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"This is the first book to focus on James Bond's relationship to the playboy ideal through the sixties and beyond. Examining aspects of the Bond phenomenon and the playboy lifestyle, it considers how ideas of gender and consumption were manipulated to construct and reflect a powerful male fantasy in the post-war era. This analysis of the close association and relations between the emerging cultural icons of James Bond and the playboy is particularly concerned with Sean Connery's definitive Bond as he was promoted and used by the media. By exploring the connections that developed between Bond and Playboy magazine within a historical framework, the book offers new insights into these related phenomena and their enduring legacy in popular culture."--

James Bond films --- Masculinity in motion pictures. --- Masculinity in popular culture. --- Popular culture --- Motion pictures --- Bond films --- Action and adventure films --- Spy films --- Social aspects. --- Playboy (Chicago, Ill.) --- Playboy magazine --- Männlichkeit --- James-Bond-Film --- Playboy --- Herrenmagazin --- USA --- Spionagefilm --- Serienfilm --- Mann --- Motiv --- The arts. --- Film, TV and radio. --- Films, cinema. --- Film: styles and genres. --- PERFORMING ARTS / Film / History & Criticism.

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Spy stories, English --- James Bond films --- Espionage in literature --- Spies in literature --- Film and video adaptations --- History and criticism --- Fleming, Ian, --- Characters --- James Bond --- 82:791.43 --- Bond, James (Fictitious character) --- Popular culture. --- Spy films --- -Spy stories, English --- -English spy stories --- English fiction --- Cloak and dagger films --- Espionage films --- Secret agent films --- Secret service films --- Motion pictures --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Literatuur en film --- History and criticism. --- Fleming, Ian --- -Fleming, Ian --- -Characters --- -James Bond --- Espionage in literature. --- Spies in literature. --- Film and video adaptations. --- 82:791.43 Literatuur en film --- -Literatuur en film --- Bond, James (Fictitious character). --- -Cloak and dagger films --- English spy stories --- Fu-lai-ming, Ai-an, --- Fleming, Ĭen L., --- Fleming, Yan, --- פלמינג, יאן --- Fleming, Ian Lancaster, --- James Bond. --- Fu-lai-ming, Ai-an --- Fleming, Ĭen L. --- Fleming, Yan --- Fleming, Ian Lancaster --- Filimīng, Yān, --- فلمينگ، يان --- Spy stories, English - Film and video adaptations --- Spy stories, English - History and criticism --- James Bond films - History and criticism --- Fleming, Ian, - 1908-1964 - Characters - James Bond --- Fleming, Ian, - 1908-1964 - Film and video adaptations --- Fleming, Ian, - 1908-1964

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A rich history of underwater filmmaking and how it has profoundly influenced the aesthetics of movies and public perception of the oceansIn The Underwater Eye, Margaret Cohen tells the fascinating story of how the development of modern diving equipment and movie camera technology has allowed documentary and narrative filmmakers to take human vision into the depths, creating new imagery of the seas and the underwater realm, and expanding the scope of popular imagination. Innovating on the most challenging film set on earth, filmmakers have tapped the emotional power of the underwater environment to forge new visions of horror, tragedy, adventure, beauty, and surrealism, entertaining the public and shaping its perception of ocean reality.Examining works by filmmakers ranging from J. E. Williamson, inventor of the first undersea film technology in 1914, to Wes Anderson, who filmed the underwater scenes of his 2004 The Life Aquatic with Steve Zissou entirely in a pool, The Underwater Eye traces how the radically alien qualities of underwater optics have shaped liquid fantasies for more than a century. Richly illustrated, the book explores documentaries by Jacques Cousteau, Louis Malle, and Hans Hass, art films by Man Ray and Jean Vigo, and popular movies and television shows such as 20,000 Leagues Under the Sea, Creature from the Black Lagoon, Sea Hunt, the Bond films, Jaws, The Abyss, and Titanic. In exploring the cultural impact of underwater filmmaking, the book also asks compelling questions about the role film plays in engaging the public with the remote ocean, a frontline of climate change.

Motion pictures --- Underwater cinematography. --- Aesthetics --- Cinematography, Submarine --- Cinematography, Underwater --- Submarine cinematography --- Underwater photography --- Aesthetics. --- History. --- History and criticism --- 000 Leagues Under the Sea. --- 20. --- Creature from the Black Lagoon. --- Hans Hass. --- How the Movie Camera Opened the Depths and Unleashed New Realms of Fantasy. --- J. E. Williamson. --- Jacques Cousteau. --- Jaws. --- Jean Vigo. --- Louis Malle. --- Man Ray. --- Margaret Cohen. --- Princeton University Press. --- Sea Hunt. --- Steve Zissou entirely. --- The Abyss. --- The Underwater Eye. --- Titanic. --- Wes Anderson. --- aesthetics of movies. --- art films. --- art. --- books about underwater photography. --- challenge. --- challenging film set on earth. --- cinema. --- development of modern diving equipment. --- directing. --- documentaries. --- emotional power of the underwater environment. --- film making. --- filmed the underwater scenes of his 2004 The Life Aquatic. --- filmmakers. --- inventor of the first undersea film technology in 1914. --- movie equipment. --- movie making. --- ocean. --- popular movies and television shows. --- rich history of underwater filmmaking. --- the Bond films. --- using pools. --- water.