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Going beyond current readings of Concretism and Neoconcretism, this book shows how these movements were bred in the Brazilian circuit, after adapting international constructivism to the cultural conditions of the country. Thus, based on a systematic investigation in the archives of newspapers of that period, this book explores the premises through which Neoconcretism became organized and gained momentum in a series of debates between the avant-gardes of São Paulo and Rio de Janeiro--debates that focused on the visual arts and poetry as objects of intense aesthetic experimentation and prospective transformation. They offer a guide through what seems to be a maze of contradictory theories and purposes.Academic readers interested in Latin American and Brazilian art will learn about the contributions of Geraldo de Barros, Franz Weissmann, Ferreira Gullar, Lygia Clark, Luiz Sacilotto, Willys de Castro and Hélio Oiticica to Brazilian constructivism, and will realize that the seven chapters of this book inevitably question the canon of contemporary art. In fact, the contributions of these artists go beyond national borders, since Concretism and Neoconcretism created early versions of interdisciplinary and transdisciplinary art, participatory art, process art, visual poetry, performance, installation art, institutional critique, body art and environmental art, in some cases prior to the United States and Europe.
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The book is a comparative study of the constructivist avant-garde artists in Central Europe, the Hungarian MA group in exile in Vienna, the Blok group in Warsaw, and the Czech Devětsil association of artists in Prague. The author examines the similarities and significant differences among them. Contrary to often-repeated theses, the study reveals that the artists unremittingly sought new formulations for an initial set of formal and theoretical issues. It also demonstrates that they persistently believed that their works of art prefigured a future socialist society. The long-awaited socialist states that came into being after World War II betrayed the artists.
Constructivism (Art) --- Constructivisme (Art) --- Central Europe. --- Art, Modern --- Concrete art --- Painting, Abstract
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Art --- art [fine art] --- kunst --- anno 1900-1999 --- Kunst --- Périodiques --- Tijdschriften --- Art, Modern --- Constructivism (Art) --- Periodicals --- Periodicals. --- #ANTIL0105 --- Constructivism --- Périodiques --- art [discipline] --- Bauhaus
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"Examines how Russian Constructivist artists in the 1920s imagined a new physical environment through the use of recycled and reappropriated objects"--Provided by publisher.
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Art styles --- anno 1900-1999 --- Russian Federation --- Art, Soviet --- Constructivism (Art) --- -Art of the Soviet Union --- Soviet art --- Art, Modern --- Art, Russian --- Art, Soviet. --- Constructivisme (Art) --- Art russe --- Art soviétique --- -Art, Modern --- Art, Russian. --- Russia --- Art soviétique --- Art of the Soviet Union
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sculpting --- avant-garde --- communism --- painting [image-making] --- architecture [discipline] --- Art --- Constructivist --- Tatlin, Vladimir --- Russian Federation --- Constructivism (Art) --- -Tatlin, Vladimir Evgrafovich --- Avant-garde --- Tatlin, Vladimir Evgrafovich, --- Avant-garde. --- Russia --- Tatlin, Vladimir, --- Tatlin, Vlagyimir Jevgrafovics, --- Tatlin, Wladimir, --- Татлин, Владимир Евграфович, --- Tatline, Vladimir, --- AVANT-GARDE(ESTHETIQUE) --- TATLIN,VLADIMIR --- 20E SIECLE --- RUSSIE
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State Russian Museum (Sint-Petersburg) --- avant-garde --- constructivisme --- suprematisme --- Kandinsky, Wassily --- Malevich, Kasimir --- Filonov, Pavel --- 1920 - 1940 --- 20ste eeuw --- Rusland --- Art, Soviet --- Constructivism (Art) --- Suprematism in art --- State Russian Museum (Sint-Petersburg). --- avant-garde. --- constructivisme. --- suprematisme. --- Kandinsky, Wassily. --- Malevich, Kasimir. --- Filonov, Pavel. --- 1920 - 1940. --- 20ste eeuw. --- Rusland. --- aquarellen. --- België.
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Keine ausführliche Beschreibung für "Interpretation, Beobachtung, Kommunikation" verfügbar.
Systeemtheorie in de literatuur --- System theory in literature --- Systèmes [Théorie des ] dans la littérature --- Literature --- History and criticism --- Theory, etc. --- Literature [Experimental ] --- Germany --- Constructivism (Art) --- Arts --- Constructivism (Philosophy) --- Deconstruction. --- System theory. --- Philosophy. --- Systems, Theory of --- Systems science --- Science --- Criticism --- Semiotics and literature --- Philosophy --- Literature and philosophy --- Philosophy and literature --- Theory
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Sculpture --- drawings [visual works] --- preparatory studies --- sculpture [visual work] --- catalogues raisonnés --- easel paintings [paintings by form] --- Constructivist --- Gabo, Naum --- constructivisme --- Constructivism (Art) --- Exhibitions. --- Gabo, Naum, --- Catalogues raisonnés. --- Gabo Naum --- Rusland --- twintigste eeuw --- beeldhouwkunst --- tekenkunst --- schilderkunst --- grafische kunsten --- Constructivisme --- 73.071 GABO --- 741.071 GABO --- 75.071 GABO --- 76.071 GABO --- sculpture [visual works] --- Art, Modern --- Concrete art --- Painting, Abstract --- Pevsner, Naum Neemia, --- Габо, Наум, --- Певснер, Наум Неемиа, --- CDL --- 7.071 GABO --- Soviet Union --- Exhibitions --- 1890 --- -Catalogues raisonnés --- -Exhibitions --- Pevsner, Naoem --- Pevsner, Naum Neemia --- constructivisme. --- Gabo, Naum. --- paintings [visual works]
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Art styles --- anno 1900-1999 --- Europe --- Cubist --- Constructivist --- Arp, Hans --- Stepanova, Varvara Fedorovna --- Popova, Lyubov Sergeevna --- Grosz, Georg --- Moholy-Nagy, László --- Rodtschenko, Alexander Michajlowitsch --- Malevitsj, Kasimir --- Tatlin, Vladimir --- Realism in art --- Socialist Realist --- realism [artistic form of expression] --- Art, Modern --- Constructivism (Art) --- Surrealism --- Superrealism --- Surrealism in art --- Arts, Modern --- Realism (Art) --- Idealism in art --- Naturalism in art --- Romanticism in art --- Concrete art --- Painting, Abstract --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Surrealist --- Dada --- Man Ray --- Breton, André --- Chirico, de, Giorgio --- Picasso, Pablo --- Léger, Fernand --- Picabia, Francis --- Ernst, Max --- Brassaï --- Mondriaan, Piet --- Kahlo, Frida --- Ozenfant, Amédée --- Miró, Joan --- Dix, Otto --- Duchamp, Marcel --- Matisse, Henri --- Dalí, Salvador --- Oppenheim, Meret --- Art, Modern - 20th century
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