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As one of the foremost Spanish directors of all time, Luis Bunuel's filmography has been the subject of innumerable studies. Despite the fact that the twenty films he made in Mexico between 1946 and 1965 represent the most prolific stage of his career as a filmmaker, these have remained relatively neglected in writing on Bunuel and his work. This book focuses on nine of the director's films made in Mexico in order to show that a concerted focus on space, an important aspect of the films' narratives that is often intimated by scholars, yet rarely developed, can unlock new philosophical meaning in this rich body of work. Although in recent years Bunuel's Mexican films have begun to enjoy a greater presence in criticism on the director, they are often segregated according to their perceived critical value, effectively creating two substrands of work: the independent and the studio potboiler. The interdisciplinary approach of this book unites the two, focusing on films such as Los olvidados, Nazarin, and El angel exterminador alongside La mort en ce jardin, The Young One, and Simon del desierto, among others. In doing so, it avoids the tropes most often associated with Bunuel's cinema-surrealism, Catholicism, the derision of the bourgeoisie-and the approach most often invoked in analysis of these themes: psychoanalysis.
Art --- Buñuel, Luis, --- Film --- Buñuel, Luis --- Mexico
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As one of the foremost Spanish directors of all time, Luis Buñuel's filmography has been the subject of innumerable studies. Despite the fact that the twenty films he made in Mexico between 1947 and 1965 represent the most prolific stage of his career as a filmmaker, these have remained relatively neglected in writing on Buñuel and his work. This book focuses on nine of the director's films made in Mexico in order to show that a concerted focus on space, an important aspect of the films' narratives that is often intimated by scholars, yet rarely developed, can unlock new philosophical meaning in this rich body of work.Although in recent years Buñuel's Mexican films have begun to enjoy a greater presence in criticism on the director, they are often segregated according to their perceived critical value, effectively creating two substrands of work: the independent movies and the studio potboilers. The interdisciplinary approach of this book unites the two, focusing on films such as Los olvidados, Nazarín, and El ángel exterminador alongside La Mort en ce jardin, The Young One, and Simón del desierto, among others. In doing so, it avoids the tropes most often associated with Buñuel's cinema--surrealism, Catholicism, the derision of the bourgeoisie--and the approach most often invoked in analysis of these themes: psychoanalysis. Instead, this book takes inspiration from the fields of human geography, anthropology, and philosophy, applying these to film-focused readings of Buñuel's Mexican cinema to argue that ultimately these films depict an overriding sense of placelessness, overtly or subliminally enacting a search for belonging that forces the viewer to question what it means to be in place.
Buñuel, Luis --- Film --- Mexico --- PERFORMING ARTS / Film & Video / History & Criticism. --- Buñuel, Luis, --- Buñuel, Louis, --- Buñuel Portolés, Luis, --- Portolés, Luis Buñuel, --- Criticism and interpretation. --- Motion pictures --- Expatriate motion picture producers and directors --- Motion picture producers and directors --- History. --- Buñuel, Luis --- Portolés, Luis Buñuel --- Portolés, Luics Buñuel,
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Though Luis Buñuel, one of the most important filmmakers of the twentieth century, spent his most productive years as a director in Mexico, film histories and criticism invariably pay little attention to his work during this period. The only book-length English-language study of Buñuel's Mexican films, this book is the first to explore a significant but neglected area of this filmmaker's distinguished career and thus to fill a gap in our appreciation and understanding of both Buñuel's achievement and the history of Mexican film. Ernesto Acevedo-Muñoz considers Buñuel's Mexican films-made between 1947 and 1965-within the context of a national and nationalist film industry, comparing the filmmaker's employment of styles, genres, character types, themes, and techniques to those most characteristic of Mexican cinema. In this study Buñuel's films emerge as a link between the Classical Mexican cinema of the 1930's through the 1950's and the "new" Cinema of the 1960's, flourishing in a time of crisis for the national film industry and introducing some of the stylistic and conceptual changes that would revitalize Mexican cinema.
Motion pictures --- Buñuel, Luis, --- Buñuel, Louis, --- Buñuel Portolés, Luis, --- Portolés, Luis Buñuel, --- Criticism and interpretation. --- Buñuel, Luis --- Portolés, Luis Buñuel --- Portolés, Luics Buñuel, --- auteur. --- bunueliana. --- cabaretera. --- cinema. --- cultural studies. --- director. --- el. --- ensayo de un crimen. --- family melodrama. --- film criticism. --- film genre. --- film history. --- film industry. --- film theory. --- film. --- filmmaking. --- gran casino. --- hispanic studies. --- hispanic. --- latin america. --- latino. --- los olvidados. --- luis bunuel. --- mexican cinema. --- mexican film. --- mexican history. --- mexico. --- national identity. --- nationalism. --- performance. --- performing arts. --- political film. --- politics. --- satire. --- social commentary. --- subida al cielo. --- surrealism. --- susana. --- una mujer sin amor. --- Bunuel, Luis,
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En este libro se ensaya una lectura latinoamericanista de cuatro autores canónicos, los españoles Luis Buñuel y Max Aub, el alemán Werner Herzog, y el polaco Witold Gombrowicz, prestando particular atención al diálogo y negociación que establecen con sus lugares de residencia, para integrarlos en la tradición cultural del continente americano.
Motion pictures and literature --- Expatriate authors --- Expatriate motion picture producers and directors --- Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Exiled motion picture producers and directors --- Exiles --- Motion picture producers and directors --- Authors --- Authors, Exiled --- Literature and motion pictures --- Moving-pictures and literature --- Literature --- History --- History and criticism --- Herzog, Werner, --- Buñuel, Luis, --- Aub, Max, --- Gombrowicz, Witold --- Gombrovich, Vitolʹd --- Aub Mohrenwitz, Max, --- Mohrenwitz, Max Aub, --- Buñuel, Louis, --- Buñuel Portolés, Luis, --- Portolés, Luis Buñuel, --- Stipetić, Werner H., --- Hersōg, Verṇar, --- Criticism and interpretation. --- 860 <08> --- 860 <08> Spaanse literatuur--Verzamelwerken. Reeksen --- Spaanse literatuur--Verzamelwerken. Reeksen --- European literature --- Europeans --- Autores expatriados --- Literatura europea --- Productores expatriados y directores de cine --- Películas --- Europeos --- Ethnology --- Themes, motives. --- Temas, motivos. --- Historia --- Aub, Max --- Herzog, Werner --- Stipetić, Werner H. --- Hersōg, Verṇar --- Themes, motives, etc. --- Buñuel, Luis --- Portolés, Luis Buñuel --- Portolés, Luics Buñuel,
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