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L'invention de la scène américaine : cinéma et paysage
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ISBN: 2738465676 Year: 1998 Publisher: Paris : Editions L'Harmattan,

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Keywords

Cinema americain


Book
A guide to American screen writers : the Sound Era, 1929-1982
Author:
ISBN: 0824089278 Year: 1984 Volume: vol. 501 Publisher: New York London Garland

Unspeakable images : ethnicity and the American cinema
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ISBN: 0252061527 0252015754 Year: 1991 Publisher: Champaign, IL : University of Illinois Press,

Visionary film
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ISBN: 9780195148862 019514886X 0195148851 9780195148855 9780199882038 9780199727018 0199727015 0195303121 9780195303124 9786610481910 6610481911 9781280481918 1280481919 1282367587 9786612367588 0199882037 Year: 2002 Publisher: Oxford New York Oxford University Press

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Critics hailed previous editions of Visionary Film as the most complete work written on the exciting, often puzzling, and always controversial genre of American avant-garde film. This book has remained the standard text on American avant-garde film since the publication of its first edition in 1974. Now P. Adams Sitney has once again revised and updated this classic work, restoring a chapter on the films of Gregory J. Markopoulos and bringing his discussion of the principal genres and major filmmakers up to the year 2000.

Latent destinies : cultural paranoia and contemporary U.S. narrative
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ISBN: 082232587X 9780822325871 0822325586 9786612903571 1282903578 0822380641 Year: 2000 Publisher: Durham, NC : Duke University Press,

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Uses a discussion of contemporary films and literary works to present an understanding of paranoia as a defining element in postmodern late-capitalist structure.

Recycled culture in contemporary art and film
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ISBN: 0521016312 0521815681 9780521815680 9780521016315 9780511814297 1139086030 0511814291 Year: 2003 Publisher: Cambridge Cambridge University Press

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The reuse of images, plots and genres from film history has become prominent in contemporary culture. In this 2003 study, Vera Dika explores this phenomenon from a broad range of critical perspectives, examining works of art and film that resist the pull of the past. Dika provides an in-depth analysis of works in several media, including performance, photography, Punk film, and examples from mainstream American and European cinema. Proclaiming the renewed importance of the image and of genre, she investigates works as diverse as Cindy Sherman's Untitled Film Stills, Amos Poe's The Foreigner, Terence Malick's Badlands, and Francis Ford Coppola's One from the Heart. Her study positions avant-garde art work within the context of contemporary mainstream film practice, as well as in relationship to their historical moment.

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