Hejduk John --- Isozaki Arata --- Jencks Charles --- Laubner Jo --- Meier Richard --- Mendini Alessandro --- Moore Charles --- Portoghesi Paolo --- Rossi Aldo --- Scarpa Carlo --- Shire Peter --- Sottsass Ettore --- Starck Philippe --- Stern Robert A.M. --- Thun Matteo --- Tigerman Stanley --- Tusquets Oscar --- Venturi Robert --- Zanini Marco --- 745.036 --- 749.036 --- 772.6 --- productdesign, historisch, 1945-, algemeen --- Postmodern --- postmodernisme (kunst) --- industrial design --- Product strategy --- deconstructie --- Gehry Frank O --- Stern Robert A.M
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Includes index.
72.035.9 --- 72.036 --- 726.5 --- 726 --- 726.7 --- 726.6 --- Kerkbouw ; kathedralen en kerken ; 20ste eeuw --- Architectuur ; Arts and Crafts --- Wiener Secession --- Architectuur ; Duits Expressionisme --- Perret, Auguste --- Moderne Beweging --- Architectuur ; 20ste eeuw ; Rationalisme --- Le Corbusier --- Ando, Tadao --- Leiviskä, Juha --- Makovecz, Imre --- Holl, Steven --- Meier, Richard --- Gehry, Frank O. --- Eisenman, Peter --- Calatrava, Santiago --- Behnisch, Günter --- Siza, Alvaro --- Fumihiko Maki --- Fay Jones --- Legorreta arquitectos --- Botta, Mario --- Johnson, Philip --- England, Richard --- Suomalainen architects --- Dahinden, Justus --- Siren architects --- Maguirre & Murray --- 726.54 --- 72.038 --- Art nouveau. Jugendstil in de bouwkunst. Voorlopers van de moderne architectuur --- Moderne bouwkunst. Architectuur van de 20e eeuw --- Kerkgebouwen. Kerkarchitectuur --- Religieuze architectuur --- Kerkelijke bouwkunst --- Kerken (architectuur) --- Abdijkerken --- Kapellen (architectuur) --- Kathedralen (architectuur) --- 20ste eeuw (architectuur) --- Twintigste eeuw (architectuur) --- Religieuze architectuur ; kerken --- Architectuurgeschiedenis ; 1950 - 2000 --- 726.5 Kerkgebouwen. Kerkarchitectuur --- 72.036 Moderne bouwkunst. Architectuur van de 20e eeuw --- 72.035.9 Art nouveau. Jugendstil in de bouwkunst. Voorlopers van de moderne architectuur --- Gehry, Frank O --- 726.54 Kerken. Parochiekerken --- Kerken. Parochiekerken
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Mark Linder shows how minimalist art of the 1960s was infiltrated by architecture, resulting in a reconfiguration of the disciplines of both art and architecture. Linder traces the exchange of concepts and techniques between architecture and art through a reading of the work of critics Clement Greenberg, Colin Rowe, Michael Fried, and the artist-writer Robert Smithson, and then locates a recuperation of "the architecture of minimalism" in the contemporary work of John Hejduk and Frank Gehry.
Architecture minimal --- Minimal architecture --- Minimale architectuur --- Minimalism (Architecture) --- Minimalism in architecture --- Minimalisme in de architectuur --- Minimalist architecture --- Minimalistische architectuur --- Minimal architecture. --- Formalism (Art) --- Architectural criticism --- Architecture minimale --- Formalisme (Art) --- Critique d'architecture --- History --- Histoire --- 7.039 --- 72.036 --- Greenberg, Clement --- Rowe, Colin --- Fried, Michael --- Smithson, Robert --- Hejduk, John --- Gehry, Frank --- Hedendaagse kunststromingen. Post-moderne kunst --- Minimalisme (architectuur) --- Formalism (Art). --- Architecture --- Art --- Art for art's sake (Movement) --- Criticism --- 20th century --- Formalism (art) --- Formalisme (art) --- 20e siècle
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