Narrow your search

Library

VUB (2)

AP (1)

DOAJ (1)

HZS (1)

KDG (1)

LUCA School of Arts (1)

Odisee (1)

Thomas More Kempen (1)

Thomas More Mechelen (1)

UCLL (1)

More...

Resource type

book (1)

periodical (1)


Language

English (1)

Undetermined (1)


Year
From To Submit

2009 (1)

Listing 1 - 2 of 2
Sort by

Periodical
Dancecult: Journal of Electronic Dance Music Culture
ISSN: 19475403


Book
1989
Author:
ISBN: 1282772635 9786612772634 052094464X 9780520944640 9781282772632 9780520267879 0520267877 9780520252554 0520252551 Year: 2009 Publisher: Berkeley University of California Press

Loading...
Export citation

Choose an application

Bookmark

Abstract

In a tour de force of lyrical theory, Joshua Clover boldly reimagines how we understand both pop music and its social context in a vibrant exploration of a year famously described as "the end of history." Amid the historic overturnings of 1989, including the fall of the Berlin Wall, pop music also experienced striking changes. Vividly conjuring cultural sensations and events, Clover tracks the emergence of seemingly disconnected phenomena--from grunge to acid house to gangsta rap--asking if "perhaps pop had been biding its time until 1989 came along to make sense of its sensibility." His analysis deftly moves among varied artists and genres including Public Enemy, N.W.A., Dr. Dre, De La Soul, The KLF, Nine Inch Nails, Nirvana, U2, Jesus Jones, the Scorpions, George Michael, Madonna, Roxette, and others. This elegantly written work, deliberately mirroring history as dialectical and ongoing, summons forth a new understanding of how "history had come out to meet pop as something more than a fairytale, or something less. A truth, a way of being."

Listing 1 - 2 of 2
Sort by