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film --- Italië --- Fellini Federico --- twintigste eeuw --- 791.471 FELLINI --- Motion picture producers and directors --- Fellini, Federico.
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film --- twintigste eeuw --- Italië --- Fellini Federico --- 791.471 FELLINI --- Fellini, Federico. --- Fellini, Frederico --- Fellini, F. --- Felini, Federiḳo --- פליני, פדריקו --- Fellas, --- Fellini, Federico
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Federico Fellini remains the best known of the postwar Italian directors. This collection of essays brings Fellini criticism up to date, employing a range of recent critical filters, including semiotic, psychoanalytical, feminist and deconstructionist. Accordingly, a number of important themes arise - the reception of fascism, the crisis of the subject, the question of agency, homo-eroticism, feminism, and constructions of gender. Since the early 1970s, a slide in critical and theoretical attention to Fellini's work has corresponded with an assumption that his films are self-indulgent and lacking in political value. This volume moves the discussion towards a politics of signification, contending that Fellini's evolving self-reflexivity is not mere solipsism but rather a critique of both aesthetics and signification. The essays presented here are almost all new - the two exceptions being important signifiers in Fellini studies. The first, Frank Burke's "Federico Fellini: Reality/Representation/Signification" laid the foundation in the late 1980s for considering Fellini's work in the light of postmodernism. The second, Marguerite Waller's "Whose Dolce Vita is this Anyway?: The Language of Fellini's Cinema" (1990), provides a contemporary re-reading of Fellini's most successful film. This lively and ambitious collection brings a new critical language to bear on Fellini's films, offering fresh insights into their underlying issues and meaning. In bringing Fellini criticism up to date, it will have a significant impact on film studies, reclaiming this important director for a contemporary audience
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The Films of Federico Fellini examines the career of one of Italy's most renowned filmmakers through close analysis of five masterpieces that span his career: La Strada, La Dolce Vita, 8 1/2, Amarcord and Interview. Providing an overview of Fellini's early career as a cartoonist and scriptwriter for neorealist directors such as Roberto Rossellini, this study traces the development of Fellini's unique and personal cinematic vision as it transcends Italian neorealism. Rejecting an overtly ideological approach to Fellini's cinema, Bondanella emphasizes the director's interest in fantasy, the irrational and individualism.
Motion pictures --- Motion picture industry --- Biography --- Employees --- Fellini, Federico --- Fellini, Frederico --- Fellini, F. --- Felini, Federiḳo --- פליני, פדריקו --- Fellas, --- Criticism and interpretation.
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Motion picture producers and directors --- Producteurs et réalisateurs de cinéma --- Interviews --- Entretiens --- Fellini, Federico --- Producteurs et réalisateurs de cinéma --- Interviews. --- Producteurs et réalisateurs de cinéma - Italie - Entretiens --- filmgeschiedenis --- filmtheorie --- twintigste eeuw --- Italië --- Fellini Federico --- filmregisseurs --- 791.471 FELLINI --- CPP --- Fellini, Frederico --- Fellini, F. --- Felini, Federiḳo --- פליני, פדריקו --- Fellas,
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Film --- Motion pictures. --- André Bazin --- film --- filmtheorie --- fotografie --- film en theater --- film en schilderkunst --- neorealisme --- Italië --- de Sica Vittorio --- Umberto D. --- Fellini Federico --- Le notte di Cabiria --- Rossellini Roberto --- 791.41 --- 798.2 --- film, inleiding, hand- en leerboeken --- Umberto D
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This major artistic biography of Federico Fellini shows how his exuberant imagination has been shaped by popular culture, literature, and his encounter with the ideas of Carl Jung, especially Jungian dream interpretation. Covering Fellini's entire career, the book links his mature accomplishments to his first employment as a cartoonist, gagman, and sketch-artist during the Fascist era and his development as a leading neorealist scriptwriter. Peter Bondanella thoroughly explores key Fellinian themes to reveal the director's growth not only as an artistic master of the visual image but also as an astute interpreter of culture and politics. Throughout the book Bondanella draws on a new archive of several dozen manuscripts, obtained from Fellini and his scriptwriters. These previously unexamined documents allow a comprehensive treatment of Fellini's important part in the rise of Italian neorealism and the even more decisive role that he played in the evolution of Italian cinema beyond neorealism in the 1950s. By probing Fellini's recurring themes, Bondanella reinterprets the visual qualities of the director's body of work - and also discloses in the films a critical and intellectual vitality often hidden by Fellini's reputation as a storyteller and entertainer. After the first two chapters dealing with Fellini's precinematic career, the book covers all the films to date in analytical chapters arrangedby topic: Fellini and his growth beyond his neorealist apprenticeship, dreams and metacinema, literature and cinema, Fellini and politics, Fellini and the image of women, and La voce della luna and the cinema of poetry.
Film --- Fellini, Federico --- Fellini, Federico, --- Criticism and interpretation --- Critique et interprétation --- Critique et interprétation --- Filmkunst. --- Motion picture producers and directors. --- Motion picture producers and directors --- Fellini, Federico. --- Critique et interpretation. --- Criticism and interpretation. --- Italy. --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Persons --- Italia --- Italian Republic (1946- ) --- Italianska republika --- Italʹi︠a︡nskai︠a︡ Rėspublika --- Italie --- Italien --- Italii︠a︡ --- Italii︠a︡ Respublikasi --- Italiĭsʹka Respublika --- Itālija --- Itālijas Republika --- Italijos Respublika --- Italikē Dēmokratia --- Īṭāliyā --- Italiya Respublikasi --- It'allia --- It'allia Konghwaguk --- İtalya --- İtalya Cumhuriyeti --- Iṭalyah --- Iṭalye --- Itaria --- Itaria Kyōwakoku --- Jumhūrīyah al-Īṭālīyah --- Kgl. Italienische Regierung --- Königliche Italienische Regierung --- Laško --- Lýðveldið Ítalía --- Olasz Köztársaság --- Olaszország --- Regno d'Italia (1861-1946) --- Repubblica italiana (1946- ) --- Republiḳah ha-Iṭalḳit --- Włochy --- Yidali --- Yidali Gongheguo --- Ιταλική Δημοκρατία --- Ιταλία --- Итальянская Республика --- Италианска република --- Италия --- Италия Республикаси --- Італьянская Рэспубліка --- Італія --- Італійська Республіка --- איטאליע --- איטליה --- רפובליקה האיטלקית --- إيطاليا --- جمهورية الإيطالية --- イタリア --- イタリア共和国 --- 意大利 --- 意大利共和国 --- 이탈리아 --- 이탈리아 공화국 --- Sardinia (Italy) --- Adorni, Dina. --- Alleanza Cinematografica Italiana. --- Amarcord. --- Apuleius. --- Astaire, Fred. --- Attalo. --- Beluzzi, Maria Antonella. --- Bovo, Brunella. --- Browne, Cicely. --- Calvino, Italo. --- Cardinale, Claudia. --- Cavazzoni, Ermanno. --- Cifariello, Antonio. --- Cocteau, Jean. --- Corelli, Arcangelo. --- Dante. --- Delouche, Dominique. --- Eisenstein, Sergei. --- Ekberg, Anita. --- Fanfulla. --- Feldman, Marty. --- Fellini, Riccardo. --- Flaiano, Ennio. --- Fracassi, Clémente. --- Gambini, Donatella. --- Germi, Pietro. --- Giacchero, Norma. --- Gonzales, Peter. --- Gualino, Riccardo. --- Guerra, Tonino. --- Happy Country. --- Hitler, Adolf. --- Homer. --- Jones, Freddie. --- Kafka, Franz. --- Kezich, Tullio. --- Koscina, Silva. --- Leopardi, Giacomo. --- Lorre, Peter. --- Lux Film Studio. --- Mansfield, Jane. --- Masina, Giulietta. --- McManus, George. --- Milo, Sandra. --- Moro, Aldo. --- Mussolini, Benito. --- Nichi, Annibale. --- Olmi, Ermanno. --- Ombra, Gennaro. --- Paparazzo. --- avanspettacolo. --- film noir. --- Felini, Federiḳo --- Fellas, --- Fellini, F. --- Fellini, Frederico --- Italian Republic --- Italʹi͡anskai͡a Rėspublika --- Italii͡ --- Italii͡a Respublikasi --- Īṭāliy --- Regno d'Italia --- Repubblica italiana --- Italy --- Motion pictures
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Contemporary Italian Filmmaking is an innovative critique of Italian filmmaking in the aftermath of World War II - as it moves beyond traditional categories such as genre film and auteur cinema. Manuela Gieri demonstrates that Luigi Pirandello's revolutionary concept of humour was integral to the development of a counter-tradition in Italian filmmaking that she defines 'humoristic'. She delineates a 'Pirandellian genealogy' in Italian cinema, literature, and culture through her examination of the works of Federico Fellini, Ettore Scola, and many directors of the 'new generation, ' such as Nanni Moretti, Gabriele Salvatores, Maurizio Nichetti, and Giuseppe Tornatore. A celebrated figure of the theatrical world, Luigi Pirandello (1867-1936) is little known beyond Italy for his critical and theoretical writings on cinema and for his screenplays. Gieri brings to her reading of Pirandello's work the critical parameters offered by psychoanalysis, poststructuralism, and postmodernism to develop a syncretic and transcultural vision of the history of Italian cinema. She identifies two fundamental trends of development in this tradition: the 'melodramatic imagination' and the 'humoristic, ' or comic, imagination. With her focus on the humoristic imagination, Gieri describes a 'Pirandellian mode' derived from his revolutionary utterances on the cinema and narrative, and specifically, from his essay on humour, L'umorismo (On Humour, 1908). She traces a history of the Pirandellian mode in cinema and investigates its characteristics, demonstrating the original nature of Italian filmmaking that is particularly indebted to Pirandello's interpretation of humour.
Motion pictures --- Fellini, Federico. --- Pirandello, Luigi, --- Scola, Ettore, --- Bīrāndallū, Luwījī, --- Pirandello, Luidzhi, --- Pirandélo, Luwiji, --- פיראנדלו, לואיג׳י, --- פירנדלו, לואיג׳י --- פירנדלו, לואיג׳י, --- بيراندللو، لويجي، --- Fellini, Frederico --- Fellini, F. --- Felini, Federiḳo --- פליני, פדריקו --- Italy --- History --- Pirandello, Luigi --- Influence --- Motion pictures - Italy. --- Пиранделло, Луиджи, --- Fellas, --- Pīrāndillū, Lūʼījī, --- پىراندللو، لوئيجى --- Fellini, Federico --- Italien --- Italy. --- Italia --- Italian Republic --- Italianska republika --- Italʹi͡anskai͡a Rėspublika --- Italie --- Italii͡ --- Italii͡a Respublikasi --- Italiĭsʹka Respublika --- Itālija --- Itālijas Republika --- Italijos Respublika --- Italikē Dēmokratia --- Īṭāliy --- Italiya Respublikasi --- It'allia --- It'allia Konghwaguk --- İtalya --- İtalya Cumhuriyeti --- Iṭalyah --- Iṭalye --- Itaria --- Itaria Kyōwakoku --- Jumhūrīyah al-Īṭālīyah --- Kgl. Italienische Regierung --- Königliche Italienische Regierung --- Laško --- Lýðveldið Ítalía --- Olasz Köztársaság --- Olaszország --- Regno d'Italia --- Repubblica italiana --- Republiḳah ha-Iṭalḳit --- Włochy --- Yidali --- Yidali Gongheguo --- Königreich Italien --- Repubblica Italiana --- Olaszorszaǵ --- Olasz Koz̈taŕsasaǵ --- Italienische Republik --- République Italienne --- Yidali-gongheguo --- Italiener --- Königreich Sardinien --- Republik von Salò --- 17.03.1861 --- -Motion pictures
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