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This classic work, first published in 1971, explores the transition in painting styles from the late Sung period to the art of Yuan dynasty literati. Building on the pioneering work of Oswald Siren and James Cahill, Susan Bush's investigations of painting done under the Chin dynasty confirmed the dominance of scholar-artists in the north and their gradual development of scholarly painting traditions, and a related study of Northern Sung writings showed that their theory was shaped as much by the views of their social class as by their artistic aims. Bush's perspective on Sung scholars' art and

Painting, Chinese. --- Chinese painting --- Paintings, Chinese --- S17/0600 --- China: Art and archaeology--Calligraphy and painting: general (incl. technic. and esthetic aspects)

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The growth of Shanghai in the late nineteenth century gave rise to an exciting new art world in which a flourishing market in popular art became a highly visible part of the treaty port's commercialized culture. Art Worlds examines the relationship between the city's visual artists and their urban audiences. Through a discussion of images ranging from fashionable painted fans to lithograph-illustrated magazines, the book explores how popular art intersected with broader cultural trends. It also investigates the multiple roles played by the modern Chinese artist as image-maker, entrepreneur, celebrity and urban sojourner. Focusing on industrially produced images, mass advertisements and other hitherto neglected sources, the book offers a new interpretation of late Qing visual culture at a watershed moment in the history of modern Chinese art.Art Worlds will be of interest to scholars of art history and to anyone with an interest in the cultural history of modern China.

Art and popular culture --- Painting, Chinese --- Artists --- Commercial art --- Popular culture and art --- Popular culture --- Chinese painting --- Paintings, Chinese --- Persons --- Advertising, Art in --- Advertising, Pictorial --- Advertising art --- Art, Commercial --- Art in advertising --- Commercial design --- Advertising --- Art --- Art and industry --- Graphic arts --- Posters --- Visual communication --- Motion picture billboards --- History

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Originally published as Volume 2 of The Tao of Painting, this is the first English translation of the famous Chinese handbook, the "Chieh Tzu Yüan Hua Chuan" (original, 1679-1701). Mai-mai Sze has translated and annotated the texts of instructions, discussions of the fundamentals of painting, notes on the preparation of colors, and chief editorial prefaces.

Painting --- Painting, Chinese --- Technique --- Painting, Chinese. --- Painters --- Chinese painting --- Paintings, Chinese --- Technique. --- S17/0600 --- China: Art and archaeology--Calligraphy and painting: general (incl. technic. and esthetic aspects) --- Painting - Technique --- A Book Of. --- Analects. --- Apricot. --- B.C. (comic strip). --- Bamboo painting. --- Bamboo shoot. --- Bamboo. --- Banksia. --- Begonia. --- Blue flower. --- Brushstrokes. --- Buddhism. --- Calligraphy. --- Camellia. --- Cedrela odorata. --- Chih. --- Chinese painting. --- Chrysanthemum. --- Cinnabar. --- Copying. --- Dyeing. --- Earthenware. --- Earwax. --- Eggplant. --- Engraving. --- Figure painting. --- Fine art. --- Firewood. --- Flowering plant. --- Flowers of the Four Seasons. --- Fungus. --- Gold leaf. --- Gourd. --- Han Yu. --- Herb. --- Herbaceous plant. --- Hydrangea. --- Illustration. --- In Parenthesis. --- Ink wash painting. --- Inkstone. --- La Vie (painting). --- Landscape painting. --- Li Tai. --- Literature. --- Lithography. --- Malachite. --- Materia medica. --- Medicinal plants. --- Monochrome painting. --- Mr. --- Mustard seed. --- Ochre. --- Oil lamp. --- Orange (colour). --- Peach. --- Peony. --- Perennial plant. --- Petal. --- Philadelphia Museum of Art. --- Picturesque. --- Pigment. --- Pink. --- Plant. --- Poaceae. --- Poetry. --- Polianthes tuberosa. --- Pomegranate. --- Porcelain. --- Prunus mume. --- Receptacle (botany). --- Saucer. --- Shan shui. --- Shrub. --- Song dynasty. --- Southern School. --- Stamen. --- Sterculia. --- Still Water (sculpture). --- Sulfur. --- Superiority (short story). --- Tang dynasty. --- Tao Te Ching. --- Tea. --- Testimonial. --- The Art of Painting. --- The Fundamentals. --- The Summer Solstice. --- Theory of painting. --- Treatise. --- Tree paint. --- Tree peony. --- Vinegar. --- Water chestnut. --- Wild plum. --- Wilting. --- Wood block. --- Writing. --- Yin and yang. --- Zhuge Liang.

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"Sometime before 1579, Zhou Lujing, a professional writer living in a bustling commercial town in southeastern China, published a series of lavishly illustrated books, which constituted the first multigenre painting manuals in Chinese history. Their popularity was immediate and their contents and format were widely reprinted and disseminated in a number of contemporary publications. Focusing on Zhou's work, Art by the Book describes how such publications accommodated the cultural taste and demands of the general public, and shows how painting manuals functioned as a form in which everything from icons of popular culture to graphic or literary cliche was presented to both gratify and shape the sensibilities of a growing reading public. As a special commodity of early modern China, when cultural standing was measured by a person's command of literati taste and lore, painting manuals provided nonelite readers with a device for enhancing social capital

Art and society --- Painting, Chinese --- Chinese painting --- Paintings, Chinese --- Art --- Art and sociology --- Society and art --- Sociology and art --- History --- Social aspects --- China --- Social life and customs --- Anleitung --- Maltechnik --- Ästhetik --- Tuschmalerei --- China. --- Handbuch --- Malerei --- Painting, Chinese. --- Manners and customs. --- Art and society. --- ANTIQUES & COLLECTIBLES --- ART --- Ceremonies --- Customs, Social --- Folkways --- Social customs --- Traditions --- Usages --- Civilization --- Ethnology --- Etiquette --- Rites and ceremonies --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Books. --- General. --- China (Republic : 1949- ) --- Cina --- Kinë --- Cathay --- Chinese National Government --- Chung-kuo kuo min cheng fu --- Republic of China (1912-1949) --- Kuo min cheng fu (China : 1912-1949) --- Chung-hua min kuo (1912-1949) --- Kina (China) --- National Government (1912-1949) --- China (Republic : 1912-1949) --- People's Republic of China --- Chinese People's Republic --- Chung-hua jen min kung ho kuo --- Central People's Government of Communist China --- Chung yang jen min cheng fu --- Chung-hua chung yang jen min kung ho kuo --- Central Government of the People's Republic of China --- Zhonghua Renmin Gongheguo --- Zhong hua ren min gong he guo --- Kitaĭskai︠a︡ Narodnai︠a︡ Respublika --- Činská lidová republika --- RRT --- Republik Rakjat Tiongkok --- KNR --- Kytaĭsʹka Narodna Respublika --- Jumhūriyat al-Ṣīn al-Shaʻbīyah --- RRC --- Kitaĭ --- Kínai Népköztársaság --- Chūka Jinmin Kyōwakoku --- Erets Sin --- Sin --- Sāthāranarat Prachāchon Čhīn --- P.R. China --- PR China --- PRC --- P.R.C. --- Chung-kuo --- Zhongguo --- Zhonghuaminguo (1912-1949) --- Zhong guo --- Chine --- République Populaire de Chine --- República Popular China --- Catay --- VR China --- VRChina --- 中國 --- 中国 --- 中华人民共和国 --- Jhongguó --- Bu̇gu̇de Nayiramdaxu Dundadu Arad Ulus --- Bu̇gu̇de Nayiramdaqu Dumdadu Arad Ulus --- Bu̇gd Naĭramdakh Dundad Ard Uls --- BNKhAU --- БНХАУ --- Khi︠a︡tad --- Kitad --- Dumdadu Ulus --- Dumdad Uls --- Думдад Улс --- Kitajska --- Art, Primitive --- Anleitungen --- Ratgeber --- Einführung --- Holztafelmalerei --- Tafelbild --- Tafelmalerei --- Gemälde --- Malen --- Künste --- Kunstästhetik --- Kunstphilosophie --- Kunsttheorie --- Philosophische Ästhetik --- Kunstanschauung --- Kunstauffassung --- Philosophie --- Ästhetizismus --- Ästhetisches Handeln --- Ästhetisches Verhalten --- Ästhetisches Ideal --- Ästhetisches Objekt --- Ästhetisches Urteil --- Künstlerische Technik --- Malmaterial --- Theorie --- Technik --- 1949 --- -BNKhAU --- Chung-hua min kuo --- Jhonggu --- Khi͡atad --- Kin --- Kita --- Kitaĭskai͡a Narodnai͡a Respublika --- National Government --- Republic --- Republic of China --- Zhonghuaminguo --- Rotchina --- Zhongguo-Diguo --- Kaiserreich Zhongguo --- Zhonghua-minguo --- Chung-hua-min-kuo --- Zhonghua-Renmin-Gongheguo --- Kaiserreich China --- Shinkoku --- Chung-hua-jen-min-kung-ho-kuo --- Zhonghua --- Volksrepublik China --- Zhonghua renmin gongheguo --- République populaire de Chine --- Kytajsʹkaja Narodnaja Respublika --- Chinese People’s Republic --- Chinesen --- Taiwan --- Künstlerische Technik