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Marginal sights
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ISBN: 1587291606 9781587291609 0877454272 0877454485 9780877454274 9780877454489 Year: 1993 Publisher: Iowa City University of Iowa

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Abstract

Since the beginning of the Western tradition in drama, dominant cultures have theatrically represented marginal or foreign racial groups as other-different form ""normal"" people, not completely human, uncivilized, quaint, exotic, comic. Playwrights and audiences alike have been fascinated with racial difference, and this fascination has depended upon a process of fetishization. By the time Asians appeared in the United States, the framework for their constructed Lotus Blossom and Charlie Chan stereotypes had preceded them. InMarginal Sights, James Moy dismantles these stereot

Amy Tan : a critical companion
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ISBN: 0313302073 0313007888 9780313007880 9780313302077 Year: 1998 Volume: *3 Publisher: Westport, Conn. London Greenwood Press

Transpacific displacement
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ISBN: 0520928148 1282355988 9786612355981 1597349631 9780520928145 0585466017 9780585466019 9781597349635 6612355980 0520228863 9780520228863 0520232232 9780520232235 9781282355989 Year: 2002 Publisher: Berkeley University of California Press

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Abstract

Yunte Huang takes a most original "ethnographic" approach to more and less well-known American texts as he traces what he calls the transpacific displacement of cultural meanings through twentieth-century America's imaging of Asia. Informed by the politics of linguistic appropriation and disappropriation, Transpacific Displacement opens with a radically new reading of Imagism through the work of Ezra Pound and Amy Lowell. Huang relates Imagism to earlier linguistic ethnographies of Asia and to racist representations of Asians in American pop culture, such as the book and movie character Charlie Chan, then shows that Asian American writers subject both literary Orientalism and racial stereotyping to double ventriloquism and countermockery. Going on to offer a provocative critique of some textually and culturally homogenizing tendencies exemplified in Maxine Hong Kingston's work and its reception, Huang ends with a study of American translations of contemporary Chinese poetry, which he views as new ethnographies that maintain linguistic and cultural boundaries.


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Mark Twain in China
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ISBN: 0804794758 9780804794756 9780804789646 0804789649 Year: 2015 Publisher: Stanford, California

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Abstract

Mark Twain (Samuel Langhorne Clemens, 1835–1910) has had an intriguing relationship with China that is not as widely known as it should be. Although he never visited the country, he played a significant role in speaking for the Chinese people both at home and abroad. After his death, his Chinese adventures did not come to an end, for his body of works continued to travel through China in translation throughout the twentieth century. Were Twain alive today, he would be elated to know that he is widely studied and admired there, and that Adventures of Huckleberry Finn alone has gone through no less than ninety different Chinese translations, traversing China, Taiwan, and Hong Kong. Looking at Twain in various Chinese contexts—his response to events involving the American Chinese community and to the Chinese across the Pacific, his posthumous journey through translation, and China's reception of the author and his work, Mark Twain in China points to the repercussions of Twain in a global theater. It highlights the cultural specificity of concepts such as "race," "nation," and "empire," and helps us rethink their alternative legacies in countries with dramatically different racial and cultural dynamics from the United States.

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