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film --- Italië --- Fellini Federico --- twintigste eeuw --- 791.471 FELLINI --- Motion picture producers and directors --- Fellini, Federico.

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Federico Fellini's script for perhaps the most famous unmade film in Italian cinema, The Journey of G. Mastorna (1965/6), is published here for the first time in full English translation. It offers the reader a remarkable insight into Fellini's creative process and his fascination with human mortality and the great mystery of death. Written in collaboration with Dino Buzzati, Brunello Rondi, and Bernardino Zapponi, the project was ultimately abandoned for a number of reasons, including Fellini's near death, although it continued to inhabit his creative imagination and the landscape

Art --- Motion pictures, Italian. --- Fellini, Federico --- Criticism and interpretation.

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Federico Fellini remains the best known of the postwar Italian directors. This collection of essays brings Fellini criticism up to date, employing a range of recent critical filters, including semiotic, psychoanalytical, feminist and deconstructionist. Accordingly, a number of important themes arise - the reception of fascism, the crisis of the subject, the question of agency, homo-eroticism, feminism, and constructions of gender. Since the early 1970s, a slide in critical and theoretical attention to Fellini's work has corresponded with an assumption that his films are self-indulgent and lacking in political value. This volume moves the discussion towards a politics of signification, contending that Fellini's evolving self-reflexivity is not mere solipsism but rather a critique of both aesthetics and signification. The essays presented here are almost all new - the two exceptions being important signifiers in Fellini studies. The first, Frank Burke's "Federico Fellini: Reality/Representation/Signification" laid the foundation in the late 1980s for considering Fellini's work in the light of postmodernism. The second, Marguerite Waller's "Whose Dolce Vita is this Anyway?: The Language of Fellini's Cinema" (1990), provides a contemporary re-reading of Fellini's most successful film. This lively and ambitious collection brings a new critical language to bear on Fellini's films, offering fresh insights into their underlying issues and meaning. In bringing Fellini criticism up to date, it will have a significant impact on film studies, reclaiming this important director for a contemporary audience

Fellini, Federico -- Criticism and interpretation. --- Fellini, Federico --- Fellini, Frederico --- Fellini, F. --- Felini, Federiḳo --- פליני, פדריקו --- Criticism and interpretation. --- Fellas, --- PERFORMING ARTS / Film & Video / History & Criticism.

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Motion picture producers and directors --- Producteurs et réalisateurs de cinéma --- Fellini, Federico, --- Criticism and interpretation --- Critique et interprétation --- Producteurs et réalisateurs de cinéma --- Critique et interprétation --- Fellini, Federico

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Motion picture producers and directors --- Producteurs et réalisateurs de cinéma --- Interviews --- Entretiens --- Fellini, Federico --- Producteurs et réalisateurs de cinéma --- Interviews. --- Producteurs et réalisateurs de cinéma - Italie - Entretiens --- filmgeschiedenis --- filmtheorie --- twintigste eeuw --- Italië --- Fellini Federico --- filmregisseurs --- 791.471 FELLINI --- CPP --- Fellini, Frederico --- Fellini, F. --- Felini, Federiḳo --- פליני, פדריקו --- Fellas,