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History --- Geodesy. Cartography --- 912 <15> --- 091:52 --- 094:52 --- 133.52 --- 524 --- Cartografie. Kaarten. Plattegronden. Atlassen--Kosmos --- Handschriften i.v.m. astronomie-- Zie ook: {091:133.52} --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Astronomie. Astrofysica. Ruimteonderzoek. Geodesie --- Astrologie. Horoscopen. Dierenriem --- Stars. Stellar systems. The Universe --- 524 Stars. Stellar systems. The Universe --- 133.52 Astrologie. Horoscopen. Dierenriem --- 094:52 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Astronomie. Astrofysica. Ruimteonderzoek. Geodesie --- 091:52 Handschriften i.v.m. astronomie-- Zie ook: {091:133.52}
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"In the rapidly changing world of the early Middle Ages, depictions of the cosmos represented a consistent point of reference across the three dominant states-the Frankish, Byzantine, and Islamic Empires. As these empires diverged from their Greco-Roman roots between 700 and 1000 A.D. and established distinctive medieval artistic traditions, cosmic imagery created a web of visual continuity, though local meanings of these images varied greatly. Benjamin Anderson uses thrones, tables, mantles, frescoes, and manuscripts to show how cosmological motifs informed relationships between individuals, especially the ruling elite, and communities, demonstrating how domestic and global politics informed the production and reception of these depictions. The first book to consider such imagery across the dramatically diverse cultures of Western Europe, Byzantium, and the Islamic Middle East, [it] illuminates the distinctions between the cosmological art of these three cultural spheres, and reasserts the centrality of astronomical imagery to the study of art history"--Jacket flap.
Art, Medieval --- Cosmology in art --- Art médiéval --- Cosmologie dans l'art --- European influences --- Byzantine influences. --- Islamic influences --- Themes, motives. --- Influence européenne --- Influence byzantine --- Influence islamique --- Thèmes, motifs --- 912 <09> "04/14" --- 091:52 --- 52 <092> --- 52 <092> Astronomie. Astrofysica. Ruimteonderzoek. Geodesie--Biografieën --- 52 <092> Astronomy. Astrophysics. Space research. Geodesy--Biografieën --- Astronomie. Astrofysica. Ruimteonderzoek. Geodesie--Biografieën --- Astronomy. Astrophysics. Space research. Geodesy--Biografieën --- 091:52 Handschriften i.v.m. astronomie-- Zie ook: {091:133.52} --- Handschriften i.v.m. astronomie-- Zie ook: {091:133.52} --- 912 <09> "04/14" Cartografie. Kaarten. Plattegronden. Atlassen--Geschiedenis van ...--Middeleeuwen --- 912 <09> "04/14" Cartography. Maps. Atlasses--Geschiedenis van ...--Middeleeuwen --- Cartografie. Kaarten. Plattegronden. Atlassen--Geschiedenis van ...--Middeleeuwen --- Cartography. Maps. Atlasses--Geschiedenis van ...--Middeleeuwen --- Weltall (Motiv). --- Kunst. --- Astronomie (Motiv). --- Geschichte 500-1100. --- Art médiéval --- Influence européenne --- Thèmes, motifs --- ART / History / Medieval. --- Islamic civilization --- Medieval art --- European influences. --- Islamic influences.
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Although virtually unknown in his lifetime, Gerard Manley Hopkins (1844?1889) is counted today among the great nineteenth-century poets. His poetry was collected and published posthumously by his friend Robert Bridges in 1917, and subsequently Hopkins?s reputation flowered, though more as a modern writer than as Victorian, and very little as a poetic theorist. Yet the body of Hopkins?s critical writing reveals sharp insight into the subject of poetics, and presents an innovative theory that locates primary poetic meaning in ?figures of speech sound.? These ?figures of speech sound? provide the focus for James I. Wimsatt?s erudite and original study. Drawing from Hopkins?s diaries, letters, student essays, and correspondence with poet-friends, Wimsatt illuminates Hopkins?s theory that the sound of poetic language carries an emotional, not merely logical and grammatical, meaning. Wimsatt concentrates his study on Hopkins?s writings about ?sprung rhythm,? ?lettering,? and ?inscape,? ? his coinages ? and makes abundant reference to Hopkins?s verse, showing how it exemplifies his language theory. A well-researched and highly detailed book, Hopkins?s Poetics of Speech Sound asserts major significance for a relatively neglected aspect of this important poet?s writings.
Poetics. --- Poetry --- Technique --- Hopkins, Gerard Manley, --- Hopkins, G. M. --- Hopkins, Manley, --- Versification. --- Poetics --- 820 "18" HOPKINS, GERARD MANLEY --- 820 "18" HOPKINS, GERARD MANLEY Engelse literatuur--19e eeuw. Periode 1800-1899--HOPKINS, GERARD MANLEY --- Engelse literatuur--19e eeuw. Periode 1800-1899--HOPKINS, GERARD MANLEY --- Hopkins, Gerard Manley --- 091.31:7.04 --- 091 <41 LONDON> --- 091:52 --- #BIBC:CANADIANA 2002 --- 091:52 Handschriften i.v.m. astronomie-- Zie ook: {091:133.52} --- Handschriften i.v.m. astronomie-- Zie ook: {091:133.52} --- 091 <41 LONDON> Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--LONDON --- Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--LONDON --- 091.31:7.04 Verluchte handschriften: iconografie --- Verluchte handschriften: iconografie
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