Listing 1 - 10 of 30 | << page >> |
Sort by
|
Choose an application
Thematology --- Don Juan --- Molière --- Barthes, Roland --- Seduction in literature --- Discourse analysis --- Séduction dans la littérature --- Analyse du discours --- Discourse analysis. --- Seduction in literature. --- Séduction dans la littérature --- Discourse grammar --- Text grammar --- Semantics --- Semiotics --- Don Juan [Fictitious character]
Choose an application
"This book looks at the anxieties of the Victorian middle classes who feared a breakdown of the social order as divorce became more readily available and promiscuity threatened the sanctity of the family. In this novel the simple act of hiring a governess raises the spectres of murder, disguise, and adultery"--Provided by publisher.
Runaway wives --- Illegitimate children --- Accident victims --- Governesses --- Seduction --- England --- France --- Angleterre --- Anglii︠a︡ --- Inghilterra --- Engeland --- Inglaterra --- Anglija --- England and Wales
Choose an application
"Goethe is the most famous German author, and the poetic drama Faust, Part I (1808) is his best-known work, one that stands in the company of other leading canonical works of European literature such as Dante's Inferno and Shakespeare's Hamlet. This is the first new translation into English since David Constantine's 2005 version. Why another translation when there are several currently in print? To invoke Goethe's own authority when speaking of his favorite author, Shakespeare, Goethe asserts that so much has already been said about the poet-dramatist "that it would seem there's nothing left to say," but adds, "yet it is the peculiar attribute of the spirit that it constantly motivates the spirit." Goethe's great dramatic poem continues to speak to us in new ways as we and our world continually change, and thus a new or updated translation is always necessary to bring to light Faust's almost inexhaustible, mysterious, and enchanting poetic and cultural power. Eugene Stelzig's new translation renders the text of the play in clear and crisp English for a contemporary undergraduate audience while at the same time maintaining its leading poetic features, including the use of rhyme."--
Choose an application
The hero of the story is a demonic lover -- dark, handsome, mysterious, and dangerously seductive. The heroine -- beautiful, and innocent -- willingly becomes his victim and is destroyed by him. This story of demon-lover and victim, always charged with passion, has been told over and over, from Greek mythology through contemporary fiction and films. Demon-Lovers and Their Victims in British Fiction is the first historical and structural exploration of the demon-lover motif, with emphasis on major works of British fiction from the eighteenth, nineteenth, and twentieth centuries; it will interes
English literature --- Thematology --- Demonology in literature --- English fiction --- Seduction in literature --- Démonologie dans la littérature --- Roman anglais --- Séduction dans la littérature --- History and criticism --- Histoire et critique --- Démonologie dans la littérature --- Séduction dans la littérature --- Sex in literature. --- Evil in literature. --- Women in literature. --- Victims in literature. --- Seduction in literature. --- Demonology in literature. --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Evil in literature --- Good in literature --- History and criticism. --- Good and evil in literature.
Choose an application
The idea of the author as parent and the text as child is a pervasive metaphor throughout Renaissance poetry and drama. In Against Reproduction, Stephen Guy-Bray sets out to systematically interrogate this common trope, and to consider the limits of using heterosexual reproduction to think of textual creation.Through an analysis of Renaissance texts by poets and playwrights including William Shakespeare, Christopher Marlowe, and John Milton, Guy-Bray argues that the reproductive metaphor was only one of the ways in which writers presented their own literary production. Their uses of sexual language reveal that these authors were surprisingly ambivalent about their own writing. Guy-Bray suggests that they often presented their work in such a way as to feminize themselves and to associate the writing process with shame and abjection.Offering fresh perspectives on well-known texts, Against Reproduction is an accessible and compelling book that will affect the study of both Renaissance literature and queer theory.
Authorship in literature. --- English drama --- English literature --- English poetry --- Human reproduction in literature. --- Metaphor in literature. --- Sex in literature. --- History and criticism. --- Marriage in literature. --- Seduction in literature.
Choose an application
Illuminating the legend that Giacomo Casanova singlehandedly created in his famous – and at times infamous – autobiography, The History of My Life, this book provides a timely reassessment of Casanova’s role and importance as an author of the European Enlightenment. From the margins of libertine authorship where he has been traditionally relegated, the various essays in this collection reposition Casanova at the heart of Enlightenment debates on medicine, sociability, gender, and writing. Based on new scholarship, this reappraisal of a key Enlightenment figure explores the period’s fascination with ethnography, its scientific societies, and its understanding of gender, medicine, and women. Casanova is here finally granted his rightful place in cultural and literary history, a place which explains his enduring yet controversial reputation as a figure of seduction and adventure.
Enlightenment. --- Casanova, Giacomo, --- Age of Enlightenment. --- Fellini. --- Giacomo Casanova. --- History of My Life. --- Medecine. --- autobiography. --- eighteenth-century Europe. --- epistolary writing. --- history of Paris. --- libertine. --- love. --- seduction. --- sociability.
Choose an application
Didactic poetry, Latin --- Erotic poetry, Latin --- Seduction --- Poetry --- Love poetry, Latin --- Latin love poetry --- Latin poetry --- Latin didactic poetry --- Sex crimes --- Latin erotic poetry --- Classical Latin literature --- Seduction - Poetry --- Ovide (publius ovidius naso), poete latin, 43 av. j.-c. - 17 ap. j.-c. --- L'art d'aimer
Choose an application
This volume focuses on the reception of antiquity in the performing and visual arts from the Renaissance to the twenty-first century. It explores the tensions and relations of gender, sexuality, eroticism and power in reception. Such universal themes dictated plots and characters of myth and drama, but also served to portray historical figures, events and places from Classical history. Their changing reception and reinterpretation across time has created stereotypes, models of virtue or immoral conduct, that blend the original features from the ancient world with a diverse range of visual and performing arts of the modern era.The volume deconstructs these traditions and shows how arts of different periods interlink to form and transmit these images to modern audiences and viewers. Drawing on contributions from across Europe and the United States, a trademark of the book is the inclusive treatment of all the arts beyond the traditional limits of academic disciplines
Antique, the --- Civilisation --- Art --- anno 1500-1799 --- anno 2000-2009 --- anno 1400-1499 --- anno 1800-1999 --- Antiquity --- Civilization, Ancient, in art --- Seduction in art --- Power (Social sciences) in art --- Civilization, Ancient, in literature --- Seduction in literature --- Power (Social sciences) in literature --- Congresses.
Choose an application
Eighteenth-century literature displays a fascination with the seduction of a virtuous young heroine, most famously illustrated by Samuel Richardson's Clarissa and repeated in 1790s radical women's novels, in the many memoirs by fictional or real penitent prostitutes, and in street print. Across fiction, ballads, essays and miscellanies, stories were told of women's mistaken belief in their lovers' vows. In this book Katherine Binhammer surveys seduction narratives from the late eighteenth century within the context of the new ideal of marriage-for-love and shows how these tales tell varying stories of women's emotional and sexual lives. Drawing on new historicism, feminism, and narrative theory, Binhammer argues that the seduction narrative allowed writers to explore different fates for the heroine than the domesticity that became the dominant form in later literature. This study will appeal to scholars of eighteenth-century literature, social and cultural history, and women's and gender studies.
English literature --- Seduction in literature. --- Love in literature. --- Women in literature. --- Feminism in literature. --- Seduction --- Love --- Women --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- Affection --- Emotions --- First loves --- Friendship --- Intimacy (Psychology) --- Sex crimes --- Torts --- Feminist theory in literature --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- History and criticism. --- History --- Arts and Humanities --- Literature
Choose an application
Fathers and Daughters explores the complex nature of this subject using the voices and experiences of both fathers and daughters. Sue Sharpe provides an examination of the important processes operating within the relationship such as those affecting gender roles, achievement, teenage sexuality, women's relationships with men and ageing. It is an original and captivating treatment of a strangely neglected subject. Sue Sharpe is a free-lance writer and researcher based in London.
Fathers and daughters in literature --- German drama (Tragedy) --- Seduction in literature --- 830-2 --- 830-2 Duitse literatuur: toneel; drama --- Duitse literatuur: toneel; drama --- History and criticism --- Fathers and daughters. --- Daughters and fathers --- Daughters --- Father and child --- Girls
Listing 1 - 10 of 30 | << page >> |
Sort by
|