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Artists in literature. --- Mann, Thomas, --- Criticism and interpretation.
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While it has become commonplace to discount British novelist Kingsley Amis as a "naïve realist," a mere comedic novelist, even a misogynist and failed moralist, Andrew James argues that Amis was seriously concerned with the role of the artist in society and explored this subject in many of his novels. Throughout the first twenty years of his career, Amis used bad artists as whimsical characters, or antimodels, that helped identify his artistic preferences and fictional techniques. He became convinced that the relationship between an artist and his audience was reciprocal and that both the outer audience and the artist's inner circle must be held accountable for the production of bad literature. During the last twenty years of his career, Amis no longer concerned himself with satirizing bad artists, but instead explored ways of ameliorating them. James shows that the development of antimodels as fully drawn characters and Amis's insistence upon reciprocity in the writer-reader relationship demonstrate that he was more than just a comedic writer, and was aware of himself as an artist with social responsibilities. The first study of Amis to analyze manuscript revisions in all of his novel drafts, Kingsley Amis: Antimodels and the Audience shows the more serious side of a complex writer who has yet to receive the critical recognition he deserves.
Artists in literature. --- Amis, Kingsley --- Amis, Kingsley William --- Ėmis, Kingsli --- Markham, Robert --- Tanner, William --- Criticism and interpretation.
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Since the late 1970s, more than 200 biographical plays about famous artists (composers, fine artists, poets, actors etc.) were written and staged in the United Kingdom. The book analyses the range of these plays, arguing that the dramatists often place the main artist character(s) in an adverse situation, inward (e.g., mental illness) or outward (a personal enemy, or an anonymous power, such as war). Against the background of such adverse forces, the artist characters tend come across as flaw...
English drama --- Artists in literature. --- Biographical drama --- Composers in literature. --- Biographical plays --- Biography --- Drama --- History and criticism.
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English literature --- Women artists in literature. --- Women and literature --- Art and literature --- Women authors --- History and criticism. --- History --- French influences. --- Staël, --- Sand, George,
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American fiction --- Mothers in literature. --- Creation (Literary, artistic, etc.) --- Creative ability in literature. --- Mother and child in literature. --- Social classes in literature. --- Women artists in literature. --- Creativity in literature. --- Motherhood in literature. --- Artists in literature. --- Mothers in literature --- Mother and child in literature --- Social classes in literature --- Women artists in literature --- Creativity in literature --- Motherhood in literature --- Artists in literature --- American Literature --- English --- Languages & Literatures --- Creative ability in art --- Creative ability in literature --- Art --- Imagination --- Inspiration --- Literature --- Creative ability --- Originality --- History and criticism. --- History and criticism --- History
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Vestdijk, Simon --- Littérature néerlandaise --- Nederlandse letterkunde --- Artists in literature. --- 839.3 "19" VESTDIJK, SIMON --- Artists in literature --- Nederlandse literatuur--20e eeuw. Periode 1900-1999--VESTDIJK, SIMON --- -Criticism and interpretation --- 839.3 "19" VESTDIJK, SIMON Nederlandse literatuur--20e eeuw. Periode 1900-1999--VESTDIJK, SIMON --- Vestdijk, Simon, --- Vestdijk, S. --- Criticism and interpretation. --- Vestdijk, Simon. --- VESTDIJK (SIMON), 1898-1971 --- CRITIQUE ET INTERPRETATION --- Artistes --- Dans la littérature.
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This work is the only study to focus on these three novels. The argument departs from previous scholarship by emphasizing the ambivalence and even, to some extent, hostility, evinced by each of the authors to aspects of modern social conditions, and by examining their discontents in detail. The study also shows a portrayal by the authors of a gradual increase in the tensions they detect in social and artistic conditions during the modern period.
Artists in literature. --- German fiction -- History and criticism. --- Goethe, Johann Wolfgang von, 1749-1832. Wilhelm Meisters Lehrjahre. --- Keller, Gottfried, 1819-1890. Grüne Heinrich. --- Mann, Thomas, 1875-1955. Doktor Faustus. --- German fiction --- Kèunstlerromane --- Artists in literature --- Art in literature --- Languages & Literatures --- Germanic Literature --- History and criticism --- Goethe, Johann Wolfgang von, --- Keller, Gottfried, --- Mann, Thomas,
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Grass, Günter --- Artists in literature --- Literature and society --- Artistes dans la littérature --- Littérature et société --- Grass, Günter, --- Aesthetics --- Political and social views --- Aesthetics, German --- Aesthetics. --- Artistes dans la littérature --- Littérature et société --- Grass, Günter,
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""Soto is a clever and convincing reader of modernist prose and makes a fair case for the value of the generational model. [His book] beats notions of 'ages' or 'epochs', because it is organic and bridges individual and collective historiography, while also allowing for the non-contemporaneity of the contemporaneous, the coexistence of multiple generations in time and space."" -Modern Language Review ""[The Modernist Nation's] historical span is impressive, ranging from Ralph Waldo Emerson to James Baldwin. . . . One of Soto's contributi
Beats (Persons) --- Artists in literature. --- Nationalism in literature. --- Conflict of generations in literature. --- National characteristics, American, in literature. --- Avant-garde (Aesthetics) --- Modernism (Literature) --- American literature --- Beat generation --- Beatniks --- Persons --- Bohemianism --- History --- History and criticism. --- Beat generation.
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