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Sherwood Anderson’s Winesburg, Ohio, revisits a classic, twentieth-century American text. Scholars from around the world share their intrepretations and shed new light on Anderson’s contribution to Modernism and his legacy to later writers. They look closely at gender relations, masculinity, place, the nature of community, and the elusive American Dream.
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Examines how events in the Cold War and post-Cold War periods shaped the intellectual projects of Perry Anderson and Immanuel Wallerstein.
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In his groundbreaking paper Absence of diffusion in certain random lattices (1958), Philip W. Anderson originated, described and developed the physical principles underlying the phenomenon of the localization of quantum objects due to disorder. Anderson's 1977 Nobel Prize citation featured that paper, which was fundamental for many subsequent developments in condensed matter theory and technical applications. After more than a half century, the subject continues to be of fundamental importance. In particular, in the last 25 years, the phenomenon of localization has proved to be crucial for the
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Since his explosive debut with the indie sensation 'Hard Eight', Paul Thomas Anderson has established himself as one of contemporary cinema's most exciting artists. His 2002 feature 'Punch-Drunk Love' radically reimagined the romantic comedy. Critics hailed 'There Will Be Blood' as a key film of the new millennium. In 'The Master', Anderson jarred audiences with dreamy amorphousness and a departure from conventional story mechanics. Acclaimed film scholar and screenwriter George Toles approaches these three films in particular, and Anderson's oeuvre in general, with a focus on the role of emergence and the production of the unaccountable.
Motion picture producers and directors --- Anderson, Paul Thomas. --- Anderson, P. T.
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The Grand Budapest Hotel and Moonrise Kingdom have made Wes Anderson a filmmaking force. Rushmore and The Royal Tenenbaums have become quotable cult classics. Yet every new Anderson release brings out droves of critics eager to charge him with stylistic excess and self-indulgent eclecticism. Donna Kornhaber approaches Anderson's style as the necessary product of the narrative and thematic concerns that define his body of work. Using Anderson's focus on collecting, Kornhaber situates the director as the curator of his filmic worlds, a prime mover who artfully and conscientiously arranges diverse components into cohesive collections and taxonomies. Anderson peoples each mise-en-scne in his ongoing "Wesworld" with characters orphaned, lost, and out of place amidst a riot of handmade clutter and relics. Within, they seek a wholeness and collective identity they manifestly lack, with their pain expressed via an ordered emotional palette that, despite being muted, cries out for attention. As Kornhaber shows, Anderson's films offer nothing less than a fascinating study in the sensation of belonging--told by characters who possess it the least. Covering Anderson's entire oeuvre and including an interview with the director, Wes Anderson is an entertaining look at one of our most beloved and polarizing filmmakers.
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Authors [American ] --- 20th century --- Biography --- Authors, American --- Anderson, Sherwood,
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In 1857 James Anderson Slover rode into Indian Territory as the first Southern Baptist missionary to the Cherokee Nation. As the Civil War began to divide the Cherokees along with the rest of the nation, Slover was caught up in one of the most intense dramas of his century. As a farmer, teacher, preacher and evangelist, observer of the Mexican War and the Civil War, contemporary commentator on slavery, and California pioneer, Slover played a small role in changing the face of the nation. It was in 1907, a year after he helped build shelters for people left homeless by the great San Francisco e
Missionaries --- Baptists --- Religious adherents --- Clergy --- Slover, James Anderson,
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