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"This book contains a collection of papers that focuses on the way patrons, pagan as well as Christian, conveyed messages through material and visual culture and on the reception by the viewers. The contributions investigate how patrons of luxurious buildings, elaborate grave monuments, and churches used architecture, images, and inscriptions to demonstrate political, social, and religious power. The visual arts were a strong factor in communicating identity and attitudes both in the public and private spheres also in Late Antiquity"--Page 4 of cover.
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The centaur, a hybrid being with the body of horse and a human head and torso, first appeared in the mountains of Thessaly. This book is composed of a catalogue divided into nine chapters. Each chapter comprises catalogue entries for a number of black-figure and red-figure Attic vases.
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'The Tiny and the Fragmented' demands a reconsideration of the social and contextual nature of miniaturization, fragmentation, and incompleteness, making the case that it was because of, rather than in spite of, their small or partial state that these objects were valued parts of the personal and social worlds they inhabited.
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Art, Ancient --- Greece --- Antiquities --- Griekse kunst ; Archaische en Klassieke tijd --- 7.032.6 --- Kunstgeschiedenis ; Oud-Griekse kunst --- Antiquities. --- Art [Ancient ] --- Art, Ancient - Greece --- Greece - Antiquities
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Classical antiquities --- Art, Ancient --- Object (Aesthetics) --- Civilization, Classical
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Art and international relations during the Late Bronze Age formed a symbiosis as expanded travel and written communications fostered unprecedented cultural exchange across the Mediterranean. Diplomacy in these new political and imperial relationships was often maintained through the exchange of lavish art objects and luxury goods. The items bestowed during this time shared a repertoire of imagery that modern scholars call the first International Style in the history of art. Marian Feldman's 'Diplomacy by Design' examines the profound connection between art produced during this period and its social context, revealing inanimate objects as catalysts& or even participants& in human dynamics. Feldman's fascinating study shows the ways in which the exchange of these works of art actively mediated and strengthened political relations, intercultural interactions, and economic negotiations. Previous studies of this international style have focused almost exclusively on stylistic attribution at the expense of social contextualization. Written by a specialist in ancient Near Eastern art and archaeology who has excavated and traveled extensively in this area of the world, 'Diplomacy by Design' provides a much broader consideration of the symbolic power of material culture and its centrality in the construction of human relations.
Art [Ancient ] --- Art de l'antiquité --- Kunst van de oudheid --- Art, Ancient. --- Bronze age --- Commerce, Prehistoric --- Art --- Expertising. --- Art, Ancient --- Exchange, Prehistoric --- Prehistoric commerce --- Expertising --- Middle East --- Commerce [Prehistoric]
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Art, Iranian --- Art iranien --- Iran --- Antiquities --- Antiquités --- Art, Ancient --- Art, Parthian --- Congresses. --- Congresses --- Antiquités --- Art [Iranian ] --- Art [Ancient ] --- Art [Parthian ]
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Art, Ancient --- War in art --- Archeologie antique --- Guerre dans l'art
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Art, Assyro-Babylonian --- Art, Ancient --- Art assyrien --- Art antique --- Iraq --- Irak --- Antiquities --- Antiquités --- Antiquités
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