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The book locates questions of languages, genre, textuality and canonicity within a historical and theoretical framework that foregrounds the emergence of modern nationalism in Egypt. The ways in which the cultural discourses produced by twentieth century Egyptian nationalism created a space for both a hegemonic and counter-hegemonic politics of language, class and place that inscribed a bifurcated narrative and social geography, are examined. The book argues that the rupture between the village and the city contained in the Egyptian nationalism discourse is reproduced as a narrative dislocatio
Arabic fiction --- Country life in literature. --- History and criticism. --- Country life in literature
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Kathleen Parth offers the first comprehensive examination of the controversial literary movement Russian Village Prose. From the 1950's to the decline of the movement in the 1970's, Valentin Rasputin, Fedor Abramov, and other writers drew on "luminous" memories of their rural childhoods to evoke a thousand-year-old pattern of life that was disappearing as they wrote. In their lyrical descriptions of a vanishing world, they expressed nostalgia for Russia's past and fears for the nation's future; they opposed collectivized agriculture, and fought to preserve traditional art and architecture and to protect the environment. Assessing the place of Village Prose in the newly revised canon of twentieth-century Russian literature, Parth maintains that these writers consciously ignored and undermined Socialist Realism, and created the most aesthetically coherent and ideologically important body of published writings to appear in the Soviet Union between Stalin's death and Gorbachev's ascendancy. In the 1970's, Village Prose was seen as moderately nationalist and conservative in spirit. After 1985, however, statements by several of its practitioners caused the movement to be reread as a possible stimulus for chauvinistic, anti-Semitic groups like Pamyat. This important development is treated here with a thorough discussion of all the political implications of these rural narratives. Nevertheless, the center of Parth's work remains her exploration of the parameters that constitute a "code of reading" for works of Village Prose. The appendixes contain a translation and analysis of a particularly fine example of Russian Village Prose--Aleksei Leonov's "Kondyr."
Country life in literature. --- Russian fiction --- History and criticism.
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Best remembered for his unfinished epic, the Aeneid, the poet Vergil was celebrated in his time both for the perfection of his art and for the centrality of his ideas to Roman culture. The Eclogues, his earliest confirmed work, were composed in part out of political considerations: when the Roman authorities threatened to seize his family's land, Vergil's appeal in the form of Eclogue IX won a stay. Eclogue I appears to be a thank-you for that favor. Barbara Hughes Fowler provides scholars and students with a new American verse translation of Vergil's Eclogu
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Written in mid-17th centuryEgypt, Risible Rhymesis in part a short, comic disquisition on “rural” verse, mocking thepretensions and absurdities of uneducated poets from Egypt’s countryside.The interestin the countryside as a cultural, social, economic, and religious locus inits own right that is hinted at in this work may be unique in pre-twentieth-centuryArabic literature. As such, the work provides a companion piece to its slightlyyounger contemporary, Yusuf al-Shirbini’s Brains Confounded by the Ode of AbuShaduf Expounded, which also takes examples of mock-rural poems andsubjects them to grammatical analysis. The overlap between the two texts mayindicate that they both emanate from a common corpus of pseudo-rural verse thatcirculated in Ottoman Egypt.Risible Rhymes also examines various kinds of puzzlepoems—another popular genre of the day—and presents a debate between scholarsover a line of verse by the tenth-century poet al-Mutanabbi. Taken as a whole, RisibleRhymes offers intriguing insight into the critical concerns of mid-OttomanEgypt, showcasing the intense preoccupation with wordplay, grammar, andstylistics that dominated discussions of poetry in al-Sanhuri’s day andshedding light on the literature of this understudied era.
Country life in literature. --- Arabic poetry --- Arabic literature --- History and criticism --- Egypt
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Pastoral poetry, Greek --- Poésie pastorale grecque --- History and criticism --- Histoire et critique --- Country life --- Country life in literature --- Translations into German --- Poetry --- -Country life in literature --- -Pastoral poetry, Greek --- -875 --- Greek pastoral poetry --- Greek poetry --- Rural life --- Manners and customs --- Griekse literatuur --- Country life in literature. --- History and criticism. --- Translations into German. --- Poetry. --- 875 Griekse literatuur --- Poésie pastorale grecque --- 875 --- 875 Greek literature --- Greek literature --- Pastoral poetry, Greek - History and criticism --- Pastoral poetry, Greek - Translations into German --- Country life - Greece - Poetry
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Poetry --- Comparative literature --- Theocritus --- European poetry --- Greek poetry, Hellenistic --- Pastoral poetry, Greek --- Pastoral poetry --- Country life in literature. --- Greek (Hellenistic) influences. --- History and criticism. --- Theocritus. --- Influence.
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Virgil. --- Pastoral poetry, Latin --- History and criticism --- Rome --- In literature --- Country life in literature. --- History and criticism. --- In literature. --- Pastoral poetry, Latin - History and criticism --- Rome - In literature
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The seventeenth-century English collaborative authors Francis Beaumont and John Fletcher were not only the most popular playwrights of their day but also literary figures highly esteemed by the great critics of the age, Jonson and Dryden. Concentrating on the passions of the royalty and high nobility in a courtly atmosphere, their dramas are now usually seen as epitomizing a decadent turn in theater at the end of the Jacobean period. Philip Finkelpearl sets out to change this view by revealing the subtle political challenges contained in the plays and by showing that they criticize rather than exemplify false values. The result is a wholly new conception of this pair of dramatists and of the entire question of the relationship between the Crown and the theater in their time. Finkelpearl presents new biographical material revealing that Beaumont and Fletcher had good and sufficient reasons to be critical of the court and the king, and he shows that their most important works--especially The Knight of the Burning Pestle, Philaster, A King and No King, and The Maid's Tragedy have such criticism as a central concern. Court and Country Politics in the Plays of Beaumont and Fletcher offers much information on the nature of the "public" and "private" theaters at which these plays were presented and on Jacobean censorship. The book is an impressive explanation of why Beaumont and Fletcher were a central force in the Age of Shakespeare.Originally published in 1990.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Literature --- Political plays, English --- Courts and courtiers in literature. --- Country life in literature. --- Authorship --- History and criticism. --- Collaboration --- History --- Beaumont, Francis, --- Fletcher, John, --- Criticism and interpretation.
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"Understanding Bobbie Ann Mason explores the literary accomplishments of a writer whose works straddle the line between highbrow literature and popular culture, an author whose writings are studied in academia and loved by general readers. Best known for her short story collections and her novels Feather Crowns, Spence + Lila, and In Country - the last of which is also a motion picture - Mason writes about small-town life in contemporary western Kentucky and the consumer culture that has replaced the agrarian values of previous generations. In this comprehensive analysis, Joanna Price offers an introduction to Mason's nonfiction prose, short stories, and novels, and sheds light on the writer's distinctive style and thematic concerns."--Jacket.
Women and literature --- Rural conditions in literature. --- Working class in literature. --- Country life in literature. --- Rural conditions in literature --- Working class in literature --- Country life in literature --- American Literature --- English --- Languages & Literatures --- Labor and laboring classes in literature --- History --- Mason, Bobbie Ann --- Criticism and interpretation. --- Kentucky --- Kentuck --- US-KY --- KY --- Ken. --- Kent. (State) --- Bluegrass State --- Commonwealth of Kentucky --- Virginia --- In literature. --- Intellectual life
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