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Until now insular and continental material, mostly metal-work, found in pagan Viking Age graves in Norway, has been interpreted as looted material from churches and monasteries on the British Isles and the Continent. The raiding Vikings brought these objects back to their homeland where they were often broken up and used as jewellery or got alternative functions.0'Looting or Missioning' looks at the use and functions of these sacred objects in their original Christian contexts. Based on such an analysis the author proposes an alternative interpretation of these objects: they were brought by Christian missionaries from different parts of the British Isles and the Continent to Norway. The objects were either personal (crosses, croziers, portable reliquaries etc.), objects used for baptism (hanging bowls), equipment to officiate a mass (mountings from books or reading equipment, altars or crosses) or to give the communion (pitchers, glass vessels, chalices, paten). We know from contemporary sources (Ansgar in Birka, Sweden in the ninth century) that missionaries brought this sort of equipment on their mission journeys. We also hear that missionaries were robbed, killed or chased off. Mikkelson interprets the sacred objects found in Viking Age pagan graves as objects that originate from the many unsuccessful mission attempts in Norway throughout the Viking Age.
Religious articles --- Missions --- Christian missions --- Christianity --- Missions, Foreign --- Religion --- Theology, Practical --- Proselytizing --- Articles, Religious --- Objects, Religious --- Religious art objects --- Religious goods --- Religious objects --- Sacred objects --- Vikings --- Conversion --- Northmen --- Religious conversion --- Psychology, Religious --- Religion. --- History.
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The essays in the volume Consecration Rituals in South Asia address the ritual procedures that accompany the installation of temple images in Shaiva, Vaishnava, Buddhist and Jain contexts, in various traditions and historical periods. Through the performance of complex rites designated with the term pranapratishtha (establishment of, or infusion with, life), man-made sculptures are ritually transformed into (receptacles of) deities. The collection is thematically and methodically broad, with a large number of detailed textual studies, but also with ethnographic contributions that discuss contemporary instances of consecration rituals. Among the overarching themes are issues related to historical continuity and change, as well as transformational moments in such rituals. Contributors are: Marie-Luce Barazer-Billoret, Marzenna Czerniak-Drożdżowicz, Ronald M. Davidson, Shingo Einoo, Marko Geslani, Dominic Goodall, Ellen Gough, István Keul, Elisabeth Raddock, S.A.S Sarma, Anna A. Ślączka, Annette Wilke.
Ritual --- Religious articles --- Rituel --- Objets d'art religieux --- South Asia --- Asie méridionale --- Religion --- Rituals --- 291.3 --- 291.3 Godsdienstwetenschap: cultus; liturgie --- Godsdienstwetenschap: cultus; liturgie --- Articles, Religious --- Objects, Religious --- Religious art objects --- Religious goods --- Religious objects --- Sacred objects --- South Asia. --- Asie méridionale
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Men (Deity) --- Gods, Phrygian --- Men (Divinité phrygienne) --- Dieux phrygiens --- 299 --- Religion Others religions --- Monuments --- Inscriptions --- Epigraphs (Inscriptions) --- Epigraphy --- Inscription --- Paleography --- Epigraphists --- Historical monuments --- Architecture --- Sculpture --- Historic sites --- Memorials --- Public sculpture --- Statues --- Religious articles. --- Coins --- Gems --- Gems (in religion, folk-lore, etc.) --- Articles, Religious --- Objects, Religious --- Religious art objects --- Religious goods --- Religious objects --- Sacred objects --- Religion --- Religious aspects.
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This collection of essays offers a comparative perspective on religious materiality across the early modern world. Setting out from the premise that artefacts can provide material evidence of the nature of early modern religious practices and beliefs, the volume tests and challenges conventional narratives of change based on textual sources. Religious Materiality in the Early Modern World brings together scholars of Catholic, Protestant, Jewish, Islamic and Buddhist practices from a range of fields, including history, art history, museum curatorship and social anthropology. The result is an unprecedented account of the wealth and diversity of devotional objects and environments, with a strong emphasis on cultural encounters, connections and exchanges.
Christian special devotions --- Christian church history --- anno 1200-1799 --- Religious articles. --- Art religieux --- Objets religieux --- Matérialité --- Aspect religieux --- Aspect religieux. --- Religious art --- Religious articles --- Histoire. --- History. --- Material culture --- Anthropology of religion. --- Religious aspects. --- History of doctrines. --- History --- Articles, Religious --- Objects, Religious --- Religious art objects --- Religious goods --- Religious objects --- Sacred objects --- Religion --- Sacred art --- Art --- Religion, Material Culture, Early Modern, Global History, Images. --- Matérialité
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"We have long recognized that many objects in museums were originally on display in temples, shrines, or monasteries, and were religiously significant to the communities that created and used them. How, though, are such objects to be understood, described, exhibited, and handled now that they are in museums? Are they still sacred objects, or formerly sacred objects that are now art objects, or are they simultaneously objects of religious and artistic significance, depending on who is viewing the object? These objects not only raise questions about their own identities, but also about the ways we understand the religious traditions in which these objects were created and which they represent in museums today. Bringing together religious studies scholars and museum curators, Sacred Objects in Secular Spaces is the first v. to focus on Asian religions in relation to these questions. The contributors analyze an array of issues related to the exhibition in museums of objects of religious significance from Hindu, Buddhist, and Sikh traditions. The 'lives' of objects are considered, along with the categories of 'sacred' and 'profane,' 'religious' and 'secular.' As interest in material manifestations of religious ideas and practices continues to grow, Sacred Objects in Secular Spaces is a much-needed contribution to religious and Asian studies, anthropology of religion and museums studies."--Bloomsbury Publishing.
Museums --- Museum exhibits --- Religious articles --- Religion and culture. --- Hinduism --- Buddhism --- Sikhism --- Sikhs --- Religions --- Buddha and Buddhism --- Lamaism --- Ris-med (Lamaism) --- Brahmanism --- Culture and religion --- Culture --- Articles, Religious --- Objects, Religious --- Religious art objects --- Religious goods --- Religious objects --- Sacred objects --- Religion --- Display techniques --- Displays, Museum --- Museum displays --- Exhibitions --- Museum techniques --- Social aspects. --- Religious aspects. --- History --- Asia --- Asian and Pacific Council countries --- Eastern Hemisphere --- Eurasia --- Religion / buddhism / general (see also philosophy / buddhist). --- Religion / hinduism / general. --- Art / asian. --- Art / museum studies.
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With near-mythical forests of birch and pine, the Nordic and Baltic countries boast a rich tradition of religious wood carving that is in many ways emblematic of their cultures. Sacred to the Touch examines the spiritual and intellectual projects of six twentieth- and twenty-first-century artists who have adapted and revitalized this tradition. Through interviews and analyses, folklorist Thomas A. DuBois explores the notions of continuity with the past that these artists seek to express through their art, examining the forest church of late Finnish artist Eva Ryynänen, the carvings of Norwegian Americans Phillip Odden and Else Bigton that decorate a planned replica of a stave church in Southern California, the medieval Catholic-rooted work of Lutheran Sister Lydia Mariadotter (Swedish), the grave markers and roadside figures of Algimantas Sakalauskas (Lithuanian), and the merging of Lutheran and pre-Christian traditions by Lars Levi Sunna (Sámi). With color photographs and detailed descriptions, Sacred to the Touch reveals the interplay of tradition with personal and communal identity that characterize modern religious carving in Northern Europe.
Wood-carving --- Religious articles --- Cultural awareness --- Culture awareness --- Awareness --- Cultural intelligence --- Ethnic attitudes --- Articles, Religious --- Objects, Religious --- Religious art objects --- Religious goods --- Religious objects --- Sacred objects --- Religion --- Whittling --- Wood-carving, Primitive --- Wood carvings --- Wood craft --- Woodcarving --- Woodcraft --- Carving (Decorative arts) --- Woodwork --- Wood sculpture --- Themes, motives. --- Volkskunst --- Kunsthandwerk --- Religiöse Kunst --- Holzplastik --- Religious articles. --- Cultural awareness. --- Baltikum --- Nordische Staaten --- Scandinavia. --- Baltic States. --- Baltic Republics --- Baltics (States) --- Fennoscandia --- Norden --- Nordic countries --- Bildschnitzerei --- Holzbildhauerei --- Holzskulptur --- Holzschnitzkunst --- Holz --- Holzplastiken --- Plastik --- Schnitzerei --- Holzschnitzerei --- Sakralkunst --- Sakrale Kunst --- Kunst --- Dekorative Kunst --- Kunstgewerbe --- Angewandte Kunst --- Antiquität --- Handwerkskunst --- Bäuerliche Kunst --- Bauernkunst --- Arte plebea --- Naive Kunst --- Baltics --- Nordische Länder --- Nordeuropa --- Baltische Staaten --- Baltische Provinzen --- Russische Ostseeprovinzen --- Baltische Republiken --- Russland --- Balten --- Ostseeprovinzen --- Baltikum.
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"Women, Rites, and Ritual Objects in Premodern Japan, edited by Karen M. Gerhart, is a multidisciplinary examination of rituals featuring women, in which significant attention is paid to objects produced for and utilized in these rites as a lens through which larger cultural concerns, such as gender politics, the female body, class, and materiality, and the importance of objects as active participant in rituals, are explored. The ten chapters encounter women, rites, and ritual objects in many new and interactive ways and constitute a pioneering attempt to combine ritual and gendered analysis with the study of objects"--
Anthropology of religion --- Anthropology of religion. --- Buddhismus. --- Religious articles --- Religious articles. --- Rites and ceremonies --- Rites and ceremonies. --- Ritual. --- Women and religion. --- Women --- History --- Religious aspects. --- Religious life --- Religious life. --- Social life and customs. --- Börngen, ... --- Honʼyaku iin shachū --- To 1868. --- Japan --- Japan. --- Religious life and customs. --- Religious aspects --- Religious anthropology --- Ethnology --- Articles, Religious --- Objects, Religious --- Religious art objects --- Religious goods --- Religious objects --- Sacred objects --- Religion --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- Woman (Theology) --- Theological anthropology --- J1714 --- J4176.80 --- J1840 --- Japan: Religion in general -- sociology of religion --- Japan: Sociology and anthropology -- gender roles, women, feminism -- history --- Japan: Religion -- Buddhism -- rituals and practices
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The Holy Grail, the Lance of Longinus, and the True Cross are some of the most revered artifacts in the world today. These Christian relics are also a source of limitless controversy. They have incited bloodshed and, some say, are a source of miracles. They inspire fear and hope among the faithful, and yet are a perennial target for skeptics, both Christian and secular. To research the authenticity of numerous Christian relics, Joe Nickell employs a scientific approach, using such techniques as radiocarbon dating, polarized-light microscopy, and forensic serology. Examined here are such sig
Religious articles. --- Relics. --- Relics and reliquaries --- Bones --- Religious articles --- Articles, Religious --- Objects, Religious --- Religious art objects --- Religious goods --- Religious objects --- Sacred objects --- Religion --- Jesus Christ --- Christ --- Cristo --- Jezus Chrystus --- Jesus Cristo --- Jesus, --- Christ, Jesus --- Yeh-su --- Masīḥ --- Khristos --- Gesù --- Christo --- Yeshua --- Chrystus --- Gesú Cristo --- Ježíš --- Isa, --- Nabi Isa --- Isa Al-Masih --- Al-Masih, Isa --- Masih, Isa Al --- -Jesus, --- Jesucristo --- Yesu --- Yeh-su Chi-tu --- Iēsous --- Iēsous Christos --- Iēsous, --- Kʻristos --- Hisus Kʻristos --- Christos --- Jesuo --- Yeshuʻa ben Yosef --- Yeshua ben Yoseph --- Iisus --- Iisus Khristos --- Jeschua ben Joseph --- Ieso Kriʻste --- Yesus --- Kristus --- ישו --- ישו הנוצרי --- ישו הנצרי --- ישוע --- ישוע בן יוסף --- المسيح --- مسيح --- يسوع المسيح --- 耶稣 --- 耶稣基督 --- 예수그리스도 --- Jíizis --- Yéshoua --- Iėsu̇s --- Khrist Iėsu̇s --- عيسىٰ
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Major new study of the destruction of religious images and objects during the English Reformation.
breaking --- Sculpture --- Reformation --- sculpture [visual works] --- iconoclasm --- England --- Délits religieux --- Délits religieux --- Iconoclasm --- Idols and images --- Religious articles --- Offenses against religion --- Social change --- Christianity --- History --- Social aspects --- Social conditions --- Religion --- Réforme (Christianisme) --- Iconoclasme --- Idoles et images --- Objets religieux --- Changement social --- Christianisme --- Histoire --- Aspect social --- Angleterre --- Church history --- Conditions sociales --- Histoire religieuse --- 246.3 --- 284.1 <41> --- Iconography --- Images and idols --- Religious images --- Statuettes --- Animism --- Art, Primitive --- Art and religion --- Fetishism --- Magic --- Sculpture, Primitive --- Symbolism --- Gods in art --- English Reformation --- 284.1 <41> Lutheraanse hervorming. Reformatie van Luther--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- Lutheraanse hervorming. Reformatie van Luther--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- 246.3 Beelden in kerken. Beeldenverering. Iconoclasme --- Beelden in kerken. Beeldenverering. Iconoclasme --- Worship --- Réforme --- Église --- Iconography, Religious --- Religious iconography --- Religious statuettes --- Statuettes, Religious --- Religious art --- Reformation - England --- Iconoclasm - England - 16th century --- Idols and images - England - History - 16th century --- Religious articles - England - History - 16th century --- Offenses against religion - England - History - 16th century --- Social change - England - History - 16th century --- Christianity - Social aspects - England - History - 16th century --- Iconoclastes --- England - Social conditions - 16th century --- England - Religion - 16th century --- Crimes against religion --- Offenses, Religious --- Religious crimes --- Religious offenses --- Crime --- Articles, Religious --- Objects, Religious --- Religious art objects --- Religious goods --- Religious objects --- Sacred objects --- Religions --- Change, Social --- Cultural change --- Cultural transformation --- Societal change --- Socio-cultural change --- Social history --- Social evolution --- Anglii︠a︡ --- Inghilterra --- Engeland --- Inglaterra --- Anglija --- England and Wales --- Réforme --- Église
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