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This two-volume catalogue is the second part of the catalogue raisonné devoted to architectural and topographical drawings from the Paper Museum commissioned and collected by Cassiano dal Pozzo (1588-1657) and his younger brother Carlo Antonio (1606-89). The first Part (A.IX), published in 2004, was dedicated to drawings of ancient Roman topography and architecture; this one covers Renaissance and seventeenth-century architectural drawings.These are now divided between the Royal Library at Windsor Castle, the British Museum and numerous other collections. Bringing them together emphasises the range and quality of the collection, and their comprehensive coverage of Renaissance architecture, including churches, palaces, villas and military fortifications, as well as designs for architectural fitments and decorative schemes. Many of these are live project drawings from the hands, workshops or immediate circles of distinguished sixteenth- and seventeenth-century architects, including Raphael, Giulio Romano, Antonio da Sangallo the Younger and Gianlorenzo Bernini. As such they are connected with some of the most important buildings constructed or remodelled during this period, among them St Peter's and St John Lateran in Rome and the princely palaces in Mantua, Piacenza and Granada in Spain. A smaller group of drawings is associated with architectural theory and includes a remarkable series of façade schemes here attributed to Sebastiano Serlio.The introductory essay in Volume One explores the distinctive character of this part of the dal Pozzo collection. It is followed by the catalogue entries, grouped into schemes for whole buildings, with the plans and elevations (or both) of ecclesiastical and secular works arranged according to their location in Italy or, occasionally, France, Spain and elsewhere. Volume Two is principally concerned with architectural fitments, such as church furnishings, doorways and chimneys, as well as painted decorations and carved ornaments. It then moves to military subjects, cataloguing drawings of fortifications, sieges and related subjects, followed by drawings of topographical views and two drawings, omitted in A.IX, of ancient decorative designs.
Drawing --- architectuur --- Renaissance --- ornaments --- British Renaissance-Baroque architecture styles --- Architecture --- architecture [discipline] --- ornamenten --- Pozzo, dal, Cassiano --- Architectural drawing --- Architectural drawing, Renaissance --- Decoration and ornament, Renaissance --- Dal Pozzo, Cassiano, --- Art collections --- Architecture [Renaissance ] --- Italy --- Decoration and ornament [Renaissance ] --- ornaments [object genre] --- Dessin d'architecture de la Renaissance --- Dessin décoratif --- Dal Pozzo, Cassiano --- Collections d'art --- Collections d'art. --- Dessin décoratif. --- Art collections. --- Architectural drawing - Italy - Catalogs --- Architectural drawing, Renaissance - Catalogs --- Decoration and ornament, Renaissance - Catalogs --- Dal Pozzo, Cassiano, - 1588-1657 --- Dal Pozzo, Cassiano, - 1588-1657 - Art collections - Catalogs --- Architectural drawing. --- Architectural drawing, Renaissance. --- Military architecture. --- Decoration and ornament, Renaissance. --- Dessin d'architecture de la Renaissance. --- Architecture militaire.
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Art --- Reynst, Jan --- Reynst, Gerard --- Reynst, Gerard, --- Reynst, Jan, --- Art collections --- Collections d'art --- -Reynst, Jan --- -Art collections --- Reynst, Gerrit, --- Art collections. --- 700.5 --- Reynst, Gerard, - 1599-1658 - Art collections --- Reynst, Jan, - 1601-1646 - Art collections --- Reynst, Gerard, - 1599-1658 --- Reynst, Jan, - 1601-1646
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"The Arts of Collecting: Padre Sebastiano Resta and the Market for Drawings in Early Modern Europe examines the collection of art through an anthropological examination of exchange and the social roles of material culture. Focusing on the collector Sebastiano Resta, Genevieve Warwick brings to light a crucial chapter in the history of collecting, that of the migration of art objects out of Italy to northern Europe during the late seventeenth century. Her study pins the history of collecting to broader changes in European economic history and analyzes the epistemological frameworks for viewing that accompanied this transfer of artistic wealth. Warwick also demonstrates how early modern art collecting was shaped by the social mores of elite behavior, which equated the collector's possessive desires with the courtly ideals of the "arts of love"."--Jacket.
Dessin italien --- Drawing [Italian ] --- Tekenkunst [Italiaanse ] --- tekeningen --- verzameling Sebastiano Resta --- kunsthandel --- Resta, Sebastiano --- 16de eeuw --- 17de eeuw --- Italië --- Drawing --- 16th century --- Italy --- 17th century --- Art collections --- Private collections --- Collectors and collecting --- Contributions in art collecting --- Art --- Dessin --- Drawing, Italian --- Drawing, Italian. --- Kunsthandel. --- Particuliere verzamelingen. --- Tekeningen. --- Aspect social --- Private collections. --- Collectionneurs et collections --- Collections privées --- Collectors and collecting. --- Resta, Sebastiano, --- Resta, Sebastiano. --- Art collections. --- Collections d'art. --- 1500-1699. --- Italy. --- drawing [image-making] --- collecting --- 16de eeuw. --- 17de eeuw. --- Italië. --- cultuurgeschiedenis
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"Reconstructs the art collection and material culture around the fourteenth-century French queen Clémence de Hongrie. Examines how she moved her objects in a deliberate strategy to build her identity and create a lasting legacy for herself and her family in medieval Paris."
Art, Medieval --- Ceremonial exchange --- Gifts --- Art patronage --- Art --- Donations --- Presents --- Generosity --- Manners and customs --- Free material --- Medieval art --- Arts patronage --- Business patronage of the arts --- Corporations --- Maecenatism --- Patronage of art --- Art and industry --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Gift exchange --- Exchange --- Rites and ceremonies --- History --- Collectors and collecting --- Clementia, --- Clémence, --- Klementine, --- Clemencia, --- Clemenza, --- Art patronage. --- Art collections. --- Art, Primitive --- Artistes et mécènes --- Clémence de Hongrie --- Collections d'art.
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Présentation de l'ouvrage : "Pour la première fois, les collections d'artistes et d'artisans anversois font l'objet d'une étude systématique, ce qui permet d'obtenir de nouveaux résultats sur le lien entre création et collection : entre l'innovation et l'appréciation. Le rôle crucial de la ville d'Anvers dans l'histoire de la collection a longtemps été noté dans les études historiques et d'histoire de l'art. Cependant, jusqu'à présent, il n'y a pas eu d'étude fondamentale des pratiques de collection de groupes sociaux plus larges dans l'Anvers du XVIIe siècle. La présente étude comble ce manque de recherche en se concentrant sur les activités de collection des artistes et artisans érudits, les groupes sociaux qui, avec les marchands érudits, étaient au centre de la vie culturelle de la ville et l'ont façonnée. Dans leur double rôle de fabricants et de collectionneurs, ils ont fortement marqué la culture de la collection." (traduit de l'anglais)--éd.
7.074 --- 7 <493> --- 7 <493> Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--België --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--België --- 7.074 Kunstverzameling. Activiteiten van verzamelaars --- Kunstverzameling. Activiteiten van verzamelaars --- Art --- art collections --- anno 1500-1799 --- Antwerp --- Collectors and collecting --- Artists as collectors --- Painting, Renaissance --- Painting, Baroque --- Prints, Renaissance --- Prints, Baroque --- Economic aspects --- Antwerp (Belgium) --- Intellectual life --- Artistes collectionneurs d'art --- Culture --- Innovations technologiques --- Progrès scientifique et technique --- Collectionneurs et collections --- Dans l'art --- Francken, Frans --- Collections d'art --- Artistes --- Artists as collectors Belgium --- Cabinets of curiosities Belgium Antwerp History --- Collectors and collecting Belgium Antwerp History --- Cabinets of curiosities --- Printing and Publishing (from ca. 1500) --- Museums, galleries & private collections --- Artists (incl. musicians) Low Countries (c. 1501-1800) --- Baroque & Rococo art history --- collecting, Low countries
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Art --- Leopold William of Austria [Regent of the Netherlands] --- Belgique ; histoire du dix-septième siècle --- België ; geschiedenis van de zeventiende eeuw --- Catalogues d'expositions --- Leopold Willem, aartshertog van Oostenrijk --- Léopold Willem, archiduc d'Autriche --- Tentoonstellingscatalogi --- Leopold Wilhelm, --- Habsburg, House of --- Exhibitions. --- Art collections --- History --- Europe --- Politics and government --- Politique et gouvernement --- Expositions --- Leopold Willem, --- Bilzen --- Biographies --- Exposition --- Histoire --- Pays-Bas (anciens) --- Pays-Bas espagnols --- 271.024*4 --- 7.074 "16" --- 949.3.022 --- #GGSB: Kunst --- #BIBC:02.43 ALAMIRE --- #GGSB: Kunst (cataloog tentoonstelling) --- #GOSA:XI.Lok.B.M --- Duitse Orde. Zwaardorde --- Kunstverzameling. Activiteiten van verzamelaars--17e eeuw. Periode 1600-1699 --- Geschiedenis van België: 17de eeuw; Spaanse tijd (1555/1585-1713) --- #A0312HI --- Exhibitions --- 949.3.022 Geschiedenis van België: 17de eeuw; Spaanse tijd (1555/1585-1713) --- 7.074 "16" Kunstverzameling. Activiteiten van verzamelaars--17e eeuw. Periode 1600-1699 --- 271.024*4 Duitse Orde. Zwaardorde --- Belgium --- 1648-1794 --- Art patrons --- 17th century --- 78.04.3 Bilzen --- Kunst --- Kunst (cataloog tentoonstelling) --- Léopold-guillaume (archiduc d'autriche ; 1614-1662) --- Léopold-guillaume (archiduc d'autriche ; 1614-1662 ) --- Belgique --- Et l'art --- Collections d'art --- Catalogues d'exposition --- 1621-1665 (philippe iv) --- 17e siècle --- Catalogues
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Hardback publishing
miniatures [paintings] --- illuminated manuscripts --- Nederlanden --- painting [image-making] --- miniaturen --- Art --- anno 1200-1499 --- Flanders --- Cambridge --- Art, Flemish --- Art flamand --- Private collections --- Exhibitions --- Collections privées --- Expositions --- University of Cambridge --- Université de Cambridge --- Art collections --- Collections d'art --- Exhibitions. --- schilderkunst --- boeken --- manuscripten --- boekillustraties --- verluchtingen --- grafiek --- munten --- Vlaanderen --- Cambridge (England) --- Exposition --- Patrimoine artistique --- Pays-Bas (anciens) --- 75.033.5 --- 091 <41 CAMBRIDGE> --- 091.31 <493> --- 7 <493-17> --- 7.033.5 --- Art, Late Gothic --- -Art --- -Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art, Gothic --- Late Gothic art --- Art, Medieval --- Schilderkunst van de gotiek. Schilderkunst van de late-Middeleeuwen --- Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--CAMBRIDGE --- Verluchte handschriften--België --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Vlaanderen. Vlaams Gewest. Nederlandstalige Gemeenschap in België --- Gotiek. Laat-Middeleeuwse kunst --- -Exhibitions --- Late Gothic --- -Cambridge. --- Academia Cantabrigiensis --- Cambridge University --- Ying-kuo Chien-chʻiao ta hsüeh --- Chien-chʻiao ta hsüeh --- 剑桥大学 --- Jianqiao da xue --- Kembridzhiĭn Ikh Surguulʹ --- Кембриджийн Их Сургууль --- Kambrija Yeke Surġaġuli --- Universität Cambridge --- Histoire de la peinture --- Art gothique --- Enluminure --- Primitifs flamands --- -Schilderkunst van de gotiek. Schilderkunst van de late-Middeleeuwen --- -Art collections --- 7.033.5 Gotiek. Laat-Middeleeuwse kunst --- 7 <493-17> Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Vlaanderen. Vlaams Gewest. Nederlandstalige Gemeenschap in België --- 091.31 <493> Verluchte handschriften--België --- 091 <41 CAMBRIDGE> Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--CAMBRIDGE --- 75.033.5 Schilderkunst van de gotiek. Schilderkunst van de late-Middeleeuwen --- -7.033.5 Gotiek. Laat-Middeleeuwse kunst --- Art, Occidental --- Collections privées --- Université de Cambridge --- -Art, Gothic --- Private collections&delete& --- Cambridge. --- Art [Flemish ] --- Art [Late Gothic ] --- Flanders (Belgium) --- England --- Art [Gothic ] --- Art, Late Gothic - Flanders - Exhibitions. --- University of Cambridge - Art collections - Exhibitions. --- Art - Private collections - England - Cambridge - Exhibitions. --- Кембриджийн Их Сургууль --- Chancellor, Masters, and Scholars of the University of Cambridge --- Cambridge. University --- illustratie --- Art, Primitive --- Art, Flemish - Exhibitions --- Art, Late Gothic - Flanders - Exhibitions --- Art - Private collections - England - Cambridge - Exhibitions --- kunst --- tentoonstellingen --- Vlaanderen. --- University of cambridge --- Grande-bretagne --- Cambridge (gb)
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Art --- Art, Chinese. --- Chinese art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Political aspects --- China --- Kings and rulers --- Art collections. --- History --- Cina --- Kinë --- Cathay --- Chinese National Government --- Chung-kuo kuo min cheng fu --- Republic of China (1912-1949) --- Kuo min cheng fu (China : 1912-1949) --- Chung-hua min kuo (1912-1949) --- Kina (China) --- National Government (1912-1949) --- China (Republic : 1912-1949) --- People's Republic of China --- Chinese People's Republic --- Chung-hua jen min kung ho kuo --- Central People's Government of Communist China --- Chung yang jen min cheng fu --- Chung-hua chung yang jen min kung ho kuo --- Central Government of the People's Republic of China --- Zhonghua Renmin Gongheguo --- Zhong hua ren min gong he guo --- Kitaĭskai︠a︡ Narodnai︠a︡ Respublika --- Činská lidová republika --- RRT --- Republik Rakjat Tiongkok --- KNR --- Kytaĭsʹka Narodna Respublika --- Jumhūriyat al-Ṣīn al-Shaʻbīyah --- RRC --- Kitaĭ --- Kínai Népköztársaság --- Chūka Jinmin Kyōwakoku --- Erets Sin --- Sin --- Sāthāranarat Prachāchon Čhīn --- P.R. China --- PR China --- PRC --- P.R.C. --- Chung-kuo --- Zhongguo --- Zhonghuaminguo (1912-1949) --- Zhong guo --- Chine --- République Populaire de Chine --- República Popular China --- Catay --- VR China --- VRChina --- 中國 --- 中国 --- 中华人民共和国 --- Jhongguó --- Bu̇gu̇de Nayiramdaxu Dundadu Arad Ulus --- Bu̇gu̇de Nayiramdaqu Dumdadu Arad Ulus --- Bu̇gd Naĭramdakh Dundad Ard Uls --- BNKhAU --- БНХАУ --- Khi︠a︡tad --- Kitad --- Dumdadu Ulus --- Dumdad Uls --- Думдад Улс --- Kitajska --- China (Republic : 1949- ) --- Rois et souverains --- Aspect politique --- Collections d'art --- Art, Primitive --- Architecture --- Arts décoratifs --- Dessin --- Gravure sur bois --- Peinture --- Sculpture --- Dynastes --- Monarques --- Princes (monarques) --- Radjahs --- Rajahs --- Rajas --- Rois --- Royauté --- Souverains --- Attouchement du roi --- Châteaux royaux --- Chefs --- Couples royaux --- Cour et courtisans --- Couronnements --- Faux rois et souverains --- Insignes royaux --- Liste civile --- Maisons des rois, souverains, etc. --- Maisons royales --- Mariages royaux et nobles --- Monarchie --- Philosophes-rois --- Pouvoir royal --- Reines --- Califes --- Émirs --- Empereurs --- Pharaons --- Régents --- Rois et souverains artistes --- Rois et souverains poètes --- Sultans --- Vice-rois --- Chefs d'État --- Arts plastiques --- Arts visuels --- Beaux-arts --- Et l'art --- Oeuvres d'art --- Archéologie --- Archéologie et art --- Art-thérapie --- Art et anthropologie --- Art et camouflage --- Art et cinéma --- Art et danse --- Art et design --- Art et diplomatie --- Art et ésotérisme --- Art et exil --- Art et géographie --- Art et handicapés --- Art et histoire --- Art et industrie --- Art et mondialisation --- Art et musique --- Art et photographie --- Art et politique --- Art et publicité --- Art et sciences --- Art et technologie --- Artothèques --- Bibliothèques d'art --- Carrière --- Centres d'art --- Communication visuelle et art --- Critique d'art --- Dans l'art --- Droit et art --- Expertise --- Féminisme et art --- Homosexualité et art --- Iconographie --- Iconophagie --- Idéologie et art --- Liberté et art --- Marchands d'oeuvres d'art --- Matériel d'artistes --- Médias et art --- Mode et art --- Modèles --- Philosophie et art --- Photographie d'oeuvres d'art --- Psychanalyse et art --- Psychologie de l'art --- Reproduction --- Rôle selon le sexe dans l'art --- Sémiotique et art --- Sociologie de l'art --- Transidentité et art --- Vie artistique --- Allégorie (art) --- Appropriation (art) --- Art animalier --- Art anonyme --- Art brut --- Art colonial --- Art d'amateurs --- Art dans la rue --- Art dissident --- Art en décoration intérieure --- Art enfantin --- Art érotique --- Art fantastique --- Art figuratif --- Art monumental --- Art naïf --- Art narratif --- Art olfactif --- Art pariétal --- Art populaire --- Art primitif --- Art public --- Art religieux --- Arts graphiques --- Caprices (art) --- Chefs-d'oeuvre (art) --- Création collective (art) --- Détails (art) --- Empreinte (art) --- Esquisses (art) --- Fantasy (art) --- Formalisme (art) --- Fragments (art) --- Imitation (art) --- Influence littéraire, artistique, etc. --- Ligne (art) --- Mouvements artistiques --- Multiples (art) --- Oeuvres d'art disparues --- Oeuvres d'art inachevées --- Orientalisme (art) --- Paléoart --- Parodie (art) --- Personnification (art) --- Photographie --- Point (art) --- Primitivisme (art) --- Reflets (art) --- Séries (art) --- Sublime (art) --- Titres d'oeuvres d'art --- Transparence (art) --- Abdication --- Collections d'armes --- Exil --- Mort --- Statut juridique --- Tombes --- Aspect social --- Assurance --- Attribution --- Catalogage --- Conservation et restauration --- Édition --- Étude et enseignement --- Faux --- Histoire --- Location et prêt --- Matériaux --- Mutilation, dégradation, etc. --- Philosophie --- Politique publique --- Provenance --- Publics --- Technique --- Thèmes, motifs --- Vol (droit) --- art --- [Localisations géographiques] --- Remakes --- Styles --- Accession au trône --- Collections d'armes royales --- Art et société --- Religion --- Prêt et location entre musées --- Réitérations (art) --- Style
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