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Considered by critics to be Stanley Kubrick's masterpiece, Barry Lyndon has suffered from scholarly and popular neglect. Maria Pramaggiore argues that one key reason that this film remains unappreciated, even by Kubrick aficionados, is that its transnational and intermedial contexts have not been fully explored. Taking a novel approach, she looks at the film from a transnational perspective -- as a foreign production shot in Ireland and an adaptation of a British novel by an American director about an Irish subject. Pramaggiore argues that, in Barry Lyndon, Kubrick develops his richest philoso

Barry Lyndon (Motion picture) --- Historical films --- History and criticism. --- Thackeray, William Makepeace, --- Thackeray, William Makepeace --- Thackeray, W.M. --- Titmarsh, Michael Angelo --- Fitz-Boodle --- Pendennis, Arthur --- Sakkare --- Wagstaff, Theophile --- Yellowplush, Charles James --- Ireland --- In motion pictures. --- Films historiques --- Histoire et critique. --- Film adaptations. --- Barry Lyndon (film) --- Irlande --- Au cinéma.

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"Let me tell you a story," each film seems to offer silently as its opening frames hit the screen. But sometimes the film finds a voice-an off-screen narrator-for all or part of the story. From Wuthering Heights and Double Indemnity to Annie Hall and Platoon, voice-over narration has been an integral part of American movies.Through examples from films such as How Green Was My Valley, All About Eve, The Naked City, and Barry Lyndon, Sarah Kozloff examines and analyzes voice-over narration. She refutes the assumptions that words should only play a minimal role in film, that "showing" is superior to "telling," or that the technique is inescapably authoritarian (the "voice of god"). She questions the common conception that voice-over is a literary technique by tracing its origins in the silent era and by highlighting the influence of radio, documentaries, and television. She explores how first-person or third-person narration really affects a film, in terms of genre conventions, viewer identification, time and nostalgia, subjectivity, and reliability. In conclusion she argues that voice-over increases film's potential for intimacy and sophisticated irony.

Voice-overs. --- Motion picture plays, American --- Motion pictures --- History and criticism. --- adaptation theory. --- adaptations. --- all about eve. --- annie hall. --- barry lyndon. --- book to movie. --- documentary film. --- double indemnity. --- exposition. --- film adaptation. --- film criticism. --- film interpretation. --- film studies. --- film technique. --- film theory. --- film. --- filmmaking. --- how green was my valley. --- literature. --- media. --- naked city. --- narration. --- narrative theory. --- narrative. --- newsreels. --- nonfiction. --- opening frames. --- platoon. --- popular culture. --- radio. --- red river. --- silent film. --- storytelling. --- television. --- tv. --- voice over. --- wuthering heights.