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When the avant-garde writer Mu Shiying was assassinated in 1940, China lost one of its greatest modernist writers while Shanghai lost its most detailed chronicler of its demi-monde nightlife. As Andrew David Field argues, Mu Shiying advanced modern Chinese writing beyond the vernacular expression of May 4 giants Lu Xun and Lao She to even more starkly reveal the alienation of the cosmopolitan-capitalist city of Shanghai, trapped between the forces of civilization and barbarism. Each of these five short stories focuses on the author's key obsessions: the pleasurable yet anxiety-ridden social and sexual relationships of the modern city and the decadent maelstrom of consumption and leisure in Shanghai epitomized by the dance hall and the nightclub. This study places his writings squarely within the framework of Shanghai's social and cultural nightscapes.
Authors, Chinese --- Mu, Shiying --- Mu, Shiying. --- China --- Shanghai (China) --- Changhaï (China) --- Ṣămhayi (China) --- Shang-hai (China) --- Shang hai shi (China) --- Shanghai --- Shanghai Municipality (China) --- Shanghai Shi (China) --- Shanghai Shi ren min zheng fu (China) --- Shankhaĭ (China) --- Xangai (China) --- 上海 (China) --- History --- S16/0470 --- China: Literature and theatrical art--Modern tales, short stories, prose: texts and translations --- Mu, Shih-ying --- 穆时英 --- 穆時英
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"How did ordinary people live through the extraordinary changes that swept across modern China? How did the "little people" cope with the epic upheavals that shook their lives? How did peasants transform themselves into urbanites? In this carefully researched study, Hanchao Lu weaves rich documentary data with ethnographic surveys and interviews to reconstruct the fabric of everyday life in China's largest and most complex city in the first half of this century."--Jacket. "Today, in the post-Mao, post-Deng era, China faces a vigorous resurgence of paradoxes similar to those that surfaced at the end of the imperial era. At the same time, the pragmatism of the Chinese people endures, suggesting that the lessons of the past have broad implications for urban China and urban-rural relations in China at the beginning of the third millennium."--Jacket.
Regions & Countries - Asia & the Middle East --- History & Archaeology --- East Asia --- Shanghai (China) --- Changhaï (China) --- Ṣămhayi (China) --- Shang-hai (China) --- Shang hai shi (China) --- Shanghai --- Shanghai Municipality (China) --- Shanghai Shi (China) --- Shanghai Shi ren min zheng fu (China) --- Shankhaĭ (China) --- Xangai (China) --- 上海 (China) --- Social life and customs --- Social conditions --- Economic conditions --- Chang-hai (China) --- Schanghai (China) --- 上海市(China) --- 上海市人民政府 (China) --- Шанхай (China) --- Śangqai (China) --- Economic history.
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Anthropology --- Sociology --- Social theory --- Social sciences --- Human beings --- History --- Nightlife --- Night life --- Amusements --- Manners and customs --- Shanghai (China) --- Changhaï (China) --- Ṣămhayi (China) --- Shang-hai (China) --- Shang hai shi (China) --- Shanghai --- Shanghai Municipality (China) --- Shanghai Shi (China) --- Shanghai Shi ren min zheng fu (China) --- Shankhaĭ (China) --- Xangai (China) --- 上海 (China) --- Social life and customs --- Primitive societies --- Chang-hai (China) --- Schanghai (China) --- 上海市(China) --- 上海市人民政府 (China) --- Шанхай (China) --- Śangqai (China)
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For nearly one hundred years, Shanghai was an international treaty port in which the extraterritorial rights of foreign governments shaped both architecture and infrastructure, and it merits examination as one of the most complex and influential urban environments of the late nineteenth and early twentieth centuries. Improvised City illuminates the interplay between the city’s commercial nature and the architectural forms and practices designed to manage it in Shanghai’s three municipalities: the International Settlement, the French Concession, and the Chinese city.This book probes the relationship between architecture and extraterritoriality in ways that challenge standard narratives of Shanghai’s built environment, which are dominated by stylistic analyses of major landmarks. Instead, by considering a wider range of town halls, post offices, municipal offices, war memorials, water works, and consulates, Cole Roskam traces the cultural, economic, political, and spatial negotiations that shaped Shanghai’s growth.Improvised City repositions Shanghai within architectural and urban transformations that reshaped the world over the late nineteenth and early twentieth centuries. It responds to growing academic interest in the history of modern and contemporary Chinese architecture and urbanism; the ongoing, shifting relationship between sovereignty and space; and the variegated forms of urban exceptionality-such as special economic zones, tax-free trading spheres, and commercial enclaves-that continue to shape cities.
Architecture and society --- Architecture --- Architecture and sociology --- Society and architecture --- Sociology and architecture --- History --- Social aspects --- Human factors --- Shanghai (China) --- Politics and government --- Changhaï (China) --- Ṣămhayi (China) --- Shang-hai (China) --- Shang hai shi (China) --- Shanghai --- Shanghai Municipality (China) --- Shanghai Shi (China) --- Shanghai Shi ren min zheng fu (China) --- Shankhaĭ (China) --- Xangai (China) --- 上海 (China) --- Chang-hai (China) --- Schanghai (China) --- 上海市(China) --- 上海市人民政府 (China) --- Шанхай (China) --- Śangqai (China)
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The issue of death has loomed large in Chinese cities in the modern era. Throughout the Republican period, Shanghai swallowed up lives by the thousands. Exposed bodies strewn around in public spaces were a threat to social order as well as to public health. In a place where every group had its own beliefs and set of death and funeral practices, how did they adapt to a modern, urbanised environment? How did the interactions of social organisations and state authorities manage these new ways of thinking and acting? Christian Henriot's pioneering and original study of Shanghai between 1865 and 1965 gives new insights into this crucial aspect of modern society in a global commercial hub and guides readers through this tumultuous era that radically redefined the Chinese relationship with death.
Death --- S03/0633 --- S13A/0410 --- Dying --- End of life --- Life --- Terminal care --- Terminally ill --- Thanatology --- Social aspects --- History --- China: Geography, description and travel--Shanghai (incl. concessions) --- China: Religion--Death, funeral, ancestral worship, graves --- Philosophy --- Shanghai (China) --- Changhaï (China) --- Ṣămhayi (China) --- Shang-hai (China) --- Shang hai shi (China) --- Shanghai --- Shanghai Municipality (China) --- Shanghai Shi (China) --- Shanghai Shi ren min zheng fu (China) --- Shankhaĭ (China) --- Xangai (China) --- 上海 (China) --- Social conditions --- Chang-hai (China) --- Schanghai (China) --- 上海市(China) --- 上海市人民政府 (China) --- Шанхай (China) --- Śangqai (China)
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This collection of original essays explores the rise of popular print media in China as it relates to the quest for modernity in the global metropolis of Shanghai from 1926 to 1945. It does this by offering the first extended look at the phenomenal influence of the Liangyou pictorial, The Young Companion , arguably the most exciting monthly periodical ever published in China. Special emphasis is placed on the profound social and cultural impact of this glittering publication at a pivotal time in China. The essays explore the dynamic concept of 'kaleidoscopic modernity' and offer individual case studies on the rise of 'art' photography, the appeals of slick patent medicines, the resilience of female artists, the allure of aviation celebrities, the feistiness of women athletes, representations of modern masculinity, efforts to regulate the female body and female sexuality, and innovative research that locates the stunning impact of Liangyou in the broader context of related cultural developments in Tokyo and Seoul. Contributors include: Paul W. Ricketts, Timothy J. Shea, Emily Baum, Maura Elizabeth Cunningham, Jun Lei, Amy O'Keefe, Hongjian Wang, Ha Yoon Jung, Lesley W. Ma, Tongyun Yin, and Wang Chuchu.
Mass media --- Popular culture --- Art and photography --- Illustrated periodicals --- Photography and art --- Photography --- Periodicals --- Journalism, Pictorial --- Photojournalism --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Mass communication --- Media, Mass --- Media, The --- Liang you. --- Companion pictorial --- Shanghai (China) --- Changhaï (China) --- Ṣămhayi (China) --- Shang-hai (China) --- Shang hai shi (China) --- Shanghai --- Shanghai Municipality (China) --- Shanghai Shi (China) --- Shanghai Shi ren min zheng fu (China) --- Shankhaĭ (China) --- Xangai (China) --- 上海 (China) --- In mass media. --- In popular culture. --- Social conditions --- Social life and customs --- Chang-hai (China) --- Schanghai (China) --- 上海市(China) --- 上海市人民政府 (China) --- Шанхай (China) --- Śangqai (China)
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"Revealing/Reveiling Shanghai provides international and interdisciplinary perspectives on representations of Shanghai, a contested location within political discourse and cultural imagination. Shanghai's complex history as a quasi-colonial city, and its contradictory identity as the birthplace of Communist China and the epitome of twenty-first-century capitalism, make it an especially fascinating subject. Contributors examine representations of Shanghai in film, art, literature, memoir, theater, and mass media from the past one hundred years. They address the ways in which texts from the late twentieth and early twenty-first centuries have rewritten past and present Shanghai to reflect our own wishes and anguishes, show how the city resists static interpretations, and challenge notions of authentic representation and identity. By revealing and questioning persistent stereotypes and constructed versions of East and West, the essays offer diverse views so as to create a genuine exchange with contemporary global audiences. A wide variety of texts are discussed, including the films Street Angel (1937) and The White Countess (2005), and the novels The Song of Everlasting Sorrow (1996) and Shanghai Baby(1999)."--
Shanghai (China) --- Changhaï (China) --- Ṣămhayi (China) --- Shang-hai (China) --- Shang hai shi (China) --- Shanghai --- Shanghai Municipality (China) --- Shanghai Shi (China) --- Shanghai Shi ren min zheng fu (China) --- Shankhaĭ (China) --- Xangai (China) --- 上海 (China) --- In motion pictures. --- In literature. --- In art. --- In popular culture. --- History --- S03/0633 --- China: Geography, description and travel--Shanghai (incl. concessions) --- Popular culture. --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Chang-hai (China) --- Schanghai (China) --- 上海市(China) --- 上海市人民政府 (China) --- Шанхай (China) --- Śangqai (China)
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The first biography of Carl Crow - one of the best-known and most successful Americans to live and work in Shanghai between the wars. After a successful career as a newspaperman and the proprietor of China's largest advertising agency in the 1930s he went on to write over a dozen books on China including the best selling series of anecdotes of his time in Shanghai: Four Hundred Million Customers.
Third World: economic development problems --- China --- Americans -- China -- Shanghai -- Biography. --- Crow, Carl, 1883-1945. --- Journalists -- China -- Shanghai -- Biography. --- Journalists -- United States -- Biography. --- Shanghai (China) -- History -- 20th century. --- Shanghai (China) -- Social life and customs -- 20th century. --- Regions & Countries - Asia & the Middle East --- East Asia --- History & Archaeology --- S05/0229 --- China: Biographies and memoirs--Foreigners associated with China (incl. Sinologues) --- Americans --- Journalists --- Crow, Carl, --- Shanghai (China) --- Social life and customs --- History --- Columnists --- Commentators --- Yankees --- Kelao, Ka'er, --- Shanghai --- Changhaï (China) --- Shang-hai (China) --- Shang hai shi (China) --- Shanghai Shi (China) --- Shanghai Municipality (China) --- Shanghai Shi ren min zheng fu (China) --- Shankhaĭ (China) --- Xangai (China) --- 上海 (China) --- Ṣămhayi (China) --- Authors --- Ethnology --- Developing countries: economic development problems --- Chang-hai (China) --- Schanghai (China) --- 上海市(China) --- 上海市人民政府 (China) --- Шанхай (China) --- Śangqai (China)
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This ground-breaking volume documents women's influence on popular culture in twentieth-century China by examining Yue opera. A subgenre of Chinese opera, it migrated from the countryside to urban Shanghai and morphed from its traditional all-male form into an all-female one, with women cross-dressing as male characters for a largely female audience. Yue opera originated in the Zhejiang countryside as a form of story-singing, which rural immigrants brought with them to the metropolis of Shanghai. There, in the 1930s, its content and style transformed from rural to urban, and its cast changed gender. By evolving in response to sociopolitical and commercial conditions and actress-initiated reforms, Yue opera emerged as Shanghai's most popular opera from the 1930s through the 1980s and illustrates the historical rise of women in Chinese public culture. Jiang examines the origins of the genre in the context of the local operas that preceded it and situates its development amid the political, cultural, and social movements that swept both Shanghai and China in the twentieth century. She details the contributions of opera stars and related professionals and examines the relationships among actresses, patrons, and fans. As Yue opera actresses initiated reforms to purge their theater of bawdy eroticism in favor of the modern love drama, they elevated their social image, captured the public imagination, and sought independence from the patriarchal opera system by establishing their own companies. Throughout the story of Yue opera, Jiang looks at Chinese women's struggle to control their lives, careers, and public images and to claim ownership of their history and artistic representations.
China --- Folk drama, Chinese --- Popular culture --- Theater --- Women in opera --- S11/0710 --- S11/0720 --- S16/0300 --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Chinese folk drama --- Chinese drama --- Nuo operas --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Opera --- History and criticism --- China: Social sciences--Women: general and before 1949 --- China: Social sciences--Women's emancipation movement: general and before 1949 --- China: Literature and theatrical art--Traditional theatre: studies --- Shanghai (China) --- Changhaï (China) --- Ṣămhayi (China) --- Shang-hai (China) --- Shang hai shi (China) --- Shanghai --- Shanghai Municipality (China) --- Shanghai Shi (China) --- Shanghai Shi ren min zheng fu (China) --- Shankhaĭ (China) --- Xangai (China) --- 上海 (China) --- Social life and customs --- Women in opera. --- History and criticism. --- Chang-hai (China) --- Schanghai (China) --- 上海市(China) --- 上海市人民政府 (China) --- Шанхай (China) --- Śangqai (China)
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By 1952 the Chinese Communist Party had suppressed all organized resistance to its regime and stood unopposed, or so it has been believed. Internal party documents-declassified just long enough for historian Paul Mariani to send copies out of China-disclose that one group deemed an enemy of the state held out after the others had fallen. A party report from Shanghai marked "top-secret" reveals a determined, often courageous resistance by the local Catholic Church. Drawing on centuries of experience in struggling with the Chinese authorities, the Church was proving a stubborn match for the party.Mariani tells the story of how Bishop (later Cardinal) Ignatius Kung Pinmei, the Jesuits, and the Catholic Youth resisted the regime's punishing assault on the Shanghai Catholic community and refused to renounce the pope and the Church in Rome. Acting clandestinely, mirroring tactics used by the previously underground CCP, Shanghai's Catholics persevered until 1955, when the party arrested Kung and 1,200 other leading Catholics. The imprisoned believers were later shocked to learn that the betrayal had come from within their own ranks.Though the CCP could not eradicate the Catholic Church in China, it succeeded in dividing it. Mariani's secret history traces the origins of a deep split in the Chinese Catholic community, where relations between the "Patriotic" and underground churches remain strained even today.
Communism and Christianity --- Christianity and communism --- Christianity --- History --- Catholic Church --- Gong, Pinmei, --- Gong, Ignatius Pinmei, --- Kung, Ignatius Pinmei, --- Kung, Pinmei, --- Kung, Ignatius, --- Gong, Tianjue, --- 龔品梅, --- 龚品梅, --- 龚天爵, --- Shanghai (China) --- Changhaï (China) --- Ṣămhayi (China) --- Shang-hai (China) --- Shang hai shi (China) --- Shanghai --- Shanghai Municipality (China) --- Shanghai Shi (China) --- Shanghai Shi ren min zheng fu (China) --- Shankhaĭ (China) --- Xangai (China) --- 上海 (China) --- Church history --- S13B/0621 --- China: Christianity--Catholic Church under communism: 1949 - 1966 --- Church of Rome --- Roman Catholic Church --- Katholische Kirche --- Katolyt︠s︡ʹka t︠s︡erkva --- Römisch-Katholische Kirche --- Römische Kirche --- Ecclesia Catholica --- Eglise catholique --- Eglise catholique-romaine --- Katolicheskai︠a︡ t︠s︡erkovʹ --- Chiesa cattolica --- Iglesia Católica --- Kościół Katolicki --- Katolicki Kościół --- Kościół Rzymskokatolicki --- Nihon Katorikku Kyōkai --- Katholikē Ekklēsia --- Gereja Katolik --- Kenesiyah ha-Ḳatolit --- Kanisa Katoliki --- כנסיה הקתולית --- כנסייה הקתולית --- 가톨릭교 --- 천주교 --- Chang-hai (China) --- Schanghai (China) --- 上海市(China) --- 上海市人民政府 (China) --- Шанхай (China) --- Śangqai (China)
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