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Joan Didion
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ISBN: 1438481403 9781438481401 Year: 2021 Publisher: Albany State University of New York Press

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Abstract

"The only book to offer an extended treatment of Joan Didion's nonfiction writing, and the first to offer extended analysis of her prose style"--

The art of fact : contemporary artists of nonfiction
Author:
ISBN: 0313268932 Year: 1990 Publisher: New York Westport London Greenwood Press


Book
Tough enough : Arbus, Arendt, Didion, McCarthy, Sontag, Weil
Author:
ISBN: 9780226457802 9780226457772 9780226457949 022645794X 022645777X 022645780X Year: 2017 Publisher: Chicago, ill. The University of Chicago Press

Paradigms of paranoia : the culture of conspiracy in contemporary American fiction
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ISBN: 0817314474 Year: 2005 Publisher: Tuscaloosa University of Alabama Press


Book
After the end of history : American fiction in the 1990s
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ISBN: 9781587298158 1587298155 1587298902 9781587298905 Year: 2009 Publisher: Iowa City : University of Iowa Press,

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In this bold book, Samuel Cohen asserts the literary and historical importance of the period between the fall of the Berlin wall and that of the Twin Towers in New York. With refreshing clarity, he examines six 1990's novels and two post-9/11 novels that explore the impact of the end of the Cold War: Pynchon's Mason & Dixon, Roth's American Pastoral, Morrison's Paradise, O'Brien's In the Lake of the Woods, Didion's The Last Thing He Wanted, Eugenides's Middlesex, Lethem's Fortress of Solitude, and DeLillo's Underworld. Cohen emphasizes how these works reconnect the past to a present that is iro


Book
Quirks of the quantum : postmodernism and contemporary American fiction
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ISBN: 1283705516 0813932874 9780813932873 9780813932859 9780813932866 0813932858 0813932866 Year: 2012 Publisher: Charlottesville : University of Virginia Press,

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Using a new approach to literature and culture, this book aims to bridge the gap between science and the humanities by suggesting the many areas where they connect.

In Hawthorne's shadow : American romance from Melville to Mailer
Author:
ISBN: 0813115450 9780813162485 0813162483 9780813115450 0813151740 9780813151748 1322601941 Year: 1985 Publisher: Lexington, Kentucky : The University Press of Kentucky,

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""The world is so sad and solemn,"" wrote Nathaniel Hawthorne, ""that things meant in jest are liable, by an overwhelming influence, to become dreadful earnest; gaily dressed fantasies turning to ghostly and black-clad images of themselves."" From the radical dualism of Hawthorne's vision, Samuel Coale argues, springs a continuing tradition in the American novel. In Hawthorne's Shadow is the first critical study to describe precisely the formal shape of Hawthorne's psychological romance and to explore his themes and images in relation to such contemporary writers as John Cheever, Norman Mailer

Marriage, violence, and the nation in the American literary West
Author:
ISBN: 110713451X 128016140X 0511120818 1139148370 0511061021 0511054696 0511308299 0511485522 0511069480 9780511061028 9780511069482 9780511120817 9780521816670 052181667X 9786610161409 6610161402 9781139148375 9780511054693 9780511308291 9780511485527 9780521093422 0521093422 Year: 2002 Publisher: Cambridge : Cambridge University Press,

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In Marriage, Violence and the Nation in the American Literary West, William R. Handley examines literary interpretations of the Western American past. Handley argues that although scholarship provides a narrative of western history that counters optimistic story of frontier individualism by focusing on the victims of conquest, twentieth-century American fiction tells a different story of intra-ethnic violence surrounding marriages and families. He examines works of historiography,as well as writing by Zane Grey, Willa Cather, Wallace Stegner and Joan Didion among others, to argue that these works highlight white Americans' anxiety about what happens to American 'character' when domestic enemies such as Indians and Mormon polygamists, against whom the nation had defined itself in the nineteenth century, no longer threaten its homes. Handley explains that once its enemies are gone, imperialism brings violence home in retrospective narratives that allegorise national pasts and futures through intimate relationships.

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