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This is a study that focuses on the art and architecture of a group of Buddhist rock-cut monuments excavated on the western edge of the Deccan Plateau in India. It analyses the various cultural, historical and religious phenomena that shaped the caves at Aurangabad through the first seven centuries of the Common Era and it comments on the Buddhist tradition of the western Deccan as a whole. The result is a comprehensive work that does not address exclusively iconography and chronology, but looks beyond Aurangabad to the larger artistic and religious traditions of the Indian Subcontinent.
Buddhist architecture --- Buddhist art --- Architecture, Buddhist --- Religious architecture --- Art, Buddhist --- Art, Lamaist --- Art --- Buddhism and art --- Aurangabad Caves (India)
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The earliest Buddhist art of China can only be understood when seen in relation to a wider area comprising Central Asia and India. This is exactly the purpose of the underlying volume. Presenting the earliest Buddhist art of China in its wider context of the Bactrian and Southern Silk Road regions in Central Asia (1st to 4th century A.D.), the author offers clarifications of the issues and new assessments regarding the cross-cultural and cross-regional interrelationships, sources, dating and chronology during these formative initial phases of Buddhism from India to China. With over 500 illustrations, 18 in full colour, 76 drawings and 14 maps, the book offers not only an overview of this complex and important period, but also the fullest and most detailed analysis of the art: individually, within its local region, and in relation to the wider, trans-Asian scope essential for a proper understanding of this period for a wide range of disciplines.
Buddhist art --- Art, Chinese. --- Art, Central Asian. --- Buddhistische Kunst. --- Central Asian art --- Chinese art --- Art, Buddhist --- Art, Lamaist --- Art --- Buddhism and art --- China. --- Zentralasien.
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Step into a Burmese temple built between the late seventeenth and early nineteenth centuries and you are surrounded by a riot of color and imagery. The majority of the highly detailed wall paintings display Buddhist biographical narratives, inspiring the devotees to follow the Buddha's teachings. Alexandra Green goes one step further to consider the temples and their contents as a whole, arguing that the wall paintings mediate the relationship between the architecture and the main Buddha statues in the temples. This forges a unified space for the devotees to interact with the Buddha and his community, with the aim of transforming the devotees' current and future lives. These temples were a cohesively articulated and represented Burmese Buddhist world to which the devotees belonged. Green's visits to more than 160 sites with identifiable subject matter form the basis of this richly illustrated volume, which draws upon art historical, anthropological, and religious studies methodologies to analyze the wall paintings and elucidate the contemporary religious, political, and social concepts that drove the creation of this lively art form.
Narrative painting --- Buddhist art --- Mural painting and decoration, Burmese. --- Burmese mural painting and decoration --- Art, Buddhist --- Art, Lamaist --- Art --- Buddhism and art --- Genre painting --- Painting
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No detailed description available for "The pilgrimage of Sudhana".
Art, Asian. --- Buddhist art. --- Art, Buddhist --- Art, Lamaist --- Art --- Buddhism and art --- Art, Asiatic --- Art, Oriental --- Asiatic art --- Oriental art --- Tripiṭaka.
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Art --- Art, Central Asian. --- Buddhist art --- Afghanistan --- Asia, Central --- Antiquities. --- Art, Central Asian --- Art, Buddhist --- Art, Lamaist --- Buddhism and art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Central Asian art --- Art, Primitive --- Religion dans l'art --- Bouddhisme --- Asie
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This book, third in a series on the early Buddhist art of China and Central Asia, centers on Buddhist art from the Western Ch'in (385-431 A.D.) in eastern Kansu (northwest China), primarily from the cave temples of Ping-ling ssu and Mai-chi shan. A detailed chronological and iconographic study of sculptures and wall paintings in Cave 169 at Ping-ling ssu particularly yields a chronological framework for unlocking the difficult issues of dating early fifth century Chinese Buddhist art, and offers some new insights into textual sources in the Lotus, Hua-yen and Amitabha sutras. Further, this study introduces the iconographpy of the five Buddhas and its relation to the art of Gandhara and the famous five colossal T'an-yao caves at Yün-kang.
Art, Central Asian. --- Art, Buddhist--China. --- Art, Chinese. --- Art, Buddhist--Asia, Central. --- Chinese art --- Central Asian art --- Art, Chinese --- Art, Gandhara --- Buddhist art --- S17/0215 --- S17/0500 --- S32/1100 --- Art, Buddhist --- Art, Lamaist --- Art --- Buddhism and art --- Gandhara art --- China: Art and archaeology--Archaeology: Three Kingdoms till Song --- China: Art and archaeology--Buddhist art: general --- Central Asia--Civilization, culture and art
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Scholarly monographs on the iconography of East and Central Asian religions, including Chinesee and Korean Buddhism, Confucianism, and other religous traditions.
Buddhism --- Iconography --- Indian religions --- Ethnology. Cultural anthropology --- China --- Art, Buddhist --- -Art, Chinese --- Catalogs --- 294.3 <51> --- -Chinese art --- Art, Lamaist --- Art --- Buddhism and art --- Boeddhisme--(algemeen)--China --- Art, Chinese --- Buddhist art --- Catalogs. --- -Boeddhisme--(algemeen)--China --- 294.3 <51> Boeddhisme--(algemeen)--China --- 294.3 <51> Boeddhisme:--verder in te delen zoals 291.1/.8--China --- Boeddhisme:--verder in te delen zoals 291.1/.8--China --- Boeddhisme. China. --- Chine. Religions. --- Bouddhisme. Chine. --- China. Godsdiensten. --- Art, Buddhist - - Catalogs - China --- -Art, Chinese - Catalogs
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Indian religions --- boeddhisme --- Buddhism --- art [fine art] --- kunst --- Art --- Japan --- Buddhist art --- J1876 --- J1873 --- J1895 --- J6030 --- S35/1010 --- S37/1000 --- Art, Buddhist --- -Art, Japanese --- -Art, Medieval --- Japanese art --- Andepandan (Group of artists) --- Kyūshū-ha (Group of artists) --- Ryu (Group of artists) --- Art, Lamaist --- Buddhism and art --- Japan: Religion -- Buddhism -- Shingon --- Japan: Religion -- Buddhism -- Tendai --- Japan: Religion -- Buddhism -- art --- Japan: Art and antiquities -- themes, symbolism and iconography --- Japan--Buddhism: general --- Buddhism outside China, Tibet, Mongolia and Japan--Buddhist art: general --- Art, Japanese. --- Art, Japanese --- #SML: Joseph Spae --- Art, Japanese - Heian period, 794-1185 --- Buddhist art - Japan --- art [discipline]
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Recent archaeological discoveries and scientific research especially focussed on western Tibet and the western Himalayas have resulted in a remarkable redefinition of the historical and cultural processes of the entire Indo-Tibetan civilisation. The present volume reflects these sometimes startling new insights for the first time, covering the wide time range from the Zhang zhung period up to the 20th century, spanning secular, religious and economic history, as well as art and archaeology.
Cultuurgeschiedenis. --- Art, Tibetan --- Buddhist art --- Manuscripts, Tibetan --- Tibetan manuscripts --- Art, Buddhist --- Art, Lamaist --- Art --- Buddhism and art --- Tibetan art --- History --- Tibet. --- Tibet (China) --- Tibetan Autonomous Region (China) --- Hsi-tsang tzu chih chʻü (China) --- Xizang Zizhiqu (China) --- 西藏自治区 (China) --- Hsi-tsang tzu chih chʻü jen min cheng fu (China) --- Xizang Zizhiqu ren min zheng fu (China) --- TAR (China) --- Xizang Autonomous Region (China) --- Bod Raṅ-skyoṅ-ljoṅs (China) --- Bod (China) --- Sitsang (China) --- Thibet (China) --- Tibet-Chamdo (China) --- Tübüt (China) --- Xizang (China) --- Tibet --- Civilization --- Tibet Autonomous Region (China) --- Тибет (China) --- Tu̇vd (China) --- Tȯvȯd (China) --- 西藏 (China)
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Buddhist art --- Narrative art --- Art, Narrative --- Narrative art (Visual arts) --- Art genres --- Art, Buddhist --- Art, Lamaist --- Art --- Buddhism and art --- Gautama Buddha --- Gautama, --- Fo-tʻo --- Buddha, --- Gotama, --- Shih-chia-mou-ni --- Shijiamuni --- Sākyamuni --- Sŏkka --- Buddha --- Sŏgamoni --- Shākyamuni --- Shakamuni-butsu --- Shakuson --- Shittaruta --- Shih-chia Ju-lai --- Phraphutthačhao --- Pultʻa --- Putta --- Siddhartha Gotama --- Gotama, Siddhartha --- Budda --- Śākya-thup-pa --- Shi-chia-mu-ni --- Siddhartha Gautama --- Gautama, Siddhartha --- Bhayavat --- Tathagata --- Siduhat Kumāraya --- Puttar --- Puttan̲ --- Kautama Puttar --- Puttapirān̲ --- Cittārtta Kautama Puttar --- Siddhārtha, --- Tất Đạt Đa --- בודהא --- 釈迦 --- 释迦牟尼 --- 釋迦牟尼 --- Sitthattha Khōtama --- Khōtama, Sitthattha --- Gotama, Siddhatta
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