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Screenwriters --- Motion pictures --- Cinéma --- Registers. --- Catalogs. --- Catalogues --- Cinéma --- Film (Amerikaanse). 1929-1982. (Repertorium) --- Scénaristes amëricains. 1929-1982. (Répertoire) --- Cinéma américain. 1929-1982. (Répertoire) --- Amerikaanse scenarioschrijvers. 1929-1982. (Repertorium)
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Minorities in motion pictures. --- Motion pictures --- Minorités dans l'industrie cinématographique. --- Cinéma --- History. --- Histoire --- Minorités dans l'industrie cinématographique. --- Cinéma --- MINORITES AU CINEMA --- ETHNICITE AU CINEMA --- CINEMA AMERICAIN --- HISTOIRE ET CRITIQUE
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Critics hailed previous editions of Visionary Film as the most complete work written on the exciting, often puzzling, and always controversial genre of American avant-garde film. This book has remained the standard text on American avant-garde film since the publication of its first edition in 1974. Now P. Adams Sitney has once again revised and updated this classic work, restoring a chapter on the films of Gregory J. Markopoulos and bringing his discussion of the principal genres and major filmmakers up to the year 2000.
Films expérimentaux --- Cinéma --- cinéma américain (Etats-Unis) --- Cinéma expérimental --- Histoire et critique --- Histoire --- 2000 --- Film --- filmgeschiedenis --- anno 1900-1999 --- anno 2000-2009 --- United States --- Experimental films --- History and criticism. --- United States of America
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Uses a discussion of contemporary films and literary works to present an understanding of paranoia as a defining element in postmodern late-capitalist structure.
American fiction --- Literature and society --- Motion pictures --- Narration (Rhetoric) --- Paranoia in literature. --- Postmodernism --- History and criticism. --- History --- History. --- Sociology of literature --- Fiction --- American literature --- Psychological study of literature --- anno 1900-1999 --- Paranoia in literature --- History and criticism --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- ROMAN AMERICAIN --- LITTERATURE ET SOCIETE --- CINEMA AMERICAIN --- NARRATION --- PARANOIA DANS LA LITTERATURE --- POSTMODERNISME --- POSTMODERNISME (LITTERATURE) --- 20E SIECLE --- HISTOIRE ET CRITIQUE --- ETATS-UNIS
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Screenwriters --- Motion picture authorship --- Scénaristes --- Biography --- Dictionaries. --- Biographie --- Dictionnaires --- 791.44.071.1 --- -Motion picture authorship --- -#SBIB:309H1327 --- Film authorship --- Film-making (Motion pictures) --- Film scriptwriting --- Filmmaking (Motion pictures) --- Motion picture plays --- Motion picture scriptwriting --- Motion picture writing --- Motion pictures --- Movie-making --- Moviemaking --- Moving-picture authorship --- Screen writing --- Screenplay writing --- Screenwriting --- Scriptwriting, Film --- Scriptwriting, Motion picture --- Authorship --- Screen writers --- Authors --- Filmregisseurs. Cineasten. Filmproducers --- -Dictionaries --- Dictionaries --- Films met een amusementsfunctie en/of esthetische functie: script --- Play-writing --- 791.44.071.1 Filmregisseurs. Cineasten. Filmproducers --- #SBIB:309H1327 --- Biography&delete& --- Scénaristes --- Film (Amerikaanse). Bio-bibliografie. --- Scénaristes américains. Bio-bibliographies. --- Cinéma américain. Bio-bibliographies. --- Amerikaanse scenarioschrijvers. Bio-bibliografie.
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The reuse of images, plots and genres from film history has become prominent in contemporary culture. In this 2003 study, Vera Dika explores this phenomenon from a broad range of critical perspectives, examining works of art and film that resist the pull of the past. Dika provides an in-depth analysis of works in several media, including performance, photography, Punk film, and examples from mainstream American and European cinema. Proclaiming the renewed importance of the image and of genre, she investigates works as diverse as Cindy Sherman's Untitled Film Stills, Amos Poe's The Foreigner, Terence Malick's Badlands, and Francis Ford Coppola's One from the Heart. Her study positions avant-garde art work within the context of contemporary mainstream film practice, as well as in relationship to their historical moment.
film --- Verenigde Staten --- eenentwintigste eeuw --- twintigste eeuw --- 7.038/039 --- 7.01 --- 791.41 --- 791.43 --- nostalgie --- kunsttheorie --- kunst --- filmtheorie --- filmgeschiedenis --- Nostalgia in motion pictures --- Nostalgia in art --- Art, American --- Culture in motion pictures --- 798.3 --- Motion pictures --- Art, Modern --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- film, esthetiek en kritiek --- Nostalgia in motion pictures. --- Nostalgia in art. --- Culture in motion pictures. --- ART AMERICAIN --- CINEMA AMERICAIN --- NOSTALGIE DANS L'ART --- 20E SIECLE --- HISTOIRE ET CRITIQUE
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