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Art, Modern --- Art --- Cobra (Association)

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Christian Dotremont, fondateur du mouvement artistique d’après-guerre CoBrA et créateur des logogrammes, a entamé son parcours à la veille de la Seconde Guerre mondiale. Accueilli parmi les surréalistes bruxellois menés par René Magritte, Dotremont oscillera constamment entre adhésion et critique dans sa relation avec le mouvement de ses aînés. Durant les années d’Occupation, les surréalistes qui ne se sont pas exilés doivent lutter pour maintenir une activité ; la dimension politique imprègne la création artistique. Au lendemain de la guerre, Dotremont continue à mêler engagement poétique et politique afin de prendre son indépendance vis-à-vis du surréalisme. À travers les œuvres de Dotremont et d’autres artistes surréalistes de l’époque, mais aussi des films, revues et photographies, l’exposition retrace cette période agitée et peu connue de l’histoire du surréalisme bruxellois.L’exposition est une initiative de la Fondation Roi Baudouin dans le cadre de la donation du Fonds Christian Dotremont et sous le commissariat de Marie Godet.

Polemology --- Art styles --- art [fine art] --- wars --- Surrealist --- Dotremont, Christian --- anno 1940-1949 --- Brussels --- Surréalisme (art) --- Dotremont, Christian, --- Cobra (Groupe artistique) --- Histoire de l'art --- Conflit --- Surréalisme --- CoBrA --- Bruxelles --- Cobra --- art [discipline] --- cobra --- CoBra

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Cobra --- Art --- anno 1940-1949 --- Art, Modern --- Schilderkunst ; 20ste eeuw ; Cobra --- 75.038 --- Schilderkunst ; 1950 - 2000 --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Cobra (Association) --- Gruppe Cobra --- Kobura Gurūpu --- Art, Modern - 20th century. --- cobra --- CoBra

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"This book examines the art of Cobra, a network of poets and artists from Copenhagen, Brussels, and Amsterdam (1948-51). Although the name stood for the organizers' home cities, the Cobra artists hailed from countries in Europe, Africa, and the United States. This book investigates how a group of struggling young artists attempted to reinvent the international avant-garde after the devastation of World War II, to create artistic experiments capable of facing the challenges of postwar society. It explores how Cobra's experimental, often collective art works and publications relate to broader debates in postwar Europe about the use of images to commemorate violent events, the possibility of free expression in an art world constrained by Cold War politics, the breakdown of primitivism in an era of colonial independence, and the importance of spontaneity in a society increasingly dominated by the mass media. This book will be of interest to scholars in art history, twentieth century modern art, avant-garde arts, and European history"--

Art and society --- Art --- Art and sociology --- Society and art --- Sociology and art --- History --- Social aspects --- Cobra (Association) --- Gruppe Cobra --- Kobura Gurūpu

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Dotremont, Christian --- Dotremont, Christian, --- Lalande, Françoise --- Artists --- Authors --- Biography. --- Cobra (Association) --- Lalande, Françoise --- Writers --- Litterateurs --- Bio-bibliography --- Literature --- Lalande, Françoise. --- Gruppe Cobra --- Kobura Gurūpu --- kunst --- kunstenaars --- schilderkunst --- België --- Dotremont Christian --- twintigste eeuw --- Cobra --- 75.071 DOTREMONT --- Artists - Belgium - Biography. --- Authors - Belgium - Biography --- Dotremont, Christian, - 1922-1979